Une bible et un fusil

That does seem to be the general consensus surrounding Rooster Cogburn and I agree. The best asset of the film is easily the performances and chemistry of John Wayne and Katherine Hepburn, who are wonderful individually and together, and I was also impressed with the handsome cinematography, beautiful scenery and rousing score. There are some moments of witty and fun dialogue too.

Conversely, the film is rather sluggishly directed and also the film does drag in spots. I wasn't taken with Richard Jordan, I thought he overacted to the point it was somewhat distracting. The weakest asset of Rooster Cogburn is the story, it feels very cobbled together and is clumsily told.

In conclusion, it is a decent movie that could have been more. That said, Wayne and Hepburn actually prevent it from being any less than it turned out to be. 6/10 Bethany Cox

Hepburn & the Duke made a fairly decent movie and that's enough reason to see it at least once. The fact that Hepburn has a Father in the movie is suspect, at best, especially since he's not played by Moses himself. But that's besides the point here - they have terrific chemistry and their star power alone could put most of the actors on the screen today to shame. It would have been really memorable if the movie were worthy of them, though.

Someone in Hollywood had the bright idea of taking the leading character from "True Grit" and putting him in a story redolent of "The African Queen", casting a much older Katharine Hepburn, then experiencing a revival in her career, in the same part she played opposite Bogie. And it worked. If anything Wayne, with an unerring ear for the comic potential of his character, is even better than he was in "True Grit". It's a genuinely funny performance. Hepburn's character is too much an amalgam of Rose Sayer and Mattie Ross; she could be "True Grit's" Mattie 50 years on. But the chemistry between her and Wayne is palpable; they spark off each other.

The plot isn't up to much. It's been cobbled together from scraps of better movies and there is a terrible bit of over-acting from Richard Jordan as the chief villain, but it looks great, (the scenery is terrific), and is very enjoyable.

A sequel, of sorts, to True Grit (1969). John Wayne stars, as before, as Marshall Rooster Cogburn. Similar story to True Grit - woman wants her relative(s) killers brought to justice and turns to Rooster Cogburn. In True Grit the woman was young, and played by Kim Darby. In Rooster Cogburn the woman is elderly, and played by the great Katharine Hepburn.

Though I liked True Grit (7/10), I liked Rooster Cogburn even more. The story was more interesting, and the character-based drama was very entertaining. The relationship between John Wayne and Katharine Hepburn's characters was good to watch. Your typical chalk and cheese (both in terms of the characters and the actors), yet they find a common ground.

Solid plot, though there are some minor unnecessary or unrealistic detours. As mentioned, plot is similar to True Grit, and, to an extent, The African Queen (1951), which, interestly, also starred Katharine Hepburn. Direction is good.

I am not a fan of John Wayne - his performances are often one-dimensional, gung ho and wooden. Yet, as he grew older, he started to develop the character-actor side, maybe out of necessity, as you can only be an action-actor for so long. In The Man Who Shot Liberty Valance (1962) and True Grit (for which he won the Best Actor Oscar) he shows a more sensitive side, and this comes through here too. Sadly, this was to be his penultimate movie. He made one more - The Shootist (1976) - before dying in 1979 at the age of 72.

Katharine Hepburn reprises her role from The African Queen, and does it very well. As mentioned before, the interaction between her and John Wayne is quite something to behold.

A great movie.

A reading of the other reviews of Rooster Cogburn indicate that only fans of the two stars should look at this film. That's not saying a whole lot since this was a vehicle created for the two stars and only the two stars in this film could have brought it off.

It was a happy marriage of convenience with John Wayne's character of Rooster Cogburn from True Grit being so popular that a sequel was inevitable given Wayne's health holding up and Katharine Hepburn looking for something she could co-star with Wayne.

Hepburn was one of John Wayne's biggest boosters of his talent, politics aside. I remember reading that she thought John Wayne projected the same sense of integrity that Spencer Tracy did on the screen. Coming from her, I've got to believe that's the best compliment she could offer.

Wayne as Cogburn is on the trail of a gang that massacred an army patrol and stole a gatling gun and nitroglycerin for use in a planned bank robbery. The gang headed by Richard Jordan with Anthony Zerbe who used to scout for Wayne go to an Indian settlement with a missionary school headed by father and daughter preacher and teacher Jon Lormer and Katharine Hepburn. The gang shoots up the place and kills Lormer.

When Wayne comes he gets a lot more than he bargained for when he finds himself saddled with Hepburn and young Indian boy Richard Romancito. They accompany him on the trail of Jordan and his gang and get enough adventure to last a lifetime.

Everyone compares Hepburn as Eula Goodnight to her portrayal of another missionary, Rose Sayer in The African Queen. Both are on a chase in The African Queen with Bogey after the Germans who destroyed the mission in East Africa and killed her brother and with Wayne after some outlaws. And both films feature a very fine sequence of the two stars riding some rapids. But I think Eula Goodnight is a far more experienced woman of the world than Rose Sayer. Both disapprove of the alcoholic behavior of their male counterparts. Rose however takes some direct action.

As the film was designed around the two stars they settle comfortably in their roles. The chemistry between them is infectious, that they liked each other would be obvious to an alien from another planet.

I really envy young Richard Romancito to be in all those scenes and be able to watch a pair of screen legends.