Rudolph's Shiny New Year

This was included on the same DVD as "The Year Without a Santa Claus," and I must say that I don't remember this one at all from my childhood. It picks up where the original "Rudolph" left off. Rudolph has successfully saved Christmas, so he's charged with saving the New Year as well, sent off into the night by Santa Claus (who's really good at delegating, by the way), to find the New Year's baby, a bizarre little tyke with enormous ears who looks like Harpo Marx and wears a giant top hat. He's run away because everyone laughs at his ears; who better to find him and teach him the value of not taking life so seriously than Rudolph, he of the drunkard's nose?

I liked this one, though it features the least memorable music yet of this kind of animated film. Rudolph is joined by a soldier who's part clock and speaks in rhymed couplets, and a knight whose face we never see and who could be a character out of Monty Python. There's also a gloomy camel and my favorite character, a great whale who gives the group rides around the ocean and helps them chase down the scary monster bird (that's really its name) who wants to kidnap baby New Year so he can stop time and prevent himself from turning into ice (don't ask). Last but not least, Red Skelton fills narration duties as Father Time.

Like all of these films, even if they're not that great, they provide a certain nostalgic satisfaction to those of us who remember a time before computer animation.

Grade: B+

Rankin/Bass have been responsible for some of my favourites. Of their specials my favourites are Rudolph The Red Nosed Reindeer and Santa Claus is Comin' To Town. On the most part I did like Rudolph's Shiny New Year. Of course it is not as good as Rudolph The Red Nosed Reindeer, but considering how timeless that is I wasn't expecting the same kind of quality. I do think that some parts did feel stretched out and Rudolph's Shiny New Year could have been told quite easily in half the running time. It does look great though, a lot of detail went into the visuals and stop-motion animation and it really shows, managing to be both enchanting and wonderfully twisted. The score is fitting and whimsical, and while the songs are not among the most inspired or memorable from the Rankin/Bass specials- I personally did find Raining Sun Shine instantly forgettable- there are some pleasantly upbeat ones, the best being Hap-Hap-Happy New Year. The writing has its charm and fun, if not as fresh, witty or touching as some of the best Rankin/Bass specials. The story is interesting, the scenes with Happy are very sweet and what initially seems mean-spirited(I'm talking about Happy having big ears) comes across as touching in the end(I can also see a lot of people relating to Happy for this). There are some strange moments that can lose you first time, but the more times you see it the quicker you feel that it's part of the charm. Of the characters, all of which are engaging with some endearingly quirky names, my favourites are Rudolph, Father Time and Big Ben, though it is difficult not to love adorable little Happy and Aeon is a decent enough villain(even if there are better Rankin/Bass villains around, namely Burgermeister). The voice acting is terrific, Red Skelton being the standout. Overall, not one of the best Rankin/Bass specials but has a lot of good things. 8/10 Bethany Cox

Happy the Baby New Year had runaway due to teasing about his big ears. The weather is frightful. After saving Christmas, Rudolph is the only one who can save New Year. He is joined by General Ticker. They cross the Sands of Time to find Father Time guided by The Great Quarter Past Five. Aeon The Terrible is after Baby New Year to stop time. Rudolph searches for Happy in the Archipelago of Last Years.

It was over a decade since the first Rudolph first aired. There is a nostalgic charm to the stop-motion animation. While it's great to have new characters, I don't understand why so many of them seem to drop off. Where did General Ticker go? Why introduce great side characters, only to drop them immediately? I also don't understand how the 3 bears fit into the Archipelago. They're not historical figures. There are some new songs but it's always the classic that is truly great. Despite a few questionable turns, it's still a fun journey.

Just finished this, the sequel to Rankin/Bass' "Rudolph the Red-Nosed Reindeer". With Red Skelton as narrator Father Time as well as the Baby Bear, Frank Gorshin as the knight Sir Ten-To-Three, Morey Amsterdam as the caveman-O.M. (One Million), Hal "Great Gildersleeve" Peary as the whale Big Ben, Paul Frees as various voices, Don Messick as Papa Bear, Iris Rainer as Mama Bear, and, returning as Rudolph, Billie Mae Richards. Written once again by Romeo Muller, "Rudolph's Shiny New Year" is a wonderful Tall Tale about how the reindeer with the shiny nose managed to make sure that it didn't become December 31st forever. Even as an adult, I was enthralled by the way Muller kept making things up as the story went along and didn't care a lick about logic or stuff like that as long as it was still believable. Although when Red said this story took place just after the events in the previous special, I did question why Rudolph's antlers had shrunk to when he was a kid. Other than that, I still highly enjoyed "Rudolph's Shiny New Year". P.S. I just found out Frees and Amsterdam were born in the same city as I, Chicago, Ill.

This is the one with the villainous Vulture, and where Rudolph gets trapped inside a big snowball. And the kid with the huge ears too...Well, it's not bad-Santa mixed with New Years and whatever-it doesn't quite hold up as well's 'Heat Mizer' or the first Frosty, but it's a fun watch for the family.

*** outta ****