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W.W. and the Dixie Dancekings

  • 1975
  • PG
  • 1h 31m
ÉVALUATION IMDb
5,9/10
1,1 k
MA NOTE
W.W. and the Dixie Dancekings (1975)
Comédie

Ajouter une intrigue dans votre langueW.W. Bright is a robber with a heart of gold who travels the South robbing gas stations. When he hijacks their car, he meets an aspiring country band and, trailed by religious zealot cop, Br... Tout lireW.W. Bright is a robber with a heart of gold who travels the South robbing gas stations. When he hijacks their car, he meets an aspiring country band and, trailed by religious zealot cop, Bright helps the band make it big while on the run.W.W. Bright is a robber with a heart of gold who travels the South robbing gas stations. When he hijacks their car, he meets an aspiring country band and, trailed by religious zealot cop, Bright helps the band make it big while on the run.

  • Réalisation
    • John G. Avildsen
  • Scénariste
    • Thomas Rickman
  • Vedettes
    • Burt Reynolds
    • Art Carney
    • Conny Van Dyke
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    5,9/10
    1,1 k
    MA NOTE
    • Réalisation
      • John G. Avildsen
    • Scénariste
      • Thomas Rickman
    • Vedettes
      • Burt Reynolds
      • Art Carney
      • Conny Van Dyke
    • 25Commentaires d'utilisateurs
    • 17Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos53

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    Distribution principale40

    Modifier
    Burt Reynolds
    Burt Reynolds
    • W.W. Bright
    Art Carney
    Art Carney
    • Deacon
    Conny Van Dyke
    Conny Van Dyke
    • Dixie
    Jerry Reed
    Jerry Reed
    • Wayne
    Ned Beatty
    Ned Beatty
    • Country Bull
    James Hampton
    James Hampton
    • Junior
    Don Williams
    Don Williams
    • Leroy
    Rick Hurst
    Rick Hurst
    • Butterball
    • (as Richard D. Hurst)
    Mel Tillis
    Mel Tillis
    • Good Ole Boy #2
    Furry Lewis
    Furry Lewis
    • Uncle Furry
    Sherman G. Lloyd
    • Elton Bird
    Mort Marshall
    Mort Marshall
    • Hester Tate
    Bill McCutcheon
    Bill McCutcheon
    • Good Ole Boy #1
    Peg Murray
    • Della
    Sherry Mathis
    • June Ann
    Roni Stoneman Hemrick
    • Ticket Lady
    Charles S. Lamb
    • Dude
    Nancy Andrews
    • Rosie
    • Réalisation
      • John G. Avildsen
    • Scénariste
      • Thomas Rickman
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs25

    5,91.1K
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    10

    Avis en vedette

    8Pamsanalyst

    Don't know why

    this film has such a mediocre rating. It's a fine night's entertainment and it takes us back to an earlier time in country music before every big and medium-size city had its country station. The important thing is not to lose patience during the first half, when it seems like it will be forever before they get their act on the road, and pay no mind to the back story about the Southern Oil Company....in fact the 'hold up' of the bank really doesn't fit the rest of the film, it is almost too surreal, like Burt's Olds. Reynolds comes off like the poor man's Sam Phillips, getting these crackers onto Grand Ole Opry, and that moment when he spurns Van Dyke's advances as he hears the boys launching into something that sounds like music is stirring.

    That era is gone, but treasure the final scenes when Art Carney's car radio pulls in sounds from the ether that you won't hear today on the airwaves, where every voice comes out of broadcasting school. Rate this somewhere about 7 on a scale of 10.
    8herbqedi

    Easygoing down-home film comes really alive in second half

    In some ways, this is two different movies. Burt and Jerry getting back to their roots with Connie and the girls putting together the act and doing a bucolic type of road movie. The first part of the movie works well because of their chemistry with each other & with Conny Van Dyke.

    Then Art Carney takes over the film, the pace quickens, wry humor and conflict push the down-home charm to the back burner. That's okay because Carney is on his game and delivers a terrific performance as a self-righteous and determined lawman. And, Burt seems to turn his energy up two notches when Carney shares the screen with him.

    And, without giving anything up, they saved the best for last. The ending of this one is an all-time classic.
    8bonniefabregas

    How 'bout them Vols!

    One of my favorite Burt Reynolds' movies...Saw it for the first time at a drive-in movie theater in Central Ohio. One of my favorite memories is the laughter coming from my parents and I because we had lived in TN and got the humor. The local audience in OH missed it.
    dougdoepke

    Reynolds Doing What He Does Best

    It's a Burt Reynolds showcase. He plays the charming rogue to the hilt, a perpetual grin on that care-free mug. As the rootless WW, he tools around the South in a flashy car, sticking up gas stations in, yes, friendly fashion. However, it's really one of those big corporations, viz. SOS, that he picks on since he's got a grudge against their heartless ways. But then he hooks up with a promising hillbilly band The Dixie Dancekings, promoting their career in his inimitable way. That is, when he's not sticking up SOS banks, again,in friendly fashion. But the big boys in suits don't take kindly to his spree. So they sic a Bible spouting gumshoe (Carney) on his trail, a Deacon in black who looks like he's practicing for the Evil Dead.

    I expect a movie like this, filled with Southern stereotypes plus Reynolds smashing his share of hot cars, is mainly a matter of taste. But I found the general goofiness hard to resist. It's a perfect role for Reynold's brand of leering charm. At the same time, it's an uptight Art Carney, a million miles from his good-natured dimwit Ed Norton of the Honeymooners. Of course, there's the usual amount of car bashing and Keystone Cop car chases for a Reynolds movie. Plus, I really like the slow, engaging way WW takes over the fortunes of the Dixie Dancekings. You just know they'll make it big, but will the non-musical WW with the Deacon on his trail.

    All in all, the movie's an entertaining 90-minutes of Reynolds nonsense, despite my better judgment.
    Reel_entertainment

    This is a fun, fun movie!

    This & "White Lightning" are my all-time favorite Burt Reynolds films. this is at the height of his comedic, feel-good roles. Not many actors are as likable as Burt, which makes this goofy film a treat. Burt plays W.W. Bright, an ex-S.O.S. gas station employee who goes around robbing his old employers. A conman & loner, well at least he was before he ran into Dixie & the Dancekings. Pretending to be a Nashville music agent, he gets tangled in lies & cons, & before too long he gets attached to the band. Now he'll do as much as possible to help them out. Lots of fun!

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    Intérêts connexes

    Will Ferrell in Présentateur vedette: La légende de Ron Burgundy (2004)
    Comédie

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The female lead of Dixie was originally offered to Lynn Anderson and then Dolly Parton, both of whom turned it down.
    • Gaffes
      When Deacon crosses the street to the SOS building, all the traffic is driving through a red light.
    • Citations

      Gas station attendant: [as W.W. pulls in to fill up at a gas station] What do you take?

      W.W. Bright: I'll take Ethel if she's working!

    • Connexions
      Featured in Ammo for Shooting Clouds: John G. Avildsen Before Rocky (2022)
    • Bandes originales
      Mama Was a Convict
      Composed by Thomas Rickman and Tim McIntire

      Performed by Ned Beatty (uncredited)

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    FAQ19

    • How long is W.W. and the Dixie Dancekings?Propulsé par Alexa
    • Is this available anywhere? I've been searching for years.
    • When can I buy a sanctioned DVD?

    Détails

    Modifier
    • Date de sortie
      • 25 septembre 1975 (United Kingdom)
    • Pays d’origine
      • United States
    • Site officiel
      • YouTube - Video
    • Langue
      • English
    • Aussi connu sous le nom de
      • Ein Supertyp haut auf die Pauke
    • Lieux de tournage
      • Nashville, Tennessee, États-Unis
    • société de production
      • Twentieth Century Fox
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – États-Unis et Canada
      • 17 440 000 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 31m(91 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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