Tootsie

Wow!, what a film anyone who has seen this film would definetly agree with me that this film touches you in so many different places. It's funny, sad but also appealing to so many different people. Dustin Hoffman is superb in it, so is Jessica Lange the way they act on set together is very amusing but when they are alone, it's always an emotional scene. Especially the scene in which Julie (Lange) throws a glass of champagne at him when he tries to come on to her at a party, it's so funny. Murray is also good as Hoffman's mixed-up flat mate. Sydney Pollack the director also takes a small role as Hoffman's Agent who unsuccesfully tries to find him work. The viewer sees the struggle of all the characters in their everyday life. There is also a touch of romance in the fim for the sentimentals in this world. The whole team bonds together to create a funny, imaginative film suitable for anyone who is in the mood for a laugh or a cry. I thouroughly reccomend it!!

There is so much more to this film than Dustin Hoffman running around in a dress trying to act like a woman. Tootsie is one of the most intelligent comedies I've ever seen. It is perfectly cast, well-layered, and full of surprises.

Dustin Hoffman plays Michael Dorsey. He seems to know everything about acting except how to stay employed as an actor. In an early montage we see him auditioning for numerous plays where he is either too old, too young, too short, simply not the right guy for the part, or in some cases impossible to work with. We also see him trying to teach his craft to some young wannabe actors, and working at a restaurant to pay the bills. After a hilarious argument with his agent, he is simply told "No one will hire you!" The very next shot has Hoffman in drag walking down the street to an audition for a soap opera part his friend (Terri Garr) was unable to land. So intent is the chauvinistic director (Coleman) on casting a woman that looks tough enough for the part of a hospital administrator, Hoffman is denied without so much as a reading. He responds with a hilarious tirade that opens the door to his television career. Hoffman lands the part, and is soon winning over fans all over the country.

While Hoffman finds it wonderful to be working regularly, his personal life is understandably put to the test. He alienates Garr, is constantly made fun of by his roommate (Murray) and falls in love with one of his co-stars (Lange) who of course cannot learn his secret or he's out of a job. Things are further complicated when two older men fall in love with him. It would be pointless to try and describe some of the awkward situations he finds himself in. You must see the movie to experience them for yourself.

The film is so well-cast it's incredible. There are so many fine actors at work here that it almost becomes a contest of who can steal the scene first. Murray gets his share with his improvised lines. His lamenting of the state of his plays during a party scene will have you howling. The icing on the cake was director Sydney Pollack agreeing to play Hoffman's agent. They only have a few scenes together, but they are the film's best.

Tootsie is head and shoulders above other films I've seen that deal with men in women's clothing. Mrs. Doubtfire for example was all slapstick without much heart. In the end it tried to redeem itself in that department and just got way too sappy. Tootsie also wisely holds back in the feminism department. Although Hoffman's Dorothy Michaels is clearly a woman who inspires others to stand up for themselves, he is advised to tone it down by Pollack in one scene. Hoffman feels his Dorothy character should be doing specials and giving advice and whatnot, but Pollack reminds him, "You have NOTHING to say to women, Michael." In other words, you're lucky you've gotten away with the stunt up to this point, now you should be looking for a way to get out.

Overall Tootsie is wonderful experience. It made a fortune when released, and is still very relevant today. Don't miss it! 10 of 10 stars from the Hound.

Among some cross-dressing romance movies, 'Tootsie' has the most organized and simplest development. According to a few others I've watched, stories that can happen from cross-dressing are more than enough, but writers try to add more happenings, stories, comedies, turning movies unnatural and artificial. However, 'Tootsie' stays focused on Michael and Julie's love story. The story itself is not original or fresh; you've heard it a few times. However, out of those stories, 'Tootsie' feels most original.

It's strange how seeing a man dressed up as a woman always seems to be funny and popular with the audiences. Milton Berle helped make television with skits like this on his early 1950s show. It works here, too, with Dustin Hoffman applying the makeup and playing the role to the hilt.

Helping Hoffman is Jessica Lange in, by far, her most attractive role. I'm not particularly a fan of hers but she looked spectacular in here, almost like Marilyn Monroe.

This was a popular film because the humor was good and the two leads did a nice job, and people like a good romance story, too. Hoffman, like him or not, is a fabulous, able to play so many diverse roles. He's an amazing actor.

Sometimes overlooked is the big-name supporting cast which includes Dabney Coleman, Teri Garr, Bill Murray, Chares Durning and Geena Davis. The latter was making her screen debut in here!

This isn't as "cute" as it was 25 years ago but it sure was a justifiable bit hit back in the early '80s.

Michael, an unemployed actor in New York, takes desperate measures by dressing up as a woman called Dorothy Michaels and gets a job at an TV soap opera, where he falls in love with Julie. But how to tell her that he is actually a man...?

Winner of 3 Golden Globes ( Best movie comedy/musical, best actors Dustin Hoffman and Jessica Lange ) and one Oscar ( Best actress Jessica Lange ), "Tootsie" is a small masterpiece of intelligent comedy, full of emotions, love and interesting observations about the relationship between women and men.

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The situations are deliciously written. Just take the scene where Dorothy is auditioning for the role in the TV soap opera but is turned down because she is "too soft". Her response is gold: "Yes, I know what you want! You want some gross caricature of a woman to prove some idiotic point, like power makes women masculine, or masculine women are ugly...! Well, shame on you, you macho sh*t a**!" When later asked from the producer if she was just acting when she said that or if she was natural, she responded: "Which answer will get me the job?" Needless to say she got the job that instant, and a special place in my heart. But the best scenes are the ones where Dorothy is constantly improvising on the set, like when she was supposed to say to a woman who was beaten up by her man to take a therapy, but instead decided to tell that she would never let a man raise his hand on her( and then she threw a vase of flowers into the wall! ). Wonderful fun! Billy Wilder would be proud!

Dustin Hoffman is pure genius, more as a woman then as a man, as are Terri Garr and Bill Murray, before his critical fame with "Lost in translation" and "Broken flowers". "Tootsie" is quite simply a classic all the way through!

Grade: 10/10