ÉVALUATION IMDb
6,4/10
24 k
MA NOTE
Le pilote d'essai d'un hélicoptère de police expérimental apprend les sinistres implications du nouveau véhicule.Le pilote d'essai d'un hélicoptère de police expérimental apprend les sinistres implications du nouveau véhicule.Le pilote d'essai d'un hélicoptère de police expérimental apprend les sinistres implications du nouveau véhicule.
- Nommé pour 1 oscar
- 1 victoire et 4 nominations au total
Clifford A. Pellow
- Allen
- (as Clifford Pellow)
Histoire
Le saviez-vous
- AnecdotesOne reason Roy Scheider made this film was so that he would be unavailable to get cast as Chief Brody in Les dents de la mer 3 (1983), though he also admitted in an interview that the "Jaws" producers knew better than to ask him to play Brody again.
- GaffesCochrane sabotages Murphy's Bell jet ranger by removing the cotter pin and loosening the nut on the throttle-control linkage bolt so it can slip out. Aviation bolts are always installed head-end up as a safety precaution to keep the bolt in place should the nut come off.
- Citations
[Icelan and Braddock are discussing Murphy]
Icelan: He checks his sanity with a wrist watch!
Jack Braddock: What do you check yours with, a dipstick?
- Générique farfeluThere are no opening credits after the title is shown.
- Autres versionsWhen "Blue Thunder" was first released on video in Sweden, the scene where Kate drives to the the TV station with the videotape, involved a crazy stunt when she drives into a narrow alley and meets a police car that comes the other way. To avoid a disaster, Kate flips her car on its side, hits its roof on a wall and flips back again. In later video versions, the stunt is gone. We only see the car when it enters the alley and then we see her driving on the freeway with a strange damage on the roof.
- Bandes originalesTheme From Blue Thunder (Murphy's Law)
(uncredited)
Written by Arthur B. Rubinstein
Performed by Arthur B. Rubinstein, Cynthia Morrow, Brian Banks and Anthony Marinelli (as the Beepers)
Produced by Evan Pace
Associate Produced by Reno Romano
Commentaire en vedette
A Vietnam vet police helicopter pilot is asked to test a new state-of-the-art helicopter.
If you appreciate Blue Thunder for its action sequences, 80s technology and a decent hit of LA nostalgia there is no reason not to enjoy it.
The plot is a passable excuse to get Roy Schneider and Daniel Stern into the titular chopper doing all kinds of mischievous things and there is plenty of amusement to be taken from this. Imagine a couple of teenage boys let loose with hi-tech surveillance kit in a vehicle that can hover anywhere, seemingly undetected, and that's the mentality on display.
Most of the characters and the dynamics between them are hugely clichéd and not really explored in much depth or with any particular interest to me.
The plot does get vaguely engaging when the main conspiracy starts to unfold. There is one foot chase sequence involving someone bound and gagged that works very well.
All the downtown LA set aerial sequences that carry the movie to its conclusion are very well made, with production values and practical effects that hold up to the modern era. The flight stunts and use of model aircraft are blended seamlessly so that virtually everything feels real, apart from the final stunt, which has been built up so much during the movie that you somehow accept it as something that has to happen.
Schneider has no real acting challenges, but his presence is enough to engage anyone who is a fan of his work. Stern compliments him well in their scenes together. Warren Oates, Malcolm McDowell and supporting cast are all solid.
It's a 6.5/10 for me but I round upwards.
If you appreciate Blue Thunder for its action sequences, 80s technology and a decent hit of LA nostalgia there is no reason not to enjoy it.
The plot is a passable excuse to get Roy Schneider and Daniel Stern into the titular chopper doing all kinds of mischievous things and there is plenty of amusement to be taken from this. Imagine a couple of teenage boys let loose with hi-tech surveillance kit in a vehicle that can hover anywhere, seemingly undetected, and that's the mentality on display.
Most of the characters and the dynamics between them are hugely clichéd and not really explored in much depth or with any particular interest to me.
The plot does get vaguely engaging when the main conspiracy starts to unfold. There is one foot chase sequence involving someone bound and gagged that works very well.
All the downtown LA set aerial sequences that carry the movie to its conclusion are very well made, with production values and practical effects that hold up to the modern era. The flight stunts and use of model aircraft are blended seamlessly so that virtually everything feels real, apart from the final stunt, which has been built up so much during the movie that you somehow accept it as something that has to happen.
Schneider has no real acting challenges, but his presence is enough to engage anyone who is a fan of his work. Stern compliments him well in their scenes together. Warren Oates, Malcolm McDowell and supporting cast are all solid.
It's a 6.5/10 for me but I round upwards.
- snoozejonc
- 10 juill. 2022
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Blue Thunder
- Lieux de tournage
- City of Los Angeles Piper Technical Center - 555 Ramirez Street, Downtown, Los Angeles, Californie, États-Unis(Police helipad - Command Center)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 22 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 42 313 354 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 258 149 $ US
- 15 mai 1983
- Brut – à l'échelle mondiale
- 42 313 354 $ US
- Durée1 heure 49 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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What was the official certification given to Tonnerre de feu (1983) in Japan?
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