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Deadline Auto Theft

  • 1983
  • PG
  • 1h 38m
ÉVALUATION IMDb
5,3/10
276
MA NOTE
Deadline Auto Theft (1983)
ComédieDrameMesure

Ajouter une intrigue dans votre langueAfter an attempted theft of his daughter's husband's car, LAPD Captain Gibbs declares war on master car thief Maindrian Pace - overtaking his boss' betrayal and pursuing the Eleanor as Pace ... Tout lireAfter an attempted theft of his daughter's husband's car, LAPD Captain Gibbs declares war on master car thief Maindrian Pace - overtaking his boss' betrayal and pursuing the Eleanor as Pace tries to make his getaway.After an attempted theft of his daughter's husband's car, LAPD Captain Gibbs declares war on master car thief Maindrian Pace - overtaking his boss' betrayal and pursuing the Eleanor as Pace tries to make his getaway.

  • Director
    • H.B. Halicki
  • Writer
    • H.B. Halicki
  • Stars
    • H.B. Halicki
    • Marion Busia
    • Jerry Daugirda
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    5,3/10
    276
    MA NOTE
    • Director
      • H.B. Halicki
    • Writer
      • H.B. Halicki
    • Stars
      • H.B. Halicki
      • Marion Busia
      • Jerry Daugirda
    • 9Commentaires d'utilisateurs
    • 9Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos20

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    Rôles principaux65

    Modifier
    H.B. Halicki
    H.B. Halicki
    • Maindrian Pace
    Marion Busia
    • Pumpkin Chase
    Jerry Daugirda
    • Eugene Chase
    James McIntyre
    • Stanley Chase
    George Cole
    • Atlee Jackson
    Ronald Halicki
    • Corlis Pace
    Markos Kotsikos
    • Uncle Joe Chase
    Parnelli Jones
    Parnelli Jones
    Gary Bettenhausen
    Jonathan E. Fricke
    • Self…
    Hal McClain
    • Self…
    J.C. Agajanian
    J.C. Agajanian Jr.
    • Light Blue Unmarked Detective
    Christopher J.C. Agajanian
    Billy Englehart
    Sak Yamamoto
    • Self…
    Anthony Cole
    • Lowrider
    Michael Cole
    • Lowrider
    • Director
      • H.B. Halicki
    • Writer
      • H.B. Halicki
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs9

    5,3276
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    10

    Avis en vedette

    8GOWBTW-5STARreviewer

    A movie within

    This one is like a movie within the original. Only with new scenes. Remember the Godzilla movie with Raymond Burr added within. "Deadline Auto Theft" is not a real sequel to "Gone in 60 seconds". There are some scenes that are not in the original film. With Hoyt Axton as police captain, in scenes he was not originally in from the 1974 film. It's like watching the original movie all over again. Still high octane. And the credits with the additional other stars in the film. Although the added scenes, it is still a good movie to watch. And no one should bad mouth about it. It's just the same movie, different title.

    4 out of 5 stars.
    2BroadswordCallinDannyBoy

    Not very often do you get someone to rip-off their own film

    This is basically the cult classic 'Gone in 60 Seconds' with some added plot and few a few extra heaps of twisted metal.

    H.B. Halicki wanted to improve upon his initial successful film, so in conjunction while shooting the sequel 'The Junkman' he squeezed in some time to shoot the few extra scenes seen here. The result is pretty worthless. Like many camp classics, it is not plot or aesthetic quality that makes them good. It is the tongue-in-cheek nature that makes them fun romps. Can you imagine 'The Evil Dead' being "improved" upon? Sounds stupid to even consider, though Sam Raimi is trying to get a remake off the ground. However, he is pretty much starting from scratch with that, while here you have the same film with scenes added years later. The differences between these scenes are so apparent that it becomes ridiculous. Styles of clothes and even the condition of the old and new shots is so inconsistent that you'll be thinking an ape edited the film.

    What is even more disappointing that the "additions" don't add anything. They merely stretch out a film which goes against the whole point of good editing where you trim for good pacing. Also, the new chase scene in the beginning is highly mediocre and the climatic chase from the original is here untouched so by the time you get past the middle of the film you've seen it all before. The funny thing is H.B. Halicki's widow introduces the film as if it were a totally new movie on the DVD introduction.

    So only watch this if you want to see the famous 40 minute chase scene and cannot get the original in your hands. Or if you want to see an overblown array of car crashing that is the only thing that H.B Halicki managed to shoot for yet another chase film , but was killed in a stunt accident. That comes as a special feature on the DVD. But it is really nothing special and gets well beyond the line of ridiculousness with its slow motion, ever mounting metallic carnage. That essentially amounts to this film being waste of time. 2/10

    Rated PG for metal crunching mayhem
    7abbazabakyleman-98834

    A decent patchwork of Halicki's previous films

    This film is nothing more than a re-cut version of Halicki's 1974 classic Gone in 60 Seconds, but the end result is actually pretty good, if not sadly misleading. Those who are expecting this to be a new film will be disappointed. The film, at least, offers a lengthy opening car chase scene, which I suspect that some of it was actually cut from Halicki's previous movie The Junkman, with pretty good crashes. The film also offers new footage featuring Hoyt Axton as the blustery Captain Gibbs, who promises to nail Halicki to put an end to the car thefts in the city, and Dan Grimaldi as Gibb's whiny future son-in-law whose priceless Bricklin is stolen in the film's opening scene. Axton and Grimaldi add a lot of comedy to the new scenes, particularly where Axton reprimands and berates a bumbling group of detectives at the impound yard.

    Though it doesn't necessarily count as a new film, you might get some joy out of this one.
    10MrTaft

    "The New 'Gone in 60 Seconds'!"

    Or so touts the original trailer for the film. In director H.B. Halicki's previous movie, "The Junkman", Christopher Stone says he was "not excited" by the first three minutes of "Gone in 60 Seconds", and is thus doing reshoots. Here we have the result. "Gone in 60 Seconds" has been ripped apart, a lot of old stuff thrown away and new scenes inserted, including an entire new opening, parts of which can be seen in "The Junkman".

    The new opening and additional scenes are actually really good. However, they pretty-much have nothing to do with the rest of the film. Well, they do, but not in a way that if you got rid of them and just kept the old "Gone in 60 Seconds", it would make a difference. Hoyt Axton steals the show, but unfortunately disappears towards the end. His daughter's fiancé's car is stolen at the start, and we get numerous "hell-bent" speeches on how he is determined to catch master thief Maindrian Pace, but come the big pursuit at the end, he is nowhere to be found, apart from a couple of quick scenes in a helicopter, and when he saves the day for the hapless car wash manager who is wrongly accused.

    I guess the only thing to really discuss are the new scenes. For those who have seen the original "Gone in 60 Seconds", everything is still there, apart from a lot of shaved footage. The new Queen Mary chase at the start is very entertaining, but unfortunately the detectives in the pursuit are portrayed as goofy and stupid, much to the cliché. In "Gone in 60 Seconds" and "The Junkman", the police certainly crashed during chases, but the crashes were believable and real. In "Deadline Auto Theft", they seem to crash just for the sake of action, and most of the crashes are stupid and corny. Three cars in a row flying over an embankment and into boats to avoid a stationary Kombi? Not to mention the ridiculous "shortcut" taken by two cops in the LA riverbed, where they end up stalled over the drainage channel and have another unmarked car hit them and overturn.

    It was wonderful to see Sgt. Hawkins from "Gone in 60 Seconds" back and involved in the new scenes. However, where he was a hard-ass cop in that film, his new scenes here portray him as just as goofy and stupid as the rest. I was unhappy to see him uncredited yet again, and would love to know who played him. A great actor!

    "Deadline Auto Theft" is certainly worth a look. Hell, I really enjoyed it. There is one glaring problem, though, and that is that the new scenes were filmed in 1982, while "Gone in 60 Seconds" came out in 1974. So fashions and vehicles are completely different, and one would wonder why the hell Maindrian and pals dress like fools and the Long Beach PD drive 1968 Plymouth Belvederes, when at the start everything is post 1976. Try to ignore that and you'll be fine!
    5Uffe-13

    Strange re-make of Gone in 60 Seconds

    This is not a sequel to "Gone in 60 seconds". It is actually the same old 1974 film with new scenes inserted (apparently filmed at the same time as "The Junkman"). This sometimes look a bit strange, since some of the 1974 footage is rather scratched. What I find most curious about this film is that I have never found it in any movie encyclopedia. Not even Leonard Maltin mentions this alternate version in his review of the original Gone in 60 Seconds.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When viewed after director H.B. Halicki's second movie, The Junkman (1982), this film becomes an interesting piece of meta-fiction. Most of the movie is a shortened version of Halicki's first film, Gone in 60 Seconds (1974), with a new, lengthy opening sequence and various other new scenes which create a new subplot surrounding Hoyt Axton and the LAPD Auto-Theft Division. In The Junkman (1982), Gone in 60 Seconds (1974) is presented as a fictional film in post-production - this movie's new opening sequence is partially seen being shot in The Junkman (1982), during which Christopher Stone's character comments that Halicki (himself playing a fictional director) was "not excited" by the first three minutes of the original film (train crash investigation), and is therefore filming an entirely new sequence. As such, this film is the result of what is seen being shot in The Junkman (1982), and thus takes place in a different universe. In reality, Halicki sought to improve upon the original Gone in 60 Seconds (1974) by re-releasing it with these new scenes, which are far more extravagant and costly than what was originally shot. Without the different title, it could almost be seen as a "director's cut" of the original movie.
    • Gaffes
      The opening chase takes place entirely in Long Beach. While Captain Gibbs is an LAPD captain, he initiates the pursuit because he is on scene and witnesses his daughter's fiancé's car being stolen. However, the majority of responding units are from the LAPD instead of the Long Beach PD - and these LAPD units are parked in various areas around Long Beach, where they have no business being, particularly at the Queen Mary. All of the detectives who respond are part of Gibbs' auto-theft unit and it is highly unlikely that all would be in Long Beach at the same time working on different jobs. The dispatcher even says that "assisting units are Long Beach PD." Long Beach PD would be the primary pursuit agency, with assistance from the sheriff's department and Highway Patrol (as in the film). Captain Gibbs would be the only LAPD officer involved, as the other detectives and marked units have no jurisdiction in Long Beach.
    • Citations

      Captain Gibbs: [the telephone rings] Gibbs, here.

      Carl: Captain Gibbs, this is Carl and your people won't let me get my personal effects out of the car. It's bad enough my Bricklin's broken. I could lose my image.

      Captain Gibbs: [sarcastically] You know, you're really breaking my heart, Carl.

      Carl: But, captain, they won't let me see my baby. I mean, some cop said they won't release it because of evidence or something. Come on, what's the deal?

      Captain Gibbs: That's why we have impound lots.

      Carl: Look! I have to show what's left of my car to the insurance adjuster or I'll never get any money out of it! You gotta help me! Please!

      Captain Gibbs: I'll meet you down there at 4:00.

      Carl: 4:00? I have to be in Hollywood, this afternoon for an important meeting. Let's make it 2:30. What do you say?

      Captain Gibbs: No. Good-bye, Carl.

      [Hangs up]

      Carl: [Still on the other line] What about my reputation?

      Captain Gibbs: Shut up, Carl.

    • Générique farfelu
      The original end credits from Gone in 60 Seconds are shown at the end of the movie, along with new credits for the additional scenes. Because this was supposed to be an "original" movie, this creates continuity issues since most of the people credited for the 1974 footage did not work on the new scenes.
    • Autres versions
      Almost all of the sound effects and all of the music has been completely changed for the DVD release, in both the new "Deadline" footage and the old "Gone in 60 Seconds" footage.
    • Connexions
      Edited from Gone in 60 Seconds (1974)

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    FAQ18

    • How long is Deadline Auto Theft?Propulsé par Alexa
    • Is this a new movie?
    • Can this be labeled as a "director's cut" of Gone in 60 Seconds?
    • Why does Captain Gibbs hate Carl so much?

    Détails

    Modifier
    • Date de sortie
      • 28 octobre 1983 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Auf dem Highway spielt die Polizei verrückt
    • Lieux de tournage
      • Hotel Maya, a DoubleTree by Hilton - 700 Queensway Drive, Long Beach, Californie, États-Unis(Queensway Hilton/Adolph's Restaurant)
    • société de production
      • H.B. Halicki Mercantile Company
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 1 000 000 $ US (estimation)
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 38m(98 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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