ÉVALUATION IMDb
4,9/10
2,3 k
MA NOTE
Ajouter une intrigue dans votre langueIntent on winning a competition in place of her distinguished late father, beautiful young heiress Dale takes on the guise of a man and competes in his spot, embarking on a car race that cro... Tout lireIntent on winning a competition in place of her distinguished late father, beautiful young heiress Dale takes on the guise of a man and competes in his spot, embarking on a car race that crosses the unforgiving Sahara desert.Intent on winning a competition in place of her distinguished late father, beautiful young heiress Dale takes on the guise of a man and competes in his spot, embarking on a car race that crosses the unforgiving Sahara desert.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 1 victoire et 2 nominations au total
Yosef Shiloach
- Halef
- (as Joseph Shiloach)
4,92.3K
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Avis en vedette
Lambert is mesmerizing!
I'm a pushover for the Saharan setting, but discovering Lambert Wilson was the best surprise. He made the whole movie. His eyes, voice, stature......just wonderful. I liked the adventure of the movie.......much like the Great American Race.
Hey! I liked this movie!
It's a shame that everybody knocks this movie, because it really is good. Sure, it is cheesy in parts, but hey it's a 1983 Brooke Shields movie, what do you expect? The best way to describe this movie is probably that it is very much like a Harlequin romance in many ways. Brooke Shields gives a very good performance, as does movie veteran Sir John Mills. It seems with this movie you either like it or you don't. Personally, I liked it and do recommend it. So go ahead, get some junk food, and a friend who likes romance flicks, and watch it on a rainy day.
It's not good, but it's watchable.
Dale Gordon (Brooke Shields) is the falpper heiress to an American car company in the 1920s who upon her father's death takes it upon herself to enter an auto race across the Sahara dessert to prove the mettle of her father's car. Once there Dale and her two companions become embroiled in a tribal war between two factions and a sheik (Lambert Wilson) who becomes infatuated with her.
Sahara was one of a number of attempts by b-movie production company Golan-Globus to break out of their profitable but derided niche and break into the mainstream. Many of these films (Lifeforce, Superman IV, Over the Top) were big budget attempts to compete in the blockbuster field of the big 6 studios but all were failures (though Lifeforce has come to appreciate a cult following). Sahara was one of Golan-Globus' earliest attempts at trying a blockbuster and was inspired not only by popular adventure film Raiders of the Lost Ark but also the 1921 silent drama The Sheik of which producer Menahem Golan was a fan. The movie tries to be part rousing adventure, part romance, and part comedy and it fails at all three.
Easilly the biggest drag on the film is Brooke Shields. Shields exploded onto the scene with the hits The Blue Lagoon and Endless Love, but Shields unfortunately is not a good actress. She cannot carry an adventure film because she can't bring the needed enthusiasm and investment needed to bring in the audience investment. But even if Shields were replaced with a more competent actress, they'd still be dragged down by a script that is equally parts messy, unfocused, and jarring. The movie is allegedly about a cross country road race, but the race is really only used as a book end since the majority of the movie involves a feud between two desert tribes that are both violent and sadistic, but one's slightly less sadistic than the other one meaning they're this movie's "heroes". Why we the audience are supposed to care about the sheik falling in love with dale or defeating the rival tribe is anyone's guess as the romance feels cringey and the tribal warfare lacks any stakes or reason to care.
That said, the movie does have merit to it. John Rhys Davies and Lambert Wilson are genuinely good even if they are unsympathetic despite the movie's attempts to make us think otherwise. The movie is also well shot with some beautiful shots of the Sahara as well as a genuine sense of scope and scale in the racing and battle scenes. The movie's budget was $25 Million (of which it made back $1 Million) and you can see the money in the movie, it's just a shame it's for a movie that is lacking in character or story.
Sahara is a bad movie made well. It's about as good as a bad movie can be made. While the performances range from good to bad, and the story is a cluttered unfocused mess, there is entertainment value to be had from the technical aspects on display. It's not good, but it is watchable.
Sahara was one of a number of attempts by b-movie production company Golan-Globus to break out of their profitable but derided niche and break into the mainstream. Many of these films (Lifeforce, Superman IV, Over the Top) were big budget attempts to compete in the blockbuster field of the big 6 studios but all were failures (though Lifeforce has come to appreciate a cult following). Sahara was one of Golan-Globus' earliest attempts at trying a blockbuster and was inspired not only by popular adventure film Raiders of the Lost Ark but also the 1921 silent drama The Sheik of which producer Menahem Golan was a fan. The movie tries to be part rousing adventure, part romance, and part comedy and it fails at all three.
Easilly the biggest drag on the film is Brooke Shields. Shields exploded onto the scene with the hits The Blue Lagoon and Endless Love, but Shields unfortunately is not a good actress. She cannot carry an adventure film because she can't bring the needed enthusiasm and investment needed to bring in the audience investment. But even if Shields were replaced with a more competent actress, they'd still be dragged down by a script that is equally parts messy, unfocused, and jarring. The movie is allegedly about a cross country road race, but the race is really only used as a book end since the majority of the movie involves a feud between two desert tribes that are both violent and sadistic, but one's slightly less sadistic than the other one meaning they're this movie's "heroes". Why we the audience are supposed to care about the sheik falling in love with dale or defeating the rival tribe is anyone's guess as the romance feels cringey and the tribal warfare lacks any stakes or reason to care.
That said, the movie does have merit to it. John Rhys Davies and Lambert Wilson are genuinely good even if they are unsympathetic despite the movie's attempts to make us think otherwise. The movie is also well shot with some beautiful shots of the Sahara as well as a genuine sense of scope and scale in the racing and battle scenes. The movie's budget was $25 Million (of which it made back $1 Million) and you can see the money in the movie, it's just a shame it's for a movie that is lacking in character or story.
Sahara is a bad movie made well. It's about as good as a bad movie can be made. While the performances range from good to bad, and the story is a cluttered unfocused mess, there is entertainment value to be had from the technical aspects on display. It's not good, but it is watchable.
Overall pretty bad, but not without any merits
OK, I am a big Brooke Shields fan (that's why I have bought a DVD of this movie), but, honestly, I can understand why she was nominated for a Razzie award for this one... But it's not only the unfortunate Brooke, (except for C. Lambert, who plays the Arabic sheik in love with Brooke's character) the acting is uniformly bad in this movie. The parts where there are attempts at "humour" are the worst parts. The parts where there are attempts at drama come a close second worst. Or maybe the parts where there are attempts at romance. Nevertheless, the movie picks up some strength towards the end. The tribal battle scene is very good and the scene where Brooke is placed in a pit with black panthers and leopards is marvelous. For a western-made movie set in the Orient, I also liked the idea that the male protagonist was a non-westerner: you don't have a heroic white guy saving the white damsel in distress. Brooke's character is not the typical weakling damsel in distress either, she is a strong character herself.
Romantic and dreamy
Okay, so it's no Academy Award winner. The writing is poor, some of the movie is just plain silly, but there is a lot to enjoy.
I love the chemistry between the Brooke & Lambert Wilson... the seductive and emotional nature of their scenes together. Lambert Wilson takes my breath away! He did in 1983 when I first saw the film (okay, I'll admit -- a few times). I just finally found a copy recently and watched it again for the first time in 23 years or so, and he STILL takes my breath away! Brooke is beautiful and he is terribly handsome -- his face, his eyes, his voice -- he looks at her as if he's going to drink her. It's incredible. Mesmerizing. In my book, this is one of the sexiest movies ever (and without actually having any sex in it).
I looked up Lambert Wilson on IMDb and realized I didn't recognize him 20 years later in "Matrix Reloaded" or the newer "Sahara" (but it had been a long time -- the french accent and clean-shaven face threw me off). It looks like he's been working steadily in France all along, thank goodness. I'm thrilled to know he's been a success. I hope he'll do more American films. Oh, and the score was haunting. It added a lot to the film.
And one more thing: Brooke was practically a child when she did this film. I thought her acting was fine, especially considering her age and the poor script with which she had to work.
I love the chemistry between the Brooke & Lambert Wilson... the seductive and emotional nature of their scenes together. Lambert Wilson takes my breath away! He did in 1983 when I first saw the film (okay, I'll admit -- a few times). I just finally found a copy recently and watched it again for the first time in 23 years or so, and he STILL takes my breath away! Brooke is beautiful and he is terribly handsome -- his face, his eyes, his voice -- he looks at her as if he's going to drink her. It's incredible. Mesmerizing. In my book, this is one of the sexiest movies ever (and without actually having any sex in it).
I looked up Lambert Wilson on IMDb and realized I didn't recognize him 20 years later in "Matrix Reloaded" or the newer "Sahara" (but it had been a long time -- the french accent and clean-shaven face threw me off). It looks like he's been working steadily in France all along, thank goodness. I'm thrilled to know he's been a success. I hope he'll do more American films. Oh, and the score was haunting. It added a lot to the film.
And one more thing: Brooke was practically a child when she did this film. I thought her acting was fine, especially considering her age and the poor script with which she had to work.
Le saviez-vous
- AnecdotesMGM was the one who invested and put up all of the money for this movie's advertising and post-production. This was also the last The Cannon Group, Inc. movie with which they were involved, calling it "Dry as the Sahara desert...it was awful."
- GaffesTwice in the opening sequence, Dale (Brooke Shields) slides off the race course on a corner, and the wide view shows her race car hitting a hay bale barricade, but both times in a close-up shot inserted between the long views, her car hits a barricade made of tires.
- ConnexionsFeatured in Reel Bad Arabs: How Hollywood Vilifies a People (2006)
- Bandes originalesCharleston
(uncredited)
Written by James P. Johnson and Cecil Mack
Performed by The Pasadena Roof Orchestra
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- How long is Sahara?Propulsé par Alexa
Détails
Box-office
- Budget
- 25 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 1 402 962 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 550 848 $ US
- 4 mars 1984
- Brut – à l'échelle mondiale
- 1 402 962 $ US
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