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2010: The Year We Make Contact

Titre original : 2010
  • 1984
  • PG
  • 1h 56m
ÉVALUATION IMDb
6,7/10
60 k
MA NOTE
POPULARITÉ
4 203
3 292
2010: The Year We Make Contact (1984)
A joint U.S.-Soviet expedition is sent to Jupiter to learn what happened to the Discovery, and H.A.L.
Liretrailer2:14
2 vidéos
99+ photos
Épopée de science-fictionIntelligence artificielleScience-fiction spatialeAventureMystèreScience-fictionThriller

Neuf ans après 2001, Russes et Americains qui jouent aux matamores vont tout de même voir ensemble du côté de Jupiter où il se passe des choses bizarres ; ils réveillent Hall et une intellig... Tout lireNeuf ans après 2001, Russes et Americains qui jouent aux matamores vont tout de même voir ensemble du côté de Jupiter où il se passe des choses bizarres ; ils réveillent Hall et une intelligence supérieure (Dieu ?) tance ces idiots de terriens belliqueux.Neuf ans après 2001, Russes et Americains qui jouent aux matamores vont tout de même voir ensemble du côté de Jupiter où il se passe des choses bizarres ; ils réveillent Hall et une intelligence supérieure (Dieu ?) tance ces idiots de terriens belliqueux.

  • Réalisation
    • Peter Hyams
  • Scénaristes
    • Arthur C. Clarke
    • Peter Hyams
  • Vedettes
    • Roy Scheider
    • John Lithgow
    • Helen Mirren
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,7/10
    60 k
    MA NOTE
    POPULARITÉ
    4 203
    3 292
    • Réalisation
      • Peter Hyams
    • Scénaristes
      • Arthur C. Clarke
      • Peter Hyams
    • Vedettes
      • Roy Scheider
      • John Lithgow
      • Helen Mirren
    • 325Commentaires d'utilisateurs
    • 101Commentaires de critiques
    • 53Métascore
  • Voir l’information sur la production à IMDbPro
    • Nommé pour 5 oscars
      • 1 victoire et 9 nominations au total

    Vidéos2

    Official Trailer
    Trailer 2:14
    Official Trailer
    2010: The Year We Make Contact
    Clip 2:11
    2010: The Year We Make Contact
    2010: The Year We Make Contact
    Clip 2:11
    2010: The Year We Make Contact

    Photos111

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    Distribution principale28

    Modifier
    Roy Scheider
    Roy Scheider
    • Dr. Heywood Floyd
    John Lithgow
    John Lithgow
    • Dr. Walter Curnow
    Helen Mirren
    Helen Mirren
    • Tanya Kirbuk
    Bob Balaban
    Bob Balaban
    • Dr. R. Chandra
    Keir Dullea
    Keir Dullea
    • Dave Bowman
    Douglas Rain
    Douglas Rain
    • HAL 9000
    • (voice)
    Madolyn Smith Osborne
    Madolyn Smith Osborne
    • Caroline Floyd
    • (as Madolyn Smith)
    Dana Elcar
    Dana Elcar
    • Dimitri Moisevitch
    Taliesin Jaffe
    Taliesin Jaffe
    • Christopher Floyd
    James McEachin
    James McEachin
    • Victor Milson
    Mary Jo Deschanel
    Mary Jo Deschanel
    • Betty Fernandez
    Elya Baskin
    Elya Baskin
    • Maxim Brajlovsky
    Saveliy Kramarov
    Saveliy Kramarov
    • Dr. Vladimir Rudenko
    • (as Savely Kramarov)
    Oleg Rudnik
    • Dr. Vasili Orlov
    Natasha Shneider
    Natasha Shneider
    • Irina Yakunina
    Vladimir Skomarovsky
    Vladimir Skomarovsky
    • Yuri Svetlanov
    Victor Steinbach
    • Mikolaj Ternovsky
    Jan Tríska
    Jan Tríska
    • Alexander Kovalev
    • Réalisation
      • Peter Hyams
    • Scénaristes
      • Arthur C. Clarke
      • Peter Hyams
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs325

    6,760.3K
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    Avis en vedette

    ken_vandenbussche

    Watch this movie if you want to understand the previous one a little bit better

    I never knew a sequel was made of "2001: A space odyssey" until a few months ago. When I finally had watched this film, I understood why. "2010" is anything but a bad movie, but it doesn't offer the same remarkable innovation its predecessor did. Nevertheless, this film has some great special effects which are, just like "2001", way ahead of its time. Watching this film, it's hard to believe that it's already more than 15 years old! Because this film sets off immediately where the previous one ended, you're involved the second you start watching! As a result of this, "2010" sheds some serious light on many unanswered questions of "2001: A space odyssey". This alone makes the story of "2010" very appealing, because one wants to know the true meaning behind the mysterious monolith.

    The only let down of the film is that the characters are quite thin and the acting isn't always very convincing. Add to that one or two scenes that can be a bit monotonous and you know why I think "2010" is not as good as "2001".

    Even so "2010" is worth-watching thanks to breathtaking special effects and a storyline that'll make the previous movie a little bit more understandable.
    7Xstal

    The Mystery of the Monolith...

    It's some years later (nine in fact) a return is being planned, but the Russians seem to hold the upper hand, they're ahead, and will be first, so the USA is forced, to tag along, to sit right back, not take command. Upon arrival, the monolith is there, a balloon ride makes an interesting fanfare, jumping to Discovery, rebooting Hal to look and see, then instructions that they need to be elsewhere.

    It's not the worst sequel you'll find, and there are some remarkably good performances from a heavy weight cast. Not sure it will resolve too much of the conundrum, the interpretation of the first is uniquely your own if you've found the time to ruminate on it over the years, but compared to what it could have been, I wouldn't put you off.
    8noblecarbon

    Something Wonderful

    To those who play the game Kerbal Space Program, love The Martian, or astrophysics, this is a must see. Contrasting to the mystery of its predecessor (2001: a space odyssey), 2010 offers answers to the questions it posed. Based on the equally excellent novel "2010: Odyssey Two", it sticks to fairly accurate science (with some assumptions grounded in science). Notably, it deviates in some subplots from the book, simplifying the plot, which works just fine. Unlike the classical pieces used in 2001, the music is mostly original work (except for the franchise-defining use of "Also sprach Zarathustra"), composer David Shire does a great job capturing the sense of distance and grandness of space exploration. Arthur C. Clarke also wrote two further squeals, though they do not completely follow the exact same continuity between each other.
    7Artdoag2

    In the future, there are no lightbulbs

    I wondered that when the interior of the Leonov (CCCP ship) was so freegin' dim. Or maybe the Ruskies were trying to save power by keeping all of the lights off! That really piqued my curiosity... On the whole, 2010 is an above average, yet not superior movie. If any fans of AC Clarke's series have read the book "The Odyssey File", which chronicles the making of 2010 (the book is composed of e-mail correspondence between Clarke and director Peter Hyams. They were among the first users of e-mail technology - in 1984!) reveals the director's paranoia and even humility as he hopes his film will even come close as a worthy successor to the peerless original. That peerless original, of course, is 2001.

    2010 is dated, somewhat forgotten, and does fall short of the power of Kubrick's vision (how many times have you heard THAT before?). But Stan the Man is a hard act to follow. While 2001 is timeless, 2010 reveals its easily dated personality on a couple of occasions. The Cold War theme is the most obvious. The computers, monitors, and graphics used throughout are instantly identifiable, dressed-up Commodore 64-era tech hardware. Roy Scheider's character, Dr. Floyd, instructs his crew to "listen to your cassettes" to receive updates on their mission. Okay, so that line of dialogue wouldn't fly past 1992, when CDs were on the verge of killing the audio cassette star (*). But 2010 is not without merit. It follows its predecessor's footsteps to a faithful degree, filling in the aftermath of the Bowman-HAL fiasco, and the slew of interesting and dangerous ramifications it created.

    Peter Hyams obviously set out to create a cerebral, based-in-reality production, unlike the other sci-fi movies of his day, which gave 2010 a distinct image. Return of the Jedi came out the year before, 1983, and the moviegoing public was probably still hot on heels of the Star Wars depiction of space movies, which I assume hurt the box-office chances of 2010.

    It is a dated, yet hidden gem, crafted together with solid intentions and performances. The supporting cast of Helen Mirren, John Lithgow, and Bob Balaban play off each other very well and supply some thought-provoking and entertaining moments. The scenes with Bowman and Floyd are gripping, as is the later dialogue between Bowman and HAL. There are no explosions or corny "director tools" used, and the special effects (well, excluding the interior computer sets of the Leonov) were not revolutionary but get the job done.

    2010 hasn't enjoyed the staying power of its contemporary brethren (Blade Runner, 1982; the Star Wars trilogy, 1977-1983; Alien/Aliens, 1979, 1986) and is a circle-square comparison to 2001. But it holds its own in many respects and is worth a few repeated viewings.
    8kaboris1

    This film deserves more attention.

    I looked this film up before renting it since I had never seen it. The comments I saw for a review saying it was boring as the original (first one) and ..."uninvolving"? This movie blew me away, I really thought it was great. This is NOT an action movie and for that matter neither was "2001". If you're looking for a fast paced and, well.. shallow movie this isn't that either. You thinkers, this movie is for you. The acting is wonderful and special effects are very convincing and not diverting. The story is very interesting although it certainly dates it more than special effects. I can probably name about 120 sci-fi movies that aren't as enjoyable to me as 2010 and most of those are still more than worth seeing. Not only worth seeing but for genre fans it is worth owning on DVD.

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    Intérêts connexes

    Timothée Chalamet in Dune (2021)
    Épopée de science-fiction
    Alicia Vikander in Ex Machina (2014)
    Intelligence artificielle
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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Stanley Kubrick notoriously had all models and sets from 2001: L'odyssée de l'espace (1968) destroyed to prevent their reuse (which was common at the time). The model and interior of the spaceship Discovery had to be constructed by painstakingly scrutinizing blown-up frames from the original movie. The reconstructed ship was not a complete copy: the corridors are just a bit wider and lit with a more natural blue/white tone compared to its '2001' counterpart.
    • Gaffes
      No pods should be in the pod bay in 2010. 2001: L'odyssée de l'espace (1968) showed 3 pods. All were lost. The first was lost with Poole's body. The second was lost when Bowman blew the exploding bolts to enter the airlock. The third transported Bowman into the worm hole/monolith. When the crew enters the pod bay in 2010, one pod is is still sitting in it's storage area. (Although ignored in the movie, this is explained in the book (section 4, chapter 24). Dave Bowman is supposed to have retrieved pod #3 on remote while preparing his departure.) It is entirely possible that Bowen could have remotely piloted the pod back to the Discovery.
    • Citations

      Dr. Vasili Orlov: What was that all about?

      Chandra: I've erased all of HAL's memory from the moment the trouble started.

      Dr. Vasili Orlov: The 9000 series uses holographic memories, so chronological erasures would not work.

      Chandra: I made a tapeworm.

      Walter Curnow: You made a what?

      Chandra: It's a program that's fed into a system that will hunt down and destroy any desired memories.

      Dr. Heywood Floyd: Wait... do you know why HAL did what he did?

      Chandra: Yes. It wasn't his fault.

      Dr. Heywood Floyd: Whose fault was it?

      Chandra: Yours.

      Dr. Heywood Floyd: Mine?

      Chandra: Yours. In going through HAL's memory banks, I discovered his original orders. You wrote those orders. Discovery's mission to Jupiter was already in the advanced planning stages when the first small Monolith was found on the Moon, and sent its signal towards Jupiter. By direct presidential order, the existence of that Monolith was kept secret.

      Dr. Heywood Floyd: So?

      Chandra: So, as the function of the command crew - Bowman and Poole - was to get Discovery to its destination, it was decided that they should not be informed. The investigative team was trained separately, and placed in hibernation before the voyage began. Since HAL was capable of operating Discovery without human assistance, it was decided that he should be programmed to complete the mission autonomously in the event the crew was incapacitated or killed. He was given full knowledge of the true objective... and instructed not to reveal anything to Bowman or Poole. He was instructed to lie.

      Dr. Heywood Floyd: What are you talking about? I didn't authorize anyone to tell HAL about the Monolith!

      Chandra: Directive is NSC 342/23, top secret, January 30, 2001.

      Dr. Heywood Floyd: NSC... National Security Council, the White House.

      Chandra: I don't care who it is. The situation was in conflict with the basic purpose of HAL's design: The accurate processing of information without distortion or concealment. He became trapped. The technical term is an H. Moebius loop, which can happen in advanced computers with autonomous goal-seeking programs.

      Walter Curnow: The goddamn White House.

      Dr. Heywood Floyd: I don't believe it.

      Chandra: HAL was told to lie... by people who find it easy to lie. HAL doesn't know how, so he couldn't function. He became paranoid.

      Dr. Heywood Floyd: Those sons of bitches. I didn't know. I didn't know!

    • Connexions
      Featured in At the Movies: Beverly Hills Cop/2010/Stranger Than Paradise/City Heat (1984)
    • Bandes originales
      Also Sprach Zarathustra!
      By Richard Strauss

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    FAQ28

    • How long is 2010: The Year We Make Contact?Propulsé par Alexa
    • What was the source of the chlorophyll on Europa?
    • Why didn't William Sylvester reprise his role as Dr. Floyd?
    • Why didn't Leonov just bring enough fuel on board so they wouldn't have to slingshot?

    Détails

    Modifier
    • Date de sortie
      • 7 décembre 1984 (Canada)
    • Pays d’origine
      • United States
    • Site officiel
      • Official Facebook
    • Langues
      • English
      • Russian
    • Aussi connu sous le nom de
      • 2010
    • Lieux de tournage
      • Very Large Array, Socorro, New Mexico, ÉTATS-UNIS
    • société de production
      • Metro-Goldwyn-Mayer (MGM)
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 28 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 40 400 657 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 7 393 361 $ US
      • 9 déc. 1984
    • Brut – à l'échelle mondiale
      • 40 400 657 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 56m(116 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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