Dune

How do you adapt a highly complex book over 400 pages long with with a similar apendex to lord of the rings with well over 20 important characters all integral to the plot with multiple worlds giant sandworms interesting technology and a history spanning thousands of years to just over a 2 hour run time in a entertaining mainstream popcorn movie. Not to mention spice, the book has huge dialogue said in the characters minds. Well the simple answer is u can't do justice to the source material with this runtime.

But for all the faults this film as I remember back in the day being passed to me via a VHS recording off TV some of us still remember those days I was blown away I had never seen anything like it as a teenager the sets the costumes the visuals, the action, just strangeness of it all and that opening score wow, got me to read the novels and what novels they are each one different from the other with profound statements on what a hero is, and if you haven't read Dune you will certainly be confused by the sheer mass of strange names and fast moving plot. Was David lynch the wrong captain to steer this ship?, I'm not too sure he greatly respected the source material and wanted final cut making a three hour plus movie but the studio wanted a 2 hour star wars clone and Dune is nothing like Star wars although there are minor aspects George Lucas might of been influenced from for his famous space opera.

One will either be confused by the complex plot or intrigued to search out Frank Herberts masterpiece of a novel.

Then there's the cast easily as good as the modern version and in some respects more faithful to the book. A miss fire of adapting the source due to the length but if David lynch was given a 5 hour runtime I shudder to think he might of just of nailed it. But the better version of Frank Herberts novel is adapted to the screen is the 2001 Denis Villeneuve part one and the much anticipated part 2 with reference to length both will clock in together around the 5 hour mark.

'Dune' may have a dated look due to the poor special effects but it still is an enjoyable adventurous science fiction movie. The film is awkward and feels a little rushed but the sense of adventure is well maintained. Lynch fans who haven't yet seen this movie might be disappointed because this isn't like any of his later works. Almost everything about it, except for some of the acting is over the top. But it feels like a science fiction movie because of the unusual names, the art direction etc. With the excessive use of CGI, it is nowadays sometimes difficult with science fiction movies to feeling the experience of the world the director creates. It was fun to see actors like Kyle Machlachlan, Sean Young and Virginia Madsen who were so young at the time. 'Dune' has its flaws and there are many of it but the idea behind it is creative and the film has heart to make it entertaining enough. It is certainly not among the best of its genre and nor Lynch's best but it's fun enough to roll along with.

Overlong but visually stunning adaptation of the Frank Herbert book directed by David Lynch about Paul Atredies (Kyle MacLachlan) and his destiny to lead the people of the desert planet Dune, which is the largest producer of an intergalactic spice, to freedom from an evil empire.

Although it has great production values and a cast that tries its hardest to bring out the life in their characters, "Dune" never quite comes together. It's ability to be enjoyed is hampered by it's attempts to be as intellectually stimulating as possible and as a result tending to bore its own audience and hampering our ability to make an emotional connection to the characters (example: summarizing Paul's relationship with the beautiful Sean Young).

Rock singer Sting appears to be having fun as a lunatic killer with red hair.

Film is greatly redeemed by it's production value and bizarre atmosphere.

First of all I've read Herberts Dune saga and I loved the first book (the one the movie is about) and liked the rest.

Second there is a difference between the cinema version (137 min) and the TV version (190 min often referred also "special edition") which should also not be confused with the new version from 2000 (Frank Herbert's Dune). To keep it short the 137 version is great and the 190 min version sucks.

The TV version was split up to fill 2 evenings. For that they added about an hour of additional material not seen in the original version. While some of it is quite good like the prologue which went a little bit deeper into the Dune universe (Butlers Djihad) but most of it just destroys the atmosphere and the flow of the movie. On the technical side there is to note that the whole movie was Pan-Scanned which never is a good idea. Compared to the original version the quality really blows.

Now to the good one:

The movie is pretty much faithful to the book. There are things that were cut out from the book or it shows stuff that wasn't there, but what you see is CLEARLY Herbert's book which I thought is nearly impossible to translate into a (good) movie. It translates the "feel" of the book very well to the screen.

The most notable differences is that in the book Paul is at the age of 15 (at least at the beginning) while McLachlan more looks like 20 but I can live with that. The rest are minor things (like these sound modules) and some differences in continuity (the navigators needing the spice to well... navigate is revealed at the beginning).

The all actors give a solid performances. Notable are Kenneth McMillan (Baron Harkonnen) Patrick "Captain Picard" Steward (Gurney Halleck) and Sting as Feyd Rautha which really add to the movie.

The special effects range from crappy to good. The movie shines where it 's most important namely the sand worms which look fairly convincing. Personally I prefer (well done) miniature shots over those Episode 1/2 CGI effects which make especially environments look like plastic.

I think everybody who calls himself a Science-Fiction fan should have seen this movie which is a jewel under all those mediocre films that were spawned by Star Wars at that time. All the fans of the book should see it as what it is: A movie based on Dune. If you want the book word by word, don't watch the movie and read the book again.

Say what you will about incoherence, this is more sensuous than any Star Wars. In fact, it is the most expensive 'tripping' ever produced in film - though far from the most satisfying.

It helps to know the book and forget it as you watch this. Not being familiar with the book, you're left with a disjointed tapestry of weird costumes and special effects, some of them impressive, but if you are, and don't have to burden yourself with following the constantly clumsy explanation of the multifaceted Dune universe, you can enjoy this as illustration of a few core ideas.

Herbert's novel was the product of strange and powerful times. The US public was experiencing the Civil Rights upheaval, its short-lived infatuation with Islam and meditation, and the same year as the book came out, LSD had spilled out of some top-secret government labs into the streets and youth culture of San Francisco. The first satellite images of Earth had just been published. The Black Panthers had entered the vernacular.

So all the stuff about prescient visions, mentats and mastering mind, (herbally) expanded consciousness as the tool to the navigation and 'folding' of space, Herbert wrote with one eye on the Jordan Belson, Beatles and Maharishi crowd - the generation between film noir and Lucas that for a brief time projected truths into constructed cosmologies.

Herbert was more erudite than most. But he was caught under the same spell - the expectation of a noble jihad of the people and wise lamas from the East coming to teach 'the way'. And you can tell that he was exposed to Eastern thought through Jungians, by his laboriously constructed mythology and (now trite) focus on a Chosen One's journey.

Lynch was a late bloomer in that scene. To my knowledge, he fell in with what was being marketed as 'transcendental meditation' in his AFI years, while filming Eraserhead. I don't know what they practice behind closed doors - my interest lies with the Chinese model and they seem cultish to me. But, there's no doubt to me that he passed on the Lucas gig, thinking he was going to work on a vision of some power.

The film outright fails because the scope of the book is too big (to think that Hobbit is being stretched into a trilogy these days), and because he lacked the right collaborators and probably the predisposition to make an 'action' Dune.

Now Jodorowsky's Dune would have been something to see, probably as cumbersome about spirituality but much more organic. But, it's worth noting a few interesting things about this, in context of how Lynch would expand in later years.

He zeroes in on the transcendental experience of 'awakening the sleeper'. He does so in an obvious manner. Rambaldi's spiceworms as blossoming desert flowers top his visual meditation. And that all of Herbert's pomp and mythological noise work against him submerging the idea.

Keep in mind the Chinese notion - from the Tao Te Ching - that the 'soft beats the hard', stressed twice in the film even though no one actually thinks or fights in the Chinese way. Discard everything that is hard, from the crass Harkonnen to the acting style (mentat Dourif!) to the sophomoric rousing of Fremen rebellion, laser battles and final redemption.

The one part that is soft is at House Atreides, the preparation for Dune. What is there? Familiar dynamics - it's soap opera if you discard the costumes. Premonitions of murder and telepathic wiring with a fabric behind reason. A woman with her box of illusory sensations. A space flight through the doors of perception.

It's heady. None of it really works, because Herbert's synchretic universe is not one of internal martial arts, what we see matters. But does any of it remind you of a David Lynch film you know?