Un extraterrestre prend la forme du mari d'une jeune veuve et lui demande de bien vouloir le conduire du Wisconsin en Arizona. Le gouvernement tente de les arrêter.Un extraterrestre prend la forme du mari d'une jeune veuve et lui demande de bien vouloir le conduire du Wisconsin en Arizona. Le gouvernement tente de les arrêter.Un extraterrestre prend la forme du mari d'une jeune veuve et lui demande de bien vouloir le conduire du Wisconsin en Arizona. Le gouvernement tente de les arrêter.
- Réalisation
- Scénaristes
- Vedettes
- Nommé pour 1 oscar
- 2 victoires et 6 nominations au total
- Hot Rodder
- (as Sean Faro)
- Cook
- (as Buck Flower)
- S-61 Pilot
- (as Jim Deeth)
Avis en vedette
E.T. for adults
Basically, a perfect little movie. Beautifully and simply set up, the characters develop naturally in such a way that keeps you hooked right through to the end of the film. The strength of the central relationship distracts you from little infelicities, such as the fact that "Jennyhayden" seems remarkably incurious about her alien visitor - even after she gets to know him, it's not until he's about to leave that she asks him what his world is like! The film nicely points out the irony of our having extended welcoming greetings to the Universe, while our own mutual distrust causes us to shoot down every unexpected flying visitor. Having established that, however, Richard Jaekel's character seems to be pursuing the violent solution for its own sake without really exploring any motivation. When Charles Martin Smith points out that our behaviour does appear a little rude, Jaekel doesn't even have an answer for him - he's just going to try to kill the alien because that's his role in the movie I guess!
"Do you know what I find most beautiful about you? You are at your best when things are at their worst."
Well, it has been 19 years - I guess that the "boy baby" has grown up. Time for the sequel, methinks!!
Sci-fi road movie with lots of heart
The narrative has some keenly observed moments on the human condition and is quite touching at times, but it's a little patchy with some cheap jokes at times and could have been a little more incisive. The film Arrival tackles some of the issues raised here with much more finesse and nuance.
But the film's great strength is in the two lead characters and the chemistry between them. Karen Allen is superb in her display of grief, awe, love and understanding. Jeff Bridges should have won the Oscar for his amazing interpretation of an alien being in human form. There is one scene in particular where he displays such tenderness it is jaw-droppingly good.
The underlying score and main theme are perfect and you are left wanting more at the end. Still a great watch 40 years later.
Bridges Brings "Starman" To Life
Total surprise
Although this film came out in the wake of E.T., I find it superior to the overly-sentimental Spielberg movie. The storyline is subtle and the developing central relationship is slow paced, taking time to get to know the protagonists and present them in a realistic light. The love story between Allen and Bridges is low key throughout, and even the love scenes are handled sensitively.
Allen has always seemed to me to be a completely natural actress, free from artifice; she has a rare ability to inhabit her roles which makes you wonder why she didn't become a bigger name. Opposite her in an Oscar-nominated performance stands Jeff Bridges, playing it kooky and mannered as the alien-in-a-man's-body; there's something oddly moving about his role in this film and he soon had me completely engaged in his character.
Yes, I'll admit that I shed a tear or two at the moving climax, even though I'm a totally non-romantic person when it comes to films and you can usually find me watching gory horror flicks instead. Saying that, watch out for the utterly eerie scene at the opening when a baby transforms into a man. This scene scared the hell out of me when I saw it as a kid, and even today the icky sound and physical effects bring to mind a certain ice-bound Carpenter classic!
Good Company!
This is not your typical over the top FX SciFi. It is an action drama with an underlying love story that would interest, even those who don't like this genre. But then I suppose if John Carpenter were to make a movie about the number 2758.369, it would be a interesting!
What more can I say - Great stuff!
Le saviez-vous
- AnecdotesThe only John Carpenter film to have an Academy Award nomination (Jeff Bridges, Best Actor).
- GaffesDuring the chase after being discovered at the hotel, the radio reports that the car was on I-80 North. I-80 is an east-west interstate as shown seconds later when they crashed through the road construction signs.
- Citations
[Starman is driving the car, and speeds across a recently turned red light, causing crashes for the other motorists]
Starman: Okay?
Jenny Hayden: Okay? Are you crazy? You almost got us killed! You said you watched me, you said you knew the rules!
Starman: I do know the rules.
Jenny Hayden: Oh, for your information pal, that was a *yellow* light back there!
Starman: I watched you very carefully. Red light stop, green light go, yellow light go very fast.
- Générique farfeluSecond To Last Note Appearing In The Film's Closing Credits:
Other than the Voyager Satellite expedition depicted in this Picture, which expedition actually occurred, the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character or history of any person is entirely coincidental and unintentional.
- ConnexionsFeatured in At the Movies: Dune/Starman/Mass Appeal/Runaway (1984)
- Bandes originales(I Can't Get No) Satisfaction
Written by Mick Jagger (as Michael Jagger) and Keith Richards (as Keith Richard)
Published by ABKCO Music Inc.
Performed by The Rolling Stones
Courtesy of ABKCO Records Inc.
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Starman
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 22 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 28 744 356 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 872 022 $ US
- 16 déc. 1984
- Brut – à l'échelle mondiale
- 28 744 356 $ US
- Durée
- 1h 55m(115 min)
- Couleur
- Rapport de forme
- 2.39 : 1








