Un androïde apparemment indestructible est envoyé de 2029 à 1984 pour assassiner une serveuse et ainsi éviter une guerre contre les machines, tandis qu'un soldat de cette guerre est envoyé p... Tout lireUn androïde apparemment indestructible est envoyé de 2029 à 1984 pour assassiner une serveuse et ainsi éviter une guerre contre les machines, tandis qu'un soldat de cette guerre est envoyé pour la protéger à tout prix.Un androïde apparemment indestructible est envoyé de 2029 à 1984 pour assassiner une serveuse et ainsi éviter une guerre contre les machines, tandis qu'un soldat de cette guerre est envoyé pour la protéger à tout prix.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 9 victoires et 8 nominations au total
- Punk
- (scenes deleted)
- Policeman
- (as William Wisher Jr.)
Sommaire
Avis en vedette
One of Arnold's best
Nice night for a walk.
As we all know what the story is, I'll just tell you a bit about what is so fascinating about it. First I have to mention Michael Biehn. He has the real starring role. He is the character that has to explain everything to the audience. He has to explain this complicated story so that we know what is happening and why. It is not an easy job to do something like that and still come off looking all right. But Biehn is simply awesome in this film. A microcosm of his performance can be seen when Sara bites him. Biehn ( Kyle Reese ) replies " Terminator's don't feel pain. I do. Don't do that again. " That is such a great line delivered with the perfect expression, the perfect tone and the perfect timing. Biehn is perfect for the role.
This is also the first film that I saw as a youngster that ever warned me of the dangers of nuclear war and of the rapid advancements of machinery. Perhaps I was too young and naive to fully understand all that James Cameron was trying to say, but now that I am older, I can honestly say that the two Terminators are perfect anti nuke films. And they are so passionate with what they have to say. I like it when a film has something to say. I enjoy being entertained in the process but if you can manage both then you have a masterpiece. This is a masterpiece.
Finally. there are two other reasons to enjoy this film. One, this is the first film where "I'll be back" was spoken. Now it is part of Arnolds vernacular. Secondly, Bill Paxton is in it. And he adds spark to any film that he's in. Especially here, as the idiot punk leader that really gets the hell beat out of him, he has some great lines.
A great film.
Old, but still good.
Amazing, even for a non-fan of the genre
It's about transformation
In the course of a few hours during which Sarah Connor realises that she is running for her life from a soul-less machine in human flesh that is implacably and violently determined to kill her, she transforms from a girl who can't balance her cheque book to a woman who can order a wounded, beaten man to "get on your feet, soldier." She is clear-headed, not panicky, focused in crisis and incredibly courageous. And it's not that she has lost her essential femaleness but that she's grown up.
It's relentless, heartless violence appals and fascinates me. It's gritty depiction of our society as a prelude to an even more horrific one in 2023 darkens my heart. It's quickly developing love story touches me. Its humor makes the dark places in me smile. But most of all I am touched and fascinated by Sarah's precipitous transformation. As a good life exercise, ask yourself this: Would you have the courage to do what she does?
9.5 out of 10.
Linda Hamilton Returns to Her Iconic 'Terminator' Role
Linda Hamilton Returns to Her Iconic 'Terminator' Role
Le saviez-vous
- AnecdotesWhile shooting this film, James Cameron often resorted to what he called "guerilla filmmaking" as a way of getting around acquiring permits needed to film certain scenes. This involved the production crew and actors quickly arriving at a specified location, shooting the scene and leaving before the police arrived. As a result, some of the people seen in a few shots are actual everyday citizens completely unaware they're in a movie. This was also used for re shoots with Cameron even calling and waking Arnold Schwarzenegger once at 3 am to meet him at a location already in full costume to quickly re-shoot a scene. Cameron also used this tactic to film the very last scene where Sarah drives off into the desert. Waiting for the heat to rise to the point that ripples could be filmed a highway patrolman appeared. Producer Gale Anne Hurd convinced him they were working on a UCLA film project and he allowed them to finish.
- GaffesWhen Sarah is in the night club she has to put change into the pay phone to call 911.
While 911 calls are free, many pay phones in the 1980s required you to insert a coin in order to obtain a dial tone.
- Citations
The Terminator: [59:15] I'm a friend of Sarah Connor. I was told she was here. Could I see her please?
Desk Sergeant: No, you can't see her. She's making a statement.
The Terminator: Where is she?
Desk Sergeant: [uses his pencil to point to the bench] Look, it may take a while. Want to wait? There's a bench over there.
The Terminator: [looks around, examining the structural integrity of the room, then looks back at him] I'll be back!
- Générique farfeluThe opening credits run while large outlines of the two halves of THE TERMINATOR cross each other. After the last directorial credit is shown, the title THE TERMINATOR zooms backward, is filled by metallic blue, and reveals itself.
- Autres versionsNBC edited 7 minutes and time-compressed 4 minutes of this film for its 1987 network television premiere.
- ConnexionsEdited into The Terminator: 'Terminated' Scenes (2001)
- Bandes originalesYou Can't Do That
Performed by Tryanglz
Written by Ricky Phillips
Published by Ricky Lynn Phillips Music (BMI)
Meilleurs choix
The Amazing Arnold
The Amazing Arnold
- How long is The Terminator?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Terminator
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 400 000 $ US (estimation)
- Brut – États-Unis et Canada
- 38 371 200 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 4 020 663 $ US
- 28 oct. 1984
- Brut – à l'échelle mondiale
- 78 371 200 $ US








