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Baburugamu kuraishisu

  • Mini-série télévisée
  • 1987–1991
  • 14A
  • 25m
ÉVALUATION IMDb
7,3/10
1,9 k
MA NOTE
Akiko Hiramatsu, Michie Tomizawa, Yoshiko Sakakibara, and Kinuko Ômori in Baburugamu kuraishisu (1987)
AnimeFantaisieMesureScience-fictionThrillerAnimationAnimation dessinée à la mainAnimation pour adultesCyberpunkSuper-héros

Ajouter une intrigue dans votre langueA female mercenary team, armed with unique power armor suits, battle the forces of the corrupt mega-corporation, Genom in futuristic Tokyo.A female mercenary team, armed with unique power armor suits, battle the forces of the corrupt mega-corporation, Genom in futuristic Tokyo.A female mercenary team, armed with unique power armor suits, battle the forces of the corrupt mega-corporation, Genom in futuristic Tokyo.

  • Creator
    • Toshimichi Suzuki
  • Stars
    • Yoshiko Sakakibara
    • Kinuko Ômori
    • Michie Tomizawa
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,3/10
    1,9 k
    MA NOTE
    • Creator
      • Toshimichi Suzuki
    • Stars
      • Yoshiko Sakakibara
      • Kinuko Ômori
      • Michie Tomizawa
    • 22Commentaires d'utilisateurs
    • 5Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Épisodes8

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    HautLes mieux cotés1 saison

    Photos55

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    Rôles principaux99+

    Modifier
    Yoshiko Sakakibara
    Yoshiko Sakakibara
    • Sylia Stingray
    • 1987–1991
    Kinuko Ômori
    • Priscilla 'Priss' S. Asagiri
    • 1987–1991
    Michie Tomizawa
    Michie Tomizawa
    • Linna Yamazaki
    • 1987–1991
    Akiko Hiramatsu
    Akiko Hiramatsu
    • Nene Romanova
    • 1987–1991
    Nozomu Sasaki
    Nozomu Sasaki
    • Mackie Stingray
    • 1987–1991
    Toshio Furukawa
    Toshio Furukawa
    • Leon McNichol
    • 1987–1991
    Ken'yû Horiuchi
    • Daley Wong
    • 1987–1991
    Shûichi Ikeda
    • Brian J. Mason
    • 1987–1991
    Kazuyuki Sogabe
    • Largo
    • 1987–1991
    Kiyoshi Kawakubo
    • Quincy
    • 1987–1991
    Michael Sinterniklaas
    Michael Sinterniklaas
    • AD Police Officer…
    • 1987–1991
    Amy Parrish
    Amy Parrish
    • Harmonies Of The Replicants…
    • 1987–1991
    Shigeru Chiba
    Shigeru Chiba
    • Dr. Miriam Yoshida
    • 1987–1991
    Brad Moranz
    • Leon McNichol
    • 1987–1991
    Elizabeth Becka
    Elizabeth Becka
    • Linna Yamazaki
    • 1987–1991
    Ted Davis
    • Sho
    • 1987–1991
    Mark Fincannon
    Mark Fincannon
    • Mr. Chang
    • 1987–1991
    J. Patrick Lawlor
    J. Patrick Lawlor
    • Additional Voices
    • 1987–1991
    • Creator
      • Toshimichi Suzuki
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs22

    7,31.9K
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    Avis en vedette

    9chribren

    Pretty cool cyberpunk OVA of the late 80s

    "Bubblegum Crisis" is an 8-episode anime OVA-series which was released in Japan through 1987-1991. Made by AIC, Artmic and Youmex.

    Basic plot: The year is 2032 in MegaTokyo, seven years after Tokyo was destroyed by a giant earthquake. Genom Corp, the big company which recreated the city, began mass-producing cyberdroids called Boomers meant to serve mankind by taking part in recreating MegaTokyo. When the Boomers started to run out of control, the A.D. Police tried to stop these cyberdroids, something which proved to be more difficult but deadly than imagined.

    But, the hope isn't over yet, because four girls who have banded together as the Knight Sabers are also in MegaTokyo. These girls in powerful armor suits are strong enough to defend the city from Genom and the Boomers. And their names are: Sylia Stingray, Priscilla S. Asagiri, Linna Yamazaki and Nene Romanova.

    I first heard about this anime around year 2004. However, for some reasons, I didn't get a chance to watch this anime until late autumn 2014. And I'm so glad to get to see this for once, at least with Japanese dub. This anime was epic, with lots of cyber/robot-action, car chases, humor and a pretty cool soundtrack which all together made me hooked from beginning to end. The MegaTokyo-setting in this anime was fairly realistic.

    This anime was originally planned as a 13-episode long OVA-series, but was cancelled after 8 episodes due to legal problems between Artmic and Youmex. However, a 3-episode sequel called "Bubblegum Crash" was made. Still, the entire franchise remains a cult classic among anime fans.

    This anime is highly recommended for any fans of Japanese cyberpunk animation set in future. I mean, if you haven't seen this yet, then this anime is not to miss, the same with "Bubblegum Crash". My overall rating for such a classic is therefore: 9/10.

    Some similar anime also to be recommended include: "Angel Cop", "Appleseed", "Genocyber" and "Battle Angel".
    jterrell

    Well-made robot anime with many distinctive touches

    I have recently finished watching 'Bubblegum Crisis' for the second time, on DVD, and I found myself both entertained and impressed.

    The problem with most sci-fi and robot anime is that they are too heavy-handed and dark; as well, they often suffer from plodding and boring plots, to the point where they are not enjoyable to watch. Not so with 'Bubblegum Crisis'. The series is actually divided into two main storylines which comprise six episodes, and two side stories for the other two episodes. While the main stories require some concentration, they are interesting without being convoluted. _BC_ does not try to ponder the human condition or find the meaning of life, as other SF stories do, but simply creates stories that the viewer can enjoy. As well, there are some plot threads that are developed throughout the series, making events and characters more significant and more part of the story. While some may argue that 'BC' is nothing but science fiction lite, it keeps the viewer absorbed, which is more than I can say for most of the sci-fi anime I have watched.

    I'd say that this series's greatest strength is its characters. Not only are they well developed, but they interact wonderfully with one another. Their differing and often conflicting personalities make the viewer identify with them, their lives, and their problems. We see people trying to cope with violence and destruction on a daily basis and simultaneously keep their humanity somehow. I believe that too many anime fall into the trap of trying to impress the viewer with things such as animation, sex, and violence, forgetting more important things such as character development and interaction. Like all the other best anime, however, 'BC' not only avoids this trap, but defines new standards.

    'Bubblegum Crisis' also succeeds in its use of rock music, integrating it into the series and drawing the viewer in. Even though the songs are in Japanese, I still enjoyed them and was impressed by the quality of the songwriting. I should point out that these songs are some of the few I remember from any anime.

    I thought the animation was excellent, especially for an OVA. The inevitable darkness of Neo Tokyo was nicely balanced by the brighter colors of the interiors of homes, shops, etc. This was another thing that kept the series from descending into sci-fi boredom. As well, the characters are animated according to their personalities, helping to develop them.

    So I would call 'Bubblegum Crisis' a success because it manages to entertain all audiences, not just sci-fi and robot fans. In fact, it even entertained me.
    Skyrcket

    Knight Sabers...GO!

    "Bubblegum Crisis." Those are words you hear said with reverence from just about every anime fan. It's one of those shows that inspired so many imitators and so many fans. When you hear so much good stuff about anything you really have to wonder if it can live up to the hype. In my opinion it does.

    One thing that surprised me was just how much time was spent on characterization. While you hear mostly about the action, BGC does devote a good amount of time to its characters. Even one-shot characters like Irene Chang and Vision are well drawn. But the focus is on the Knight Sabers and each of them get at least one very good moment.

    BGC also comes with an array of fun secondary characters like sleazy informant Fargo, who's always hitting on Sylia, cops Leon NcNickel and Daley Wong, Dr. Raven, and Slyia's perverted little brother Mackie. These guys also have their little moments and add some comic relief.

    One thing that surprised me was that this show wasn't as dark as I'd expected it to be. You hear a lot of talk about how Mega Tokyo is really grim and gritty and stuff like that. But except for Genom running just about everything, Mega Tokyo doesn't seem that bad to me. It's really no worse than New York during a high crime year.

    While it may look a little silly now, for 1985 BGC was really something big. Besides, what doesn't look goofy after fifteen years? In the end its formula of four really cute women, some really great mecha, good villains, cool VAs and some pretty decent music works. This is one for any anime fan.
    7coles_notes

    Good

    Following the Knight Sabers, a highly elite group of female mercenaries living in a futuristic cyberpunk Tokyo, where they take down machines known as Boomers, many created by the evil mega-corp Genom. This whole series screams 80s anime and I loved it. The original series is only 8 episodes released over multiple years, produced more as OVAs (Original Video Animations) rather than a series, meaning each episode tends to be longer, typically at 44 minutes, and is considerably higher budget than the traditional 26 episode 22 minute standard we often see. This also means each storyline, while generally disjoint from other episodes, is a bit more involved or complex than other anime shows of the time, and I was quite impressed by its visuals. The art and aesthetic is perfect though and through. If you're one to have nostalgia from any of that sci-fi anime future punk era: Akira, Mobile Suit, Robotech, etc, you're going to love this. Definitely adult, there is nudity, violence, and swearing, the plots are generally good, again with each narrative being self contained per episode and each slowly clueing us in on the futuristic city, its technology, and how society now functions. Its not all great, plot-wise we never really get as much explained as we'd like, characters don't really develop, and with transforming vigilante heroes a la Charlie's Angels meets Power Rangers, there's a lot of tropes presented, some great, some not the best. I don't know enough anime history to say which if these tropes the series pioneered vs simply reenforced, but overall I did constantly have fun and felt vested in the characters. Unfortunately the english dub of this series is also not the best, with a lot of line delivery being very questionable if not laughable, but if you're like me it somehow only added to the charm and nostalgia. Also something not an issue if you watch the original subbed, so I can't fault it for that anyway. Fortunately for those wanting more there's multiple other spin-offs and reboots since this original, and for all this series was it deserves them, I'd already consider this a classic.
    7juliankennedy23

    Boomer Baby

    Bubblegum Crisis: 7 out of 10: Hot chicks, giant robots, and evil corporations fill every frame of Bubblegum Crisis as does some surprisingly catchy Eighties tunes.

    Bubblegum Crisis much like Akira or Macross is one of those Anime that separate the thirty something Anime fans from this year's crop of snot nosed wannabees. When you think Japanese cartoons do you think Pokemon or shower scenes. Do you think irritating children or kick ass adults. Do your favorite plots involve the little kids defeating the big evil corporation or adults facing economic hardship and self sacrifice. Bubblegum crisis is an Anime of the latter.

    As I settle into my damn kids today voice and distaste for every over hyped, rapid cut seizure inducing, saccharine piece of crap that passes for entertainment these days. (I'm looking your way Cartoon Network). I can sit back and watch full grown woman destroy some boomers (as well as half of Tokyo) and reminisce about my childhood when cartoon characters swore and every battle was followed by a gratuitous nude scene.

    Is Bubble Crisis as good as I remember it? No. The episodes are not connected well and vary in quality. Some of the dubbing is dubious and the live action music videos contained in the extras are simply painful.

    Does it both allow me to relieve my childhood and look down upon kids today? You betcha.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      There are many references to Blade Runner:
      • The band is called "The Replicants";
      • The general mission in both is to kill androids who are almost too human;
      • There happen to be characters named Leon and Priss in both;
      • Both feature a huge, pyramid-shaped building.
    • Citations

      Priscilla S. Asagiri "Priss": You little idiot! If you die, what will Sylvie have died for?

    • Connexions
      Edited into Baburugamu kuraishisu hariken raibu! 2032 (1988)
    • Bandes originales
      Konya Wa Hurricane
      (There's a Hurricane Tonight)

      Lyrics by Tomoko Aran (as Aran Tomoko)

      Music by Kisaburô Suzuki (as Suzuki Kisaburoo)

      Arranged by Nakashima Masao

      Performed by Kinuko Ômori (as Oomori Kinuko)

      English Performance by Joyce Leigh Bowden

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    FAQ

    • How many seasons does Bubblegum Crisis have?
      Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 février 1987 (Japan)
    • Pays d’origine
      • Japan
    • Langues
      • Japanese
      • English
    • Aussi connu sous le nom de
      • Bubblegum Crisis
    • sociétés de production
      • Anime International Company (AIC)
      • Artmic
      • Youmex
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      25 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1
      • 4:3

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    Akiko Hiramatsu, Michie Tomizawa, Yoshiko Sakakibara, and Kinuko Ômori in Baburugamu kuraishisu (1987)
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