Une Bringue d'enfer

Five friends (the self-named "groovers") go on one final fandango before graduating college and going on to life, war, marriage, etc. Their destination is the Texas desert where they plan to dig up Dom, the friend they buried on the night their group was formed.

The film is a wonderful mix of poignant life lessons and slapstick hilarity. The crew consists of slacker Gardner, life-troubled kenneth, weenie extraordinaire Phil, overweight divinity student Dorman, and unconscious Lester (the fifth groover). As they wind their way through the Texas scrub on their last adventure, each of them faces the approaching life after college in his own way, reacting to his fears and the failings of his friends in the draft years of the Vietnam War.

An unknown Kevin Costner pulls off the role of Gardner Barnes with an easy perfection that would convince you there must be something of Gardner in him. He's utterly convincing as the footloose rascal on a mission to evade life.

The other performances are respectable, including that of Judd Nelson in the role of uptight ROTC cadet Phil Hicks who despises the moral ambiguity of the other characters while starving for their affection.

Though this movie is not a well-known blockbuster, it holds up well against others of the same genre. Definitely worth the price of a rental, and with the February 2005 DVD release, a good addition to your collection. Good music, good humor, and great fun.

On one level, "Fandango" may just seem like another nostalgia piece - in this case focusing on some college students in 1971 Texas. But it certainly has its moments. Kevin Costner and Judd Nelson make the most of their roles. If the movie has any problem, it's that it paved the way for director Kevin Reynolds to direct Kevin Costner in the brainless "Waterworld" (which itself paved the way for - gulp - "The Postman").

But one can ignore those and just bask in the fun here. You just may want to experience what the movie portrays. Also starring Sam Robards and Glenne Headly.

So, Scaramouche, Scaramouche, will you watch this "Fandango"?

It starts looking cool enough, I thought, although not overwhelmingly original: under a blue, blue sky, four young guys, as different as can be, drive to seemingly nowhere in a beautiful car from the roaring fifties. Singing, drinking, screaming. It looks like they're having a lot of fun, which of course will prove to be a doomed mood: their lives are suspended between youth and whatever comes next, just like them driving in the middle of Texas' desert landscapes with the unlikely goal of attending one of the mates' wedding... Everything is on the verge of changing for them; their friendship, the way they lead their lives, the way they consider the future.

What Kevin Reynolds achieves here masterfully is making the whole thing look, at first, like just another buddy-movie. Yet I think there is a lot more to it. Fun, slapstick, grotesque situations, and still, every time or so, we're given a hint that those people have no idea where they're going, that they try to ignore the (real) world that's waiting for them.

The one most representative of that borderline state and who remains, by default, the big brother telling the others where to go next, is Gardner Barnes, played by Kevin Costner. Very young-looking (to whoever, like me, hasn't seen him in a picture made 16 years ago), he radiates a kind of natural quality, telling us he may just be the most frightened and unsure one of those four mostly-losers. Anyone who has apreciated Costner in at least one movie should definitely have a look at this one.

There'll never be anything even remotely tragic in this story, nor any solid insight into any of those old kids. Not even into Gardner, the one with a haunting love on his mind, who claims he's never token a woman seriously. Some moments might strike you as either clichee, heavy or childish... Yet, after the finale, Reynolds has gotten us where we're supposed to be: feeling the dry cut apart from the time where our dreams where, to ourselves, a solid option for what our future might look like. The loss of what kept the world together until this very moment.

I should add that, having listened precisely in my beginning twenties to the Pat Metheny Group like mad, I was totally taken away when the whole wedding scene appeared to be choreographed around two of his magic compositions.

This movie has something fresh, universal, sincere. It's full of ideas and benefits from a truly inventive photography as well as a from a perfectly well-tuned rythm.

Anyone on a day where he feels up to re-live those cheers AND nostalgia, in the company of a bunch of excellent actors, would do himself a favor by taking a while to watch it. And, maybe, reconciliate with that little mix of sadness and joy we think we should have left behind us.

"There's nothing wrong with going nowhere, son. It's a privilege of youth": I think this quote may best summarize "Fandango", which gives much to think about, also in comparison to what is considered the first of all road pictures, "Easy rider". The myth and the out of time fashion of these road trips along US highways, still today pulsing with sense of liberty, is an element of attraction for the public of every time, mainly if accompanied by some good and emotionally powerful music. "Easy rider" was set in the 60's, when the myth of liberty was at its height, it was the celebration of the hippie era, of an ideology and watching it after 40 years, conveys a sense of tenderness towards the ingenuity of these bikers going nowhere, believing in freedom from all constrictions but unconscious of what they were really looking for. "Fandango" is set in 1971 but shot in 1985, US and universal history have taught a lot of things, and what is evident there, mainly in contrast with "Easy rider", is the deep consciousness of these mates, they perfectly know what they are looking for, they want to escape from what is hanging over their future lives, knowing that the myth of life on the road has lost all credibility. It is more a celebration of youth, of an age when you think that friendship and fun will last for ever, but you know that time must come to an end, and you need to do something, in this case an unforgettable road-trip, in order to postpone that end and escape from the forthcoming adulthood. Fandango, although extremely funny, almost irreverent, in situations and dialogues, leaves traces of deep nostalgia, and melancholia, pervaded as it is by such fear about life, in terms of responsibility, burdens, troubles. The skydiving adventure meant as the most extreme searching for life, and a desperate way to exorcise the coming of adulthood, is the most effective moment of the movie. Fandango shows some clichés, which however are part of this kind of movies, it is deeply American in the passionate way it celebrates life, freedom and the feeling of being "born to be wild", through a strong visual impact. However, it is undoubtedly entertaining, moving, thought-provoking, and emotionally engaging: really worth seeing, at least only for the wonderful locations, which frame very good performances, mainly a young and deserving Kevin Costner.

I saw this film this morning, I was transporting to those old films in which Spielberg is th executive producer, thisis a good movie, very nostalgic, this movie was never showd in Colombia and i am so happy to have the chance to watch it

Those were days