ÉVALUATION IMDb
6,4/10
3,9 k
MA NOTE
Rejoignant la Seconde Guerre mondiale, les États-Unis expédient des soldats au Royaume-Uni. Matt et John arrivent en 1942.Rejoignant la Seconde Guerre mondiale, les États-Unis expédient des soldats au Royaume-Uni. Matt et John arrivent en 1942.Rejoignant la Seconde Guerre mondiale, les États-Unis expédient des soldats au Royaume-Uni. Matt et John arrivent en 1942.
- A remporté le prix 2 BAFTA Awards
- 6 victoires et 7 nominations au total
Philip Wileman
- Billy Rathbone
- (as Philip Whileman)
Andy Lucas
- The Americans - Cook
- (as Andy Pantelidou)
Avis en vedette
Those of us who have seen some of the more recent wartime romance movies (e.g., Pearl Harbor) will be eternally grateful for this well-done picture with its ensemble cast. I liked it so much that I bought a copy on DVD.
This was the first time that I had seen William Devane and Lisa Eichorn in a movie, and I believe their performances were excellent. When William Devane, as the Captain, busts the NCOs for their conduct, it was the height of wartime realism at a human level.
I loved the little nuances ... the mother wrapping the string around her hand after she receives the gift of a cake from Richard Gere ... the little boy and the bicycle ... the steam rising up around the train at the end ... excellent touches ...
This was the first time that I had seen William Devane and Lisa Eichorn in a movie, and I believe their performances were excellent. When William Devane, as the Captain, busts the NCOs for their conduct, it was the height of wartime realism at a human level.
I loved the little nuances ... the mother wrapping the string around her hand after she receives the gift of a cake from Richard Gere ... the little boy and the bicycle ... the steam rising up around the train at the end ... excellent touches ...
John Schlesinger returns to the land of his early, wonderful "A Kind Of Loving" and "Billy Liar" for a cross-cultural love story with a critical but undoubtedly affectionate eye. Richard Gere, pre-"American Gigolo" is terrific as Matt, the cook who falls for Jean, the local English rose played beautifully by the splendid American actress, Lisa Eichhorn. The Americans posted in the North of England felt truly abroad, they could hardly understand the lingo. For the locals it was a different story, they understood the American GI's because after all, they spoke like Gary Cooper. The elders look at the abrasive newcomers with politeness but also with a tinge of suspicion. There was a catch phrase at the time to describe the American troops: "They're overpaid, oversexed and over here" The cultural differences go beyond language and in a masterful writing stroke tells us why. Richard Gere tells Lisa Eichhorn about his dreams for the future - building a chain of Motels across America - while her British boyfriend dreams of getting married and building their home above his parents shop. Lisa Eichhorn's Jane is the perfect "man in the middle" attached to her parents (the wonderful Rachel Roberts and Tony Melody)world, and at the same time, she is fascinated by Richard Gere's look at the American dream - the "everything is possible" mentality. The film is a gem. Unfairly overlooked in its day but now on its 30th anniversary risks to be rediscovered and and re-evaluated. It certainly deserves another life.
This movie presented the American actress Lisa Eichhorn to the world - and if for only that, we can be so terribly grateful to John Schlesinger. (I'm grateful to him for other reasons too: for Darling, for A Kind of Loving, for Far From the Madding Crowd, for Midnight Cowboy and many others).
Eichhorn's beauty, sensitivity, intelligence, warmth, reserve mixed with eager longing, her very movement, beguile and entrance. She is truly remarkable - and this performance (as well as those in The Europeans, King of the Hill and Cutter's Way) deserved an Oscar. I would certainly place her with Meryl Streep, Glen Close, Jessica Lange, Ellen Burstyn, Anne Bancroft, Blair Brown and Sissy Spacek in the top echelon of American actresses.
There seem to be worlds of emotion, of thought, of native refinement and wild longing within this girl as she struggles with her conscience, with her family, about her English fiance, and with her insecurity about her American romance. There is nothing in entertainment I would like as much as to see more of Lisa Eichhorn (wonderful in everything from screen to stage to television) - she's very special.
I think this movie one of the most romantic ever made - not the muted Devane-Redgrave romance - nor the unfortunately clicheed working class pair - but the most highlighted involving Gere and Eichhorn. It sweeps one completely off one's feet.
Apart from the romance, the movie is quite good in showing both Britain at home (some of the feeling of Hope and Glory) and in interaction with the Americans. It could just be me, but aren't the Americans exaggerating their accents slightly to show the difference? Perhaps Gere and Devane just sound more American in contrast.
This is a lovely memorable movie - well shot, wonderfully acted, with an ending that leaves one in tears. Do see it.
Eichhorn's beauty, sensitivity, intelligence, warmth, reserve mixed with eager longing, her very movement, beguile and entrance. She is truly remarkable - and this performance (as well as those in The Europeans, King of the Hill and Cutter's Way) deserved an Oscar. I would certainly place her with Meryl Streep, Glen Close, Jessica Lange, Ellen Burstyn, Anne Bancroft, Blair Brown and Sissy Spacek in the top echelon of American actresses.
There seem to be worlds of emotion, of thought, of native refinement and wild longing within this girl as she struggles with her conscience, with her family, about her English fiance, and with her insecurity about her American romance. There is nothing in entertainment I would like as much as to see more of Lisa Eichhorn (wonderful in everything from screen to stage to television) - she's very special.
I think this movie one of the most romantic ever made - not the muted Devane-Redgrave romance - nor the unfortunately clicheed working class pair - but the most highlighted involving Gere and Eichhorn. It sweeps one completely off one's feet.
Apart from the romance, the movie is quite good in showing both Britain at home (some of the feeling of Hope and Glory) and in interaction with the Americans. It could just be me, but aren't the Americans exaggerating their accents slightly to show the difference? Perhaps Gere and Devane just sound more American in contrast.
This is a lovely memorable movie - well shot, wonderfully acted, with an ending that leaves one in tears. Do see it.
Was sad to see the passing of Tony Melody this summer. He was such a good yet under sung character actor. His performance in Yanks was excellent and the mischievous smile he cracked when he said there would be 'no danger' of the bottle of whisky remaining unopened was brilliant as oppose to his wife's refusal to eat the cake that Geres character had prepared.
I wonder if the picture of his character he showed Gere when he was talking about his war service was actually his real father as he had served in the Guards during the first world war - just a thought.
Lisa Eichorn had me fooled for many a year - that Lancashire accent is spot on.
I wonder if the picture of his character he showed Gere when he was talking about his war service was actually his real father as he had served in the Guards during the first world war - just a thought.
Lisa Eichorn had me fooled for many a year - that Lancashire accent is spot on.
My children were just babies when I saw this movie at the theater in 1979. I really loved it and have all these years. I guess the romance and the finality of goodbyes, not knowing what could happen made it all the more intense. The racism scene was hard to watch, very hard. I am sure things like that went on though. It is a treasure in my huge movie collection. I hope someday to visit England and be able to see some of the towns that were in this movie.Richard Gere is a wonderful Actor and this was the very first time I had heard about him or had ever seen him in a movie.He brought a realism to this part, he was a perfect guy to play an American soldier! Talking about it has made me want to look at it tonight!!
Le saviez-vous
- AnecdotesJohn Schlesinger originally delivered the film at a length of around 165 minutes. He was forced to cut the film by approximately 25 minutes before the film's premiere engagement. The film stayed at this length and the 165-minute director's cut has never been seen. Among the victims of the cuts was Bill Nighy, whose character Tom was deleted.
- GaffesThe film is set during WW2, but throughout the very first scene we see modern 1970s road markings.
- Générique farfeluThe names in the opening credits are divided into two categories: The Americans and The British.
- Bandes originalesI'll Be Seeing You
Sung by Anne Shelton
Music by Sammy Fain (uncredited)
Lyrics by Irving Kahal (uncredited)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Yanks - Gestern waren wir noch Fremde
- Lieux de tournage
- Grand Hotel, Llandudno, Conwy, Pays de Galles, Royaume-Uni(Where Helen & John go for a trip)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 3 931 010 $ US
- Brut – à l'échelle mondiale
- 3 931 010 $ US
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