UFOria

I watched this on youtube (illegally, but where else can you see it). I heard of it years ago. If better known, it would be considered a minor classic. It's similar to Melvin & Howard or other early Jonathan Demme movies. It's funny, always interesting, got a great soundtrack, good performances all around, a thoughtful quote worthy script, and unlike a lot of similar "indie" quirky movies that came later, it never puts it's small town characters down for their goofy beliefs or marginal lifestyles. Check out UFOria and tell your friends. It's amazing that a major studio made it. The director sadly never made another feature as a writer director. He's got a good light touch, and Cindy Williams holds her own as a movie star.

It took the producers of "Uforia" five years before they could find a distributor willing to release it. My guess is that distributors couldn't think of an easy way to market a movie that is very unconventional and doesn't follow an easy-to-report formula. This is a character-based movie, not really one with a substantial plot, but don't let that discourage you from giving the movie a try. The characters are not only all likable, they all have various quirks that make them interesting to watch talking and interacting with each other. As a bonus, the movie has a great country and western soundtrack (and I normally dislike that music genre!) The only real flaw the movie has is the very ending, which seems out of place for a movie that otherwise focuses on characters. But despite that ending, this movie is a gem well worth your time.

This is one of my favourite films. Unfortunately it didn't get a mainstream release here in Sydney. Instead it got released through an art-house theatre (The Valhalla). It could be classified as a country and western comedy with a dash of sci-fi I guess.

The opening scenes establish that the central character, Sheldon, (played by Fred Ward) is a man, who, for all his external bravado is in fact an unhappy, lonely, drifter who badly needs an escape to a better life. He meets his perfect match, Arlene, played appealingly by Cindy Williams. She sees through Sheldon's facade immediately. She catches him shoplifting in the Supermarket she works in and sees through him in an instant (Waylon Jennings wouldn't go in for shoplifting). Not that Arlene isn't lonely herself. Sheldon manages to seduce Arlene, intending to leave her afterwards. Despite his misgivings about her belief in flying saucers, he finds himself unable to move on.

As the other reviewers have said, the supporting cast is great as well. Harry Dean Stanton is great as the phony "Brother Bud", the hippy grocery packer, the "Colonel", etc etc.

An absolute gem.

Cindy Williams gives a superb, luminous, heart-warming performance as daffy, but endearing small mid-western town grocery check-out girl Arlene, whose constant, deep-seated belief that she'll soon be visited by alien beings from another planet brings together a motley collection of New Age religious kooks, shiftless no-hoper losers, snoopy media newshounds, and other such colorful societal oddballs which include longtime Western movie bit player Hank Worden as a senile World War II vet and fellow ubiquitous Western character thesp Harry Carey Jr. in one of his standard affable good ol' boy roles. Arlene's nutty notions also attract the attention of aimless grifter drifter Sheldon (a grungily engaging Fred Ward, who's rarely been better) and amoral, cynical, opportunistic phony roadside preacher Brother Bud (the inestimable Harry Dean Stanton doing a splendidly sour reprise of his avaricious fake blind priest part from "Wise Blood").

Capably directed and smartly written by John Binder (who co-wrote the equally off-beat "Endangered Species"), with smooth, sparkling cinematography by David Myers, a lovely, lulling honkytonk score by Richard Baskin, and a top-rate country and western soundtrack (several choice Waylon Jennings and John Prine tunes are prominently featured herein, while the always great Roger Miller exuberantly belts out the wonderfully wacky theme song), this beautifully quirky and amiable sleeper offers a delightful, astute, pleasingly eccentric seriocomic look at how one person can indeed have a substantial positive impact on other people, the profound need to live a happy life, and how the ability to believe in something -- hell, man, just anything -- gives life purpose and meaning, thus making it easier for one to persevere and prevail through that dull, unceasing, sometimes disheartening daily grind we all must contend with. Intelligent, affectionate, often funny, and ultimately quite moving, this simply lovely favorite rates a sunny, uplifting, totally terrific little beaut.

Sheldon Bart (Fred Ward) is a con-man drifter. Cashier Arlene Stewart (Cindy Williams) looks the other way when he shoplifts grocery. He reconnects with his traveling preacher friend Bud Sanders (Harry Dean Stanton) and performs in a fake healing. The homeless Sheldon starts sleeping and living with Arlene. He dismisses her obsession with UFOs as craziness at first. She dreams of a spaceship landing and gains a following with fellow UFO enthusiasts. Sheldon and Bud use their preaching skills for their own gains.

This is built like an indie with a bunch of quirky characters. It's an odd little movie with some usual characters played by veteran actors. Cindy Williams never got to be a big movie star. She does these weird little comedies. This low budget story does meander a little. This has an unique appeal from filmmaker John Binder although his humor doesn't always hit its mark.