ÉVALUATION IMDb
5,4/10
16 k
MA NOTE
Un artiste en difficulté vivant à Los Angeles rencontre une fille qui pourrait avoir la clé de son bonheur.Un artiste en difficulté vivant à Los Angeles rencontre une fille qui pourrait avoir la clé de son bonheur.Un artiste en difficulté vivant à Los Angeles rencontre une fille qui pourrait avoir la clé de son bonheur.
- Director
- Writers
- Stars
- Prix
- 1 victoire et 10 nominations au total
Renn Woods
- Jo
- (as Ren Woods)
Lynne Latham
- Muse #2
- (as Lynn Latham)
Cherise Bates
- Muse #4
- (as Cherise Bate)
Bebe Drake
- Female Guard
- (as Bebe Drake-Massey)
Avis en vedette
I saw Xanadu back in the day, a few months after its original theatrical release my parents rented it on videotape. Back then and even now, Xanadu makes very little sense. It tried to be a grand musical trying to tie up two different musical eras. Under a more skilled director, Xanadu would've had a longer lasting impact. Suffice to say, the one thing that's a towering achievement is the epic soundtrack, more than half of it performed by Electric Light Orchestra. So epic that the songs are still being played on the radio as well as Olivia Newton-John's spectacular singing. The movie itself plays like a back up video for the impressive soundtrack, like 80 minute long MTV video.
Despite my low rating, I DO have a soft spot for Xanadu. My eldest daughter grew up adoring the movie and the songs, but I have to put my feet on the ground and admit that it is not a great movie by any stretch of the word.
If it weren't for the soundtrack, Xanadu would probably have faded into oblivion, but thankfully the collaboration between Olivia and ELO was pure magic. Too bad that magic wasn't truly captured in the movie.
Despite my low rating, I DO have a soft spot for Xanadu. My eldest daughter grew up adoring the movie and the songs, but I have to put my feet on the ground and admit that it is not a great movie by any stretch of the word.
If it weren't for the soundtrack, Xanadu would probably have faded into oblivion, but thankfully the collaboration between Olivia and ELO was pure magic. Too bad that magic wasn't truly captured in the movie.
XANADU is one of the most critically and commercially panned films in Hollywood history, a 'Nouveau Art' musical with Art Deco themes, a weirdly conceived animated interlude, and performances of such widely varying caliber that a viewer might wonder if the actors were all reading from the same script! But all that being said, I would like to offer a minority opinion, and say that I didn't find the film THAT terrible, and there are some aspects of it I actually enjoyed...
First and foremost, it offers the legendary Gene Kelly, in his last musical, as charming and wonderful as ever. As retired musician/businessman Danny McGuire, Kelly has the film's best moments, including a 'classic' song-and-dance scene with Olivia Newton-John and some silly but endearing 'post-disco' routines with the talented young dancers of the cast (including future CONAN star Sandahl Bergman). Seeing him on roller-skates again, leading everyone around the club he builds, to the music of the Electric Light Orchestra, makes one realize just how irreplaceable he is. Kelly could do it all, and with style!
The premise of the film, of a Muse coming from Olympus to inspire an artist, is far-fetched, but had been done on film several times in the past (ONE TOUCH OF VENUS, with Ava Gardner and Robert Walker, and DOWN TO EARTH, with Rita Hayworth, are the examples most often cited), and while Olivia Newton-John is oddly cast in the role, she tackles it gamely, with a smile and a wink, and isn't THAT bad. On the other hand, Michael Beck, best-known as the gang leader in cliched but powerful THE WARRIORS, is totally miscast as the artist she falls in love with. An actor with limited range and no singing or dancing talent, Beck lacks the charisma to pull off the role (one wonders why British pop star Cliff Richard, who voices Beck's animated duet with Newton-John, 'Suddenly', wasn't utilized to play the part).
While the film often veers off in bizarre directions, the 'Battle of the Bands' scene between popular 80s rockers, the Tubes, and a 'Tommy Dorsey/WWII'-style orchestra (as Beck and Kelly envision what the 'look' and 'sound' of their club, XANADU, should be), actually works, and is fun to watch. The entire score, by Barry De Vorzon and John Farrar, and Jeff Lynne (with ELO) is terrific (and made the soundtrack album a hit).
Sure, the ending is hokey, but it was also the same ending of ONE TOUCH OF VENUS and DOWN TO EARTH, so XANADU can't be totally faulted!
All in all, XANADU isn't the WORST film ever made, and if you give it a chance, you might find it a guilty pleasure!
First and foremost, it offers the legendary Gene Kelly, in his last musical, as charming and wonderful as ever. As retired musician/businessman Danny McGuire, Kelly has the film's best moments, including a 'classic' song-and-dance scene with Olivia Newton-John and some silly but endearing 'post-disco' routines with the talented young dancers of the cast (including future CONAN star Sandahl Bergman). Seeing him on roller-skates again, leading everyone around the club he builds, to the music of the Electric Light Orchestra, makes one realize just how irreplaceable he is. Kelly could do it all, and with style!
The premise of the film, of a Muse coming from Olympus to inspire an artist, is far-fetched, but had been done on film several times in the past (ONE TOUCH OF VENUS, with Ava Gardner and Robert Walker, and DOWN TO EARTH, with Rita Hayworth, are the examples most often cited), and while Olivia Newton-John is oddly cast in the role, she tackles it gamely, with a smile and a wink, and isn't THAT bad. On the other hand, Michael Beck, best-known as the gang leader in cliched but powerful THE WARRIORS, is totally miscast as the artist she falls in love with. An actor with limited range and no singing or dancing talent, Beck lacks the charisma to pull off the role (one wonders why British pop star Cliff Richard, who voices Beck's animated duet with Newton-John, 'Suddenly', wasn't utilized to play the part).
While the film often veers off in bizarre directions, the 'Battle of the Bands' scene between popular 80s rockers, the Tubes, and a 'Tommy Dorsey/WWII'-style orchestra (as Beck and Kelly envision what the 'look' and 'sound' of their club, XANADU, should be), actually works, and is fun to watch. The entire score, by Barry De Vorzon and John Farrar, and Jeff Lynne (with ELO) is terrific (and made the soundtrack album a hit).
Sure, the ending is hokey, but it was also the same ending of ONE TOUCH OF VENUS and DOWN TO EARTH, so XANADU can't be totally faulted!
All in all, XANADU isn't the WORST film ever made, and if you give it a chance, you might find it a guilty pleasure!
When I saw this movie when I was 8yrs. old, I was wonderstruck. There was definitely a magic to it that held me. Of course, I was already awe-struck with Olivia, seeing her in "Grease". I remember looking up the word "Muse" in the dictionary and highlighting it. Yes, I was 8 and impressionable, but the movie has held a "magic" over me ever since and inspired me to write poetry and even use the word Muse in a license plate. It may be campy to some, but for me it was a good movie. I saw Olivia in Concert at Saratoga in 2001. It was a starry night and when she sang "Magic" and "Xanadu" I had tears in my eyes. It was great to hear her sing those songs perfectly and still look like a Muse.
Confessions time. I first saw this film in the theater in 1980 when my best friend turned 13. It was the highlight of our celebration, as was singing along to the soundtrack when we got home. Believe me, we really got into it!
Let's be honest. Xanadu is no Academy Award winner and it doesn't pretend to be. It's an attempt at a musical that's somewhat successful thanks to Olivia Newton-John and Jeff Lynn's ELO. Listen to most of the songs today and you can definitely still enjoy them. How Gene Kelly got hooked into this is beyond me but he looks like he's having a good time.
The concept is pretty simple. Painter Sonny (Michael Beck) teams up with Gene Kelly to open up Xanadu, a "radical" new club with the best of the old and new. Add into the mix Kyra (OJN), a Greek muse who comes along to make the dream come true. She's gorgeous, can dance, sing and probably make julienne fries. Naturally, Sonny's in love with her and soon, the trouble arises. Kyra, as a muse, can't hang out on earth with mortals forever. She has to go on to her next mission (dreamer).
Okay, so Beck is a somewhat lame hero. But when we were 13, we bought into it. And the angst, love and music were all a teen could want. The one scene we all loved was when the Glenn Miller-era musicians/dancers met up with the oh-so-rad rockers.
Of course, seeing it as a 35-year-old woman, I groan to look at the fashions we were ga-ga for then (esp. the velour tops on the men). The roller boogie aspect is particularly shaming but at the time, it was indeed all the rage. But you know, it brings back some good memories and the songs stand up today pretty well.
Xanadu is a guilty pleasure I indulge in now and then like Ben and Jerry's. And my best friend is still my best friend! We both love Xanadu.
Let's be honest. Xanadu is no Academy Award winner and it doesn't pretend to be. It's an attempt at a musical that's somewhat successful thanks to Olivia Newton-John and Jeff Lynn's ELO. Listen to most of the songs today and you can definitely still enjoy them. How Gene Kelly got hooked into this is beyond me but he looks like he's having a good time.
The concept is pretty simple. Painter Sonny (Michael Beck) teams up with Gene Kelly to open up Xanadu, a "radical" new club with the best of the old and new. Add into the mix Kyra (OJN), a Greek muse who comes along to make the dream come true. She's gorgeous, can dance, sing and probably make julienne fries. Naturally, Sonny's in love with her and soon, the trouble arises. Kyra, as a muse, can't hang out on earth with mortals forever. She has to go on to her next mission (dreamer).
Okay, so Beck is a somewhat lame hero. But when we were 13, we bought into it. And the angst, love and music were all a teen could want. The one scene we all loved was when the Glenn Miller-era musicians/dancers met up with the oh-so-rad rockers.
Of course, seeing it as a 35-year-old woman, I groan to look at the fashions we were ga-ga for then (esp. the velour tops on the men). The roller boogie aspect is particularly shaming but at the time, it was indeed all the rage. But you know, it brings back some good memories and the songs stand up today pretty well.
Xanadu is a guilty pleasure I indulge in now and then like Ben and Jerry's. And my best friend is still my best friend! We both love Xanadu.
I was 12 when I saw this movie and loved it. I would dream of being a magically glowing roller skating being from another realm for a couple years after the movie. And that's the point of this comment. There is magic there for the taking if you're looking for some. But if you'd rather sit there with your pencil and steno pad, notating every intellectual criticism you can brainstorm; I'm sure you can come up with a lot.
You get to see Olivia skate and sing with Gene Kelly. There are some great songs by legendary pop band Electric Light Orchestra. There is some great music and a fun parallel universe available any time you want to put your pencil down.
You get to see Olivia skate and sing with Gene Kelly. There are some great songs by legendary pop band Electric Light Orchestra. There is some great music and a fun parallel universe available any time you want to put your pencil down.
Le saviez-vous
- AnecdotesThe soundtrack was an enormous success. The song "Magic" went to #1 on the US pop singles chart. In the UK the soundtrack album peaked at #2, and the single "Xanadu" was #1 for two weeks in July 1980.
- GaffesIn the opening shots of the "All Over the World" sequence, outside the entrance to the clothing boutique, the mannequin furthest from the camera shouts out counts to keep the dancers together. The only audio heard at that point is the prerecorded song, but his lips are very clearly moving.
- Citations
Danny McGuire: Hey, do you like Glenn Miller?
Sonny: Do you like rock 'n' roll?
Danny McGuire: I love rock 'n' roll.
Sonny: I love Glenn Miller.
- Générique farfeluOpens with the 1930s-era Universal logo, with an airplane circling a globe; then it becomes a 50s-era passenger plane, then the Concorde, then the fourth time around as it becomes a spaceship. Instrumentals of "Whenever You're Away From Me" and "Xanadu" play under this, with musical styles matching the period of each aircraft.
- Autres versionsThe original theatrical release uses the 1963 Universal logo at the end and then shows the PG rating slide. The 1994 VHS release (while retaining the Universal logo at the end), strangely replaces the PG rating slide with a GP rating slide (the original name for the PG rating from 1969 to 1972), also including an advertisement for Universal Studios. The 1999 DVD restores the proper PG rating slide, however the 1963 Universal logo is removed. The 2001 Australian DVD does not have any rating slides or Universal logos at the end. The 2008 DVD restores both the 1963 Universal logo and the original PG rating slide, making it a more accurate representation of the original theatrical release.
- ConnexionsEdited into Electric Light Orchestra: All Over the World (1980)
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Détails
Box-office
- Budget
- 20 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 22 762 571 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 471 595 $ US
- 10 août 1980
- Brut – à l'échelle mondiale
- 22 765 400 $ US
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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