Sous le signe du faucon

I love this show and this is a lot coming from a 16 year old. The show is deliciously humorous and dramatic at the same time. The show is headed by Jane Wyman as the conniving and manipulative Angela Channing. I feel as though this is one of the best shows of the 80s along with Dallas, Dynasty, and Knots Landing. The show also had other great actors and characters such as Robert Foxworth as Chase, Susan Sullivan as Maggie, David Selby as Richard, Lorenzo Lamas as Lance, Ana Alicia as Melissa, and Cesar Romero as Peter. The number of guest stars was amazing. The wardrobe was fabulous. This show was a perfect example of prime time soaps in the 80s.

A TOAST TO YOU FALCON CREST AND LONG SHALL YOU LIVE.

I don't know if Jane Wyman was chosen to play the lead of hard-as-nails Angela Channing because she was then newly-elected President Reagan's first wife or not. The rumor back then was that the producers wanted her in the role as a kind of side-swipe at Reagan, whose right-wing politics they detested. Then came the rumors that first lady Nancy Reagan wouldn't let the president watch the show because Jane Wyman was in it. Back when we all had a common culture at the dawn of cable, this was all really very amusing. However, regardless of why and how she got the part, Jane Wyman owned that role and made it something special. Starting out playing the lead at age 64, she didn't miss a step until the last season or so, when bad health finally got the best of her.

The setting is the fictitious Tuscany Valley of California and its lush vineyards. Chase Gioberti, played by Robert Foxworth, was Angela's nephew who was always going round and round with her. This was the principle conflict - Chase's principled stand versus Angela's dog-eat-dog approach to all problems. This first season has a kind of Romeo and Juliet theme to it as Chase's son and wealthy heiress Melissa Agretti fall in love and Melissa finds out she is pregnant. Fate being what it is on soap operas, Melissa ends up in an arranged marriage to Angela's lazy grandson-heir, Lance, with everyone outside the principle trio - Melissa, Angela, and Lance - believing Lance to be the father. Angela arranged this marriage to give her eventual ownership of the Agretti vineyards. This show was one of the popular night-time soap operas of the 80's along with Dallas, Dynasty, and Knot's Landing. Most of the characters weren't as rich as in Dallas - after all, we're talking grapes here not gasoline - but the stories didn't have the goofiness that Dynasty always had and Dallas eventually descended into.

Highly recommended for people who remember the old nighttime soap operas and loved them like I did, and also for people who like soap operas in general.

Wyman, The former wife 39th President Ronald Reagan triumphantly returned to television in the nighttime soap opera "Falcon Crest". For most of the show's nine-year run, no one could best Jane Wyman's "Angela Channing," the writers providing her with the best lines, the best wardrobe, and, in most episodes, the final scene. It wasn't until the show's last season that poor health prevented her from appearing in no more than the first and last installments.

However, she was surrounded by a cast of superb performers. Though Robert Foxworth received second billing, it was evident that other characters were more popular. Susan Sullivan, already a favorite from the daily soap "Another World," gained a wider audience as Chase's wife Maggie, following his dream to achieve success as a wine maker. William R. Moses and, initially, Jamie Rose were their children, brought into a community to which they were ill-suited. Lorenzo Lamas and Ana Alicia as Angela's grandson and granddaughter-in-law provided enough tension, in and out of the bedroom, to supply several soap operas. Margaret Ladd as "looney" daughter "Emma" was a treat to watch each week, as was Abby Dalton as her manipulative sister and the mother to Lamas's character. Chao Li Chi played the chauffeur and confidant to Mrs. Channing.

Possibly the most popular characterization was David Selby as "Richard Channing," Angela's chief nemesis that would later be revealed as her son. Their ongoing battles were priceless.

Other cast members came and went, a veritable "who's who" of "Old Hollywood". Lana Turner, Mel Ferrer, Cesar Romero, Eve Arden, Celeste Holm, Kim Novak, and Rod Taylor were just some of the famous that entered the gates of Falcon Crest.

There were some major casting "snafus," from rock star and Prince-protégé Appolonia, playing to type as a character sporting her same name, to Gregory Harrison as a rival for Richard Channing's empire. Both seemed ill-at-ease with their roles.

Though the show drifted into absurdity in season four with a "Raiders-of-the-Lost-Ark-like" search for a treasure buried beneath the estate/vineyard (complete with the film's star Paul Freeman as the sinister leader behind the search), it still maintained its cutthroat machinations for most of its run.

Another plus were the thrilling season-ending cliffhangers. "Dallas" may have started them all, but "Falcon Crest" had the best.

The show never had the ratings success of "Dallas" or "Dynasty" but it was still an enjoyable way to spend an hour on a Friday night.

Set in the fictional Tuscany Valley of California, Falcon Crest focused on a large family of wealthy vinyardists, who were either bickering with each other, plotting against each other, and occasionally swapping mates. Legendary film star Jane Wyman played the ambitious matriarch Angela Channing, constantly at loggerheads with her nephew Chase Gioberti (Robert Foxworth), an airline pilot (and ex-Vietnam vet) who returned to Falcon Crest to claim his inheritance following his father's mysterious death. Others in the FC's large cast included Chase's long-suffering wife Maggie (Susan Sullivan), their children Cole (Billy Moses) and Vickie (Jamie Rose, Dana Sparks); Angela's children Emma (Margaret Ladd) and Julia (Abby Dalton), Abby's irresponsible son Lance (Lorenzo Lamas), who married the conniving Melissa (Ana-Alicia), when she was pregnant with Cole's child. A solid soap during its first season, FC got a major boast with the arrival of nefarious Richard Channing (David Selby), who turned out to be related to the Giobertis and would stop at nothing to get his share of Falcon Crest. The first 5-6 seasons of Falcon Crest remain among the best television has ever offered, with terrific acting, strong storylines, suspenseful and unforgettable cliffhangers, and a wonderfully dry wit. Currently, SoapNet runs episodes 3 times daily, Mon-Fri; try to see it if you can, Falcon Crest is an absolute must.

Executive producers Michael Filerman and creator Earl Hamner made the wise decision to make Robert McCullough the supervising producer and de facto show-runner by the end of the first season, and the result was three years of FALCON CREST which were near-brilliant -- a gently Gothic, slightly tongue-in-cheek entry in the DALLAS/DYNASTY era wealth-based nighttime soap genre which became so huge during the early-1980s.

Unfortunately, studio politics at Lorimar Productions resulted in a lunch-drinking executive demanding that McCullough be fired, even though the series was at its ratings peak, and FALCON CREST was never, ever the same again. Ever.

Once McCullough was gone, the show managed to maintain some momentum for a few months through most of its fourth season, but a CBS executive then demanded that the "offensive" nazi treasure plot line be dropped immediately, just ten episodes before the end of the season -- despite the fact that it was the year's main storyline. As a result, the remainder of the fourth seasons sees a bunch of side plots cobbled together and shoe-horned in just so they can finish off the year. But to me, the inertia of the program had been destroyed once and for all (even though its cushy post-DALLAS time slot kept it alive for several more years).

Season 5 was drab and cluttered. Season 6 seemed like it might be a renaissance for the show, but it turned too much towards excessive shlock by the end of that year and then Season 7 just became frenetically silly. The decision to turn the production design light and airy and '80s pastel, combined with Lorimar's new cheapy post-production process making the show look as if it had been shot on video, didn't help much either. A big ratings drop during Season 7 saw CBS demanding the show be fixed, but once they tried to get serious again for Season 8, they no longer seemed to know how to do it. And by Season 9, it just seemed like a different series entirely and ratings continued to spiral into the cellar.

Why do swollen executives think a show can make itself as long as you have a key star and a recognizable brand name title? Because it can't.

Shame, because the first three season, maybe even 3 1/2 seasons, were fabulous.