Un ancien gardien de camp, grièvement brûlé à la suite d'une farce qui a mal tourné, rôde dans un camp d'été du nord de l'État de New York, déterminé à tuer les adolescents responsables de s... Tout lireUn ancien gardien de camp, grièvement brûlé à la suite d'une farce qui a mal tourné, rôde dans un camp d'été du nord de l'État de New York, déterminé à tuer les adolescents responsables de sa défiguration.Un ancien gardien de camp, grièvement brûlé à la suite d'une farce qui a mal tourné, rôde dans un camp d'été du nord de l'État de New York, déterminé à tuer les adolescents responsables de sa défiguration.
- Réalisation
- Scénaristes
- Vedettes
Avis en vedette
One of the best slasher guilty pleasures!
Prank leaves camp caretaker horribly disfigured and ready for some harsh vengeance. Enter a band of teenagers and a sharp pair of garden shears...
While admittedly The Burning isn't the most well-written horror movie of the period, it's definitely one that delivers great atmosphere and suspense. Even better for genre fans, it boasts the spectacular gore FX from master makeup artist Tom Savini. The FX in this film are highly bloody, especially during the infamous 'raft' scene. This, along with a spirited cast, nice wilderness locations, and a tension-filled electronic music score makes this film a pretty well done slasher flick. Oh, also there's a good bit of nudity which helps to make it even more of a guilty pleasure for slasher fans.
Cast-wise the movie holds its own too. Brian Matthews makes for an OK leading man, but it's really the supporting cast that highlights here. Young Jason Alexander and Fisher Stevens both make their film debuts here (along with a passing Holly Hunter) and prove to be likable goofs. Also good is Larry Joshua as the beefy camp bully.
So slasher fans, The Burning is one flick that's not to be missed. Be sure to find an uncut version of it though.
*** out of ****
A classic slasher, perhaps better than Friday the 13th
The story, although predictable, isn't all that bad, and the characters, although somewhat stereotypical, are interesting enough to keep you going. Most importantly, some of the scenes involving the killer are genuinely frightening, with some pretty effective jump scares. Add to this make-up effects by Tom Savini and you have a round package of gore and horror that has aged well. I think THE BURNING is as suspenseful today as it was in the 80's.
Time has been kind.
I think I've become that disillusioned with the horror genre in recent times, too many people making dreadful films just because they can, now equipment is affordable, complete with poor cinematography and dreadful acting.
This, whilst not an Oscar winner, has good performances and cinematography, plus great special effects of course.
I'd actually put it above the first couple of Friday 13th films in terms of quality, far more entertaining.
A rip off better than the original! One of the best slasher movies of the 1980s.
The raft scene man! That's some good work done by Savini.
Le saviez-vous
- AnecdotesThe concept of the film (originally scripted as "The Cropsy Maniac") is based on a campfire story told at summer camps in and around New Jersey and upstate New York. The story is still in circulation and is also the basis for the documentary La légende de Cropsey (2009), though this film is not referenced in the documentary.
- GaffesWhen Cropsy is set on fire at the beginning of the film, it is possible to see his crash helmet.
- Citations
[last lines]
Camp Counselor: They never found his body, but they say his spirit lives in the forest. This forest. A maniac, a thing no longer human. They say he lives on whatever he can catch. Eats them raw, alive maybe. And every year he picks on a summer camp and seeks his revenge for the terrible things those kids did to him. Every year he kills. Right now he's out there. Watching. Waiting. So don't look; he'll see you. Don't breathe; he'll hear you. Don't move; you're dead!
- Autres versionsThe version of the film shown on the MonstersHD channel (August 2006) is completely uncut. However the added bonus for this version is that they showed the film in its proper widescreen format. The film has never been issued in a widescreen format at all (short of its theatrical run) previously to this.
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Détails
Box-office
- Budget
- 1 500 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 315 $ US






