ÉVALUATION IMDb
6,9/10
50 k
MA NOTE
Persée doit combattre Méduse et le Kraken pour sauver la princesse Andromède.Persée doit combattre Méduse et le Kraken pour sauver la princesse Andromède.Persée doit combattre Méduse et le Kraken pour sauver la princesse Andromède.
- Prix
- 2 victoires et 6 nominations au total
Avis en vedette
Clash of the Titans! A story of daring adventurers, on the spot romance and cheesy dialogue can be considered a classic but is very much flawed both for better and worse.The setting of Greek mythology opens up a gateway to a whole cast of "epic" stop-motion creatures which is Ray Harryhausen's specialty but if you've never tried stop-motion before it may be harder to appreciate his great work which is the best part of this film As for the films weaknesses, it has many. However my biggest complaint is just how dated it feels. It looks and sounds like a film from the 1960's, like another Hausen picture "Jason and the Argonauts". The characters are fairly 2-dimensional and the romance sub-plot is a bit confusing with just how silly it is but at the same time it works to the films advantage. Its silly but entertaining, sometimes you'll be laughing your arse off but in a good way. The film doesn't exactly take its self seriously. When it comes down to it the films at its best when there's monsters on the screen, especially one fight with a medusa which blew me away but I won't spoil it, but besides that its not particularly strong in the other categories. I give a strong recommendation nonetheless for just how entertaining it is. If you see it in a shop, don't hesitate to pick it up.
One of the all time great sword-n-scorcery movies. All star cast. And to top it all off Ray Harryhausen effects.
This movie used to be on tv all the time. I can't tell you how many times I've seen the battles with Medusa, Calibos, and the Kraken. However, it was only recently that I went back and watched it start to finish. The first act is a little slower, as it turns out. However, once the quest begins, it's non stop fantasy action. Of course, the animation is legendary, with some great character designs. Overall, I have no real criticisms other than the slow start. And be sure not to let the deviations from traditional mythology spoil the fun. That would just be wrong.
This movie is a wonderful showcase for stop-motion modeling mixed with live-action. By 2005 CGI standards things look a little jerky and unfinished, but this does not distract from drawing the viewer into the world of Greek mythology (commercialized).
The Greek gods are butting their jealous heads together and it is up to the pawn in their game, Perseus, to save the day. This is not a movie that will evoke any sort of overwhelming emotional reactions, but it is a competent damsel-in-distress action flick with handsome heroes and ugly bad guys. The lines between good and evil are distinct and predictable.
The Greek gods are butting their jealous heads together and it is up to the pawn in their game, Perseus, to save the day. This is not a movie that will evoke any sort of overwhelming emotional reactions, but it is a competent damsel-in-distress action flick with handsome heroes and ugly bad guys. The lines between good and evil are distinct and predictable.
When most modern people hear the word "myth", they often "translate" it into the word "lies". To my way of thinking, that accounts for the radical differences in how this film has been evaluated by various viewers. Here is my view and I speak as a casual student of psychologist Carl Jung.
The story line is--not surprisingly--mythic. It is a grand story told on a grand scale with the best tools which were available in 1981. Note the differing ways in which Caliban and Perseus handle misfortune--how many ordinary mortals become so sorry for themselves that they much worsen their own condition? To be sure, it is an invented tale, but it is a myth, not a pack of lies.
It is hard not to like Ray Harryhausen's superior special effects. The technology is better today, but Harryhausen was and is unsurpassed at getting his "mythologicals" to act and interact with the cast.
Oddly enough, Laurence Rosenthal's score--which recently became available on CD--isn't given the attention which it deserves. The music which he composed is spirited, unique and utterly supports whatever is happening on the screen--from the seemingly careless destruction of an entire city to Perseus' "love at first sight" when he sees the sleeping Princess Andromeda.
If you have the gift of mythological consciousness, this is a "10" film for sure. If not, I feel sorry for you. Read some Jung.
The story line is--not surprisingly--mythic. It is a grand story told on a grand scale with the best tools which were available in 1981. Note the differing ways in which Caliban and Perseus handle misfortune--how many ordinary mortals become so sorry for themselves that they much worsen their own condition? To be sure, it is an invented tale, but it is a myth, not a pack of lies.
It is hard not to like Ray Harryhausen's superior special effects. The technology is better today, but Harryhausen was and is unsurpassed at getting his "mythologicals" to act and interact with the cast.
Oddly enough, Laurence Rosenthal's score--which recently became available on CD--isn't given the attention which it deserves. The music which he composed is spirited, unique and utterly supports whatever is happening on the screen--from the seemingly careless destruction of an entire city to Perseus' "love at first sight" when he sees the sleeping Princess Andromeda.
If you have the gift of mythological consciousness, this is a "10" film for sure. If not, I feel sorry for you. Read some Jung.
Le saviez-vous
- AnecdotesDespite being listed on posters and having main title billing, Ursula Andress only has one line in the entire film.
- GaffesAs the destruction of Argos begins, heavy winds blow the tunic of a man pulling a donkey on a rope to reveal a pair of modern-day gym shorts underneath.
- Générique farfeluIn the closing credits, the cast is divided into three categories: The Immortals (for the gods of Olympus), The Mortals (humans, etc.), and The Mythologicals (As Themselves) (In Alphabetical Order) Bubo, Charon, Dioskilos, Kraken, Medusa, Pegasus, Scorpions, Vulture. Those 8 are the non-human animated characters supplied by special effects.
- Autres versionsThe UK cinema release was cut by the BBFC to secure an 'A' rating and removed the closeup shot of Calibos' trident-hand piercing a man's back, as well as shortening the prolonged shots of Calibos on his knees writhing in agony after a sword has been thrown into his stomach. The cuts were restored in all video/DVD releases and the certificate upgraded to a 15 (12 for the DVD).
- ConnexionsEdited into Malcolm (2000)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Clash of the Titans
- Lieux de tournage
- Azure Window, Gozo Island, Malta(final scene with the Kraken)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 41 092 328 $ US
- Brut – à l'échelle mondiale
- 41 092 328 $ US
- Durée1 heure 58 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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