Docteur Dracula

The current DVD edition contains the feature itself, and a selection of well-worn trailers from other Sam Sherman/Independent International releases. These "coming attractions" are featured on a multitude of releases by Image, and it is curious that they did not offer an audio commentary by Sherman. This would have been especially helpful in determining which footage was newly shot by Al Adamson/Gary Graver, and which were from the feature Lucifer's Women (the only new trailer listed in the extras). It is also unclear whether Lucifer's Women was also released on it's own, or whether the footage extant in Doctor Dracula is the only stock currently available. I'm sure Sherman could have clarified all of this. Curiously, of all Adamson films released on DVD, this is the one that cries out for an audio track the most.

As for discussion of the movie itself, other comments in IMDB will suffice, this only to say that I find it an interesting salvage job. After all, in what other movie will you find Count Dracula disguised as a psychiatrist, an author possessed by a fictional character, and Regina Carol wearing too much makeup? (Oops...that's right. Any Adamson film for the latter).

Not a very well known title in my native UK, but then anything which isn't a Hammer Dracula isn't well known over here. Having just recently watched Doctor Dracula, and knowing nothing about the format I thought this had to be a TV-Movie. While enjoyable, there are some really hammy lines in the dialogue. The character, Svengali, has to steal the show, if even for that beard!

On the whole, this is quite an enjoyable presentation, with an occasional appearance from the soundman's boom, and very little blood. Found the ending quite original though...who would have thought of destroying ..Al Adamson obviously.

I've been on a quest to see all of Adamson's films for years and so imagine my surprise when this rarity turned up on local TV before Halloween. This is another of Adamson's patchwork features cobbled together using an older unfinished film (LUCIFER'S WOMEN) mixed with newer footage featuring Adamson regulars John Carradine and Regina Carroll. During commercial breaks the host of the show mentioned the overabundance of blue eyeshadow used in the movie and how it doesn't make sense that a person can be possessed by a fictional character (Svengali). Unintentionally funny is the deep voice used by a possessed woman which makes her sound like she's been possessed by the spirit of Suzanne Pleshette. Be sure to take a nap before watching the movie because it may put you to sleep.

I own the one-sheet and press book for Lucifer's Women but I've never been able to locate the actual film. Of course I have seen the trailer on the Dr Dracula DVD but I would like to see how it differs from the original.

Some say Lucifer's Women was unfinished, I don't know. Has anyone ever seen the original movie? If so, was it in a theatre or on television? I'm desperate for information regarding its existence or better yet-- a copy of the film on any format. Hint, hint...

Any further writings about this or Anton's involvement is much appreciated!

"Doctor Dracula" carries a 1981 copyright but was composed of footage delivered by two different directors between 1974 and 1977, the final result ending up in a television package from Samuel M. Sherman's Independent-International distribution company. Originally completed and briefly released in 1974 as "Lucifer's Women," this version by Paul Aratow was highly charged erotica with explicit nude scenes, a lesbian love affair, and a Satanic orgy for its literal climax. Sherman and partner Al Adamson saw something in it that they could use, deleting all the R-rated material for a more family friendly overhaul featuring Adamson veterans John Carradine, Donald Barry, Susan McIver, Regina Carrol, and Geoffrey Land as a totally ineffectual Dracula, posing as psychiatrist Anatole Gregorio (making one long for Zandor Vorkov in "Dracula vs. Frankenstein!"). "Lucifer's Women" was deliberately paced yet not that bad, Larry Hankin's John Wainwright a stage magician claiming to be the reincarnation of renowned mesmerist Svengali, here blessed with his own lovely Trilby in Jane Brunel-Cohen, who pulls off her character's naivete while simultaneously sleeping with every man who desires her. Both titles share the same 90 minute running time, Adamson shooting an additional 54 minutes to remove all the best aspects of Aratow's cut, Hankin the only returning cast member, his Svengali easily outclassing Land's meager Dracula. Former screen and stage Dracula Carradine misses out on the vampire but receives top billing for the last time in an Adamson picture, a decent sized role as Hadley Radcliff (11 minutes screen time), leader of the cult of devil worshippers who need Trilby to prolong their existence, before their enemy can deny them the satisfaction. It's not so difficult to follow for an Adamson mishmash, yet still inferior to its source material, building up the Svengali character at Trilby's expense, the new stalking scenes for Dracula stopping things dead in their tracks. Adamson's routine footage is strictly by-the-numbers, and one tends to miss the frequent absences of drop dead gorgeous Jane Brunel-Cohen, especially those well shot nude seduction scenes. No backstory to display how a centuries old vampire becomes a successful doctor, and his targeting of a cult seeking immortality could have been the germ of a great storyline, but not in this director's hands. Paul Aratow's 1974 original is now easily available for comparison, a pleasant surprise on an obviously skimpy budget, by filmmakers skilled in the adult film industry.