Macbeth

The Bard versions of Shakespeare's plays are filmed on a mostly bare wooden stage without an audience, and this one is no exception. However, using fog (dry ice), fire, and the swirling draperies of the witches (which vaguely resemble multicolored moss), this production creates an atmosphere suitable for Macbeth.

If there is nothing extraordinary about it, there is nothing sub-standard about it either. The acting is uniformly professional, and even those choices that might seem questionable, such as Piper Laurie's cold-blooded, sometimes detached Lady Macbeth, can certainly find support in the text.

Jeremy Brett is as emotional as Laurie is emotionless. His is a compelling, ultimately believable portrait of a good man gone almost completely bad.

The witches, who appear with their familiars and are young and attractive, give an interesting spin to the play's "Fair is foul and foul is fair."

This Macbeth version has an overall rating of about 7.5, but most of the reviewers are rather less kind to it than that. As a seasoned Shakespeare appreciator with a large collection of Shakespeare DVDs, let me tell you: the overall rating is correct, and the reviewers are wrong.

The only thing wrong with this version is that it is not a big-budget super-production, the picture quality is not great (after all, it is from 1981!) and the sound on the DVD is a bit out of sync. All annoying, to be sure, but not something that should reflect on the overall quality of the theatrical performance itself.

This filmed stage version is well-acted and well-produced, and both of the main characters (Brett and Laurie), and the rest of the cast too, shine in their roles, making the character development believable. If you are looking for a good stage version of Macbeth, you could do a lot worse than this. And if you collect Shakespeare DVDs, you should definitely seek out this.

7 out of 10.

I find that the worst rating is totally inaccurate. Jeremy Brett performed MacBeth in a grand Shakespearian style. His performance out did all other movies and plays of MacBeth. The plain set with limited props was able to create Macbeth in a true Shakespearian style. Those who may not have liked the performance might not have expected the movie in play form. It was outstanding and I would consider it excellent.

With a high school student struggling through the text, we found two stageplay versions on film, this one with Jeremy Brett (RIP, Sherlock Holmes) and Piper Laurie, and the McKellen/Dench version.

I have seen three ways to film a stageplay. (1) Put up a few cameras with an audience present (never works). (2) Take a cast used to performing before an audience and reblock for cameras and shoot with no audience (this version). (3) Forget audience, block and perform entirely for film (McKellen/Dench).

So this Brett/Laurie version features actors who project as though they must entertain people 100 feet away, and they move through a paragraph of lines as one would truly read a paragraph. Well enough.

But the McKellen/Dench is much more gripping, despite a minimalist set. Lines and characters were omitted for the sake of an overall vision. Characters stopped dead in mid-paragraph for effect. I'll never remember who Ross was in the Brett; I'll remember Ross/Porter in the McKellen. No spoiler here, but in the two versions one sees radically different Lady Macbeths -- not merely in execution but in conception. The Dench Macbeth being absolutely thrilling.

This Brett/Laurie, however, tracks Shakespeare. So the high school student should begin here. Then move on to the McKellen/Dench.

I agree that it is one of the worst versions of Macbeth ever made. Perhaps the worst. Brett overacts and Laurie is just ludicrous. The one good feature is the choreography for the three Witches. I had to preview this for inclusion in a college curriculum. All of us in the small audience (admittedly of English teachers) were laughing hysterically by the middle of the film. I am a strong admirer of Jeremy Brett, though even as Sherlock Holmes, he sometimes was over the top. His performance here is embarrassing. The Trevor Nunn video with Dench and McKellan is by far the best Macbeth ever put on film. I first saw it in the 1980's and have never forgotten it. Now if only some producer would pay to have Patrick Stewart's recent Chichester Macbeth on DVD, we would have two great productions to enjoy.