Les Seuls moments où je ris

Only When I Laugh is the film version of Neil Simon's The Gingerbread Lady. Unfortunately, the title isn't the only difference. While the original play deals with the seriousness of substance abuse and co-dependancy, its film counterpart plays it more for laughs - think The Goodbye Girl II, complete with the lead character's change in occupation from cabaret singer to stage actress and the same neurotic frenzy Marsha Mason brought to the role of Paula McFadden. It's the story of Georgia, a recovering alcoholic fresh from rehab, who's teenage daughter Polly decides to come live with her. While the two are working out the whole mother-daughter bit, Georgia finds herself too caught up in the miserable lives of her gay, unsuccessful actor friend Jimmy and her vain yet insecure rich, female best friend Tobey. There are some fantastic performances in this film, especially Joan Hackett as Tobey. Neil Simon, known for memorable monologues, wrote some his finest for the play, and they transfer quite well to film.

Another marvelous Marsha Mason performance as a recently returning actress from rehabilitation.

Neil Simon's script is as crisp and vivid as ever. Too bad that both Miss Mason and Diane Keaton's performance in "Reds" were overlooked by the Academy when the Oscar went to the sentimental Katharine Hepburn for "On Golden Pond." Academy members were apparently voting for Henry Fonda for best actor in record numbers and just went down the line for Hepburn as well. What a shame.

The film deals with the frustrations and hopes of 3 people and that doesn't even include a worthy performance by Kristy McNichol as the daughter.

As the gay actor, desperately trying to succeed, the late James Coco was excellent. In the supporting category, he is well matched by the late Joan Hackett, tremendous as Mason's best friend, whose marriage is apparently falling apart.Those glittering grayish clothes that she wore expressed her emotions so well. No one could also wear those poncho outfits that Mason wore. They depicted a troubled, but independent lady.

This is an excellent case study of 3 friends in turmoil and how they try to cope while supporting each other emotionally. Trouble is that Georgia (Marsha Mason) allows herself to fall back and drink again. She says that as a youngster she wanted to be another Susan Hayward. She sure is crying tomorrow and smashing up her life.

This movie is a window into another era. Although overall snappy and dramatic, it was marred by a strange deviation from reality. The lead character, Georgia Hines (Marsha Mason) plays an alcoholic, but in this world Alcholics Anonymous doesn't exist. It's difficult to believe the actress would spend 12 weeks in rehab and that they'd release her to just slide back into the world without the support of AA, which in New York at that time was thriving, with several hundreds of meetings. So it didn't seem to really reflect the realities of alcoholism whatsoever. Toby Hackett has a charming old-world voice that echoed very much that of Jean Arthur. Kristy McNichol is winsome, but again, it's difficult to believe that any daughter of a real alcoholic would have that much devotion to a drunk parent during the teen years. Despite these unrealistic aspects of the disease of alcoholism, the movie nevertheless was engaging and evocative.

Comedy-drama from writer Neil Simon, an expansion of his unsuccessful play "The Gingerbread Lady", has Marsha Mason playing an alcoholic Broadway star just checking out of rehab and back into reality when her estranged teenage daughter tells her she wants the two to be roommates. Fairly lively, bitchy film full of wisecracks and tears becomes flabby in the second and third acts, mostly due to poor editing which might have eliminated the dross (and a few side-plots that lead nowhere). Mason performs one too many dramatic monologues on the telephone, and there's six minutes of wasted film involving two college guys trying to pick up Mason and daughter Kristy McNichol at a health food restaurant. The movie has been designed to show off Mason's range (her vulnerability, her wiseass humor, her pathos, etc.). She's striking walking around New York City in her cape, less so when she's sniffling or giving an actors' seminar on the phone. Mason matches up perfectly with McNichol, but 17-year-old Kristy is shunted off to the side (and I disliked the padded sequence where she gets drunk like mamma). There are some fine moments here, but the picture gets off to a really bad start with an excruciating scene between James Coco and a Hispanic delivery boy. Simon takes one cheap shot after another, and yet the film isn't really about alcoholism at all, it's about masochistic behavior. **1/2 from ****

This is a great Film, not only is it a fast moving film, but it also shows how alcohol can ruin someone's life and what effects it will have not only on themselves but also on those around her. It has a great mother daughter relationship that is being tested from the beginning of the movie. This movie also shows the support of her good friends and how much they are will to put up with! This movie was ahead of it time for when it came out in the early 80's and touched on a lot of subjects that were not discussed even for 1981!! Marsha Mason plays a woman with a drinking problem, has a gay best friend and a friend who is obsessed with her looks, she is divorced and she is not the parent who raised her daughter because of her alcohol problems. Kristy McNichol plays the daughter who really only wants her mother to notice her and pay attention to her.

Yes, it maybe somewhat similar to The Goodbye Girl but there are some major differences. It also has great story and moves along fast, is funny, and at one point you really do not like Marsha Mason character, which is what a good movie does!!! But this is a movie you need to see for yourself and make your mind up!!