Wan ren zan

I remember watching this movie as a kid and being quite impressed because I found it so bloody. I often remembered this movie and so I was really happy to find this now in a second hand video store after all those years. Of course I'm not that impressed nowadays - but it's still a very cool swordsplay-movie. I has a lot of great fights with some splatter pleasure like extremities being chopped off. Ohh, and it's no kung-fu- or karate-movie, don't know why they named it "Karate Exterminators" or "Lightning Kung Fu", maybe this was more popular at it's release-date. My german video-release is called "Der gnadenlose Vollstrecker" which is a title that totally fits. Really outstanding is the atmosphere. You have fights in pitch black, in the water and marsh, with fire and so on. And there is a lot of rain. You know, rainy, dark atmosphere, desperate and already injured heroes with long wet hair in the face standing counterpart ready to die. - Cool! And the hero is no real hero because he's a total cold-hearted, bougeois executioner. But there's some development with his character during the story which is quite realistic. And the end is very surprising and radical. So, the movie-makers are not just martial-arts- and swordsplay-professionals, they also knew how to develop a storyline and built some great atmosphere. For me this movie is a hidden treasure of all those kung-fu and swordsplay-movies of the 70ies & 80ies. 7 out of 10.

At times you get positively surprised, when you look forward to a film and expect to see some quality work, and you get what you seek out but in a very different way than you thought, and possibly even more. This was the case when I popped Killer Constable into my DVD player and got way more than your regular Shaw Kung Fu hour-and-a-half epistle.

Compared to other Shaw Brother's period Wu Xia and Kung Fu works, Killer Constable differs from the lot quite a bit, and in a very positive way. Director Kuei Chih-hung's background in crime films really show, as he takes interesting elements from hard-boiled crime films and Japanese samurai films, among others, and bring them seamlessly into the Wu Xia movie.

It's more than rare in these films to see the protagonists being as a part of the Manchu dynasty's government. This is probably the main reason why we have such a dark character as the main protagonist. Chen Kuan-tai as the Killer Constable himself is a dark type of hero, bordering the anti-hero nearly all of the time. Along in his company of ever-vigilant law-officers, there's no place for your typical sleek-cheeked do-gooders in the posse, as we soon see, when this group of tough law officers go for their mission to capture and punish the bandit who's responsible for stealing a large sum of Emperor's gold. Also, a bit striking are some features you can see in the villains of the movie, some of them who have unusually humane characteristics, giving less stereotypical image of the characters than your usual black-and-white Good vs. Bad composition found in many of the genre pieces.

While always being a solid actor and great martial artist - one of my very favourite Shaw Bros. stars - Chen Kuan-Tai really shines in his role. He has the powerful presence and charisma as the stone faced law officer who discovers that he is only a tool and gets betrayed by the system he has abidingly served, that the role gets nearly immortalized.

Beautiful use of lighting and scenery, tight script, good balance of action and story, and especially interesting main character make this one the winner all the way. I also have to dish out some bonus points for the very bleak ending shot that somehow emphasized the futility of it all and concretely showed what kind of destruction greed, corruption and following orders without any questioning can lead you to. (This last one may very well be only my interpretation more than the message that was intendedly embedded in the film, but that's how I felt when the last images hit the screen.)

The blend of these elements make Killer Constable very atmospheric and exceptionally dark piece of martial arts mayhem, guaranteed to satisfy the genre fans and most probably being an interesting piece also for the people who are not familiar with the genre. Definitely one of my all-time Shaw favourites!

This is my truth. What is yours?

The recent Celestial Pictures region 3 DVD of the 1980 Shaw Bros. film THE KILLER CONSTABLE establishes that the picture deserves cult status. KILLER CONSTABLE is distinguished by a story quite different from the norm (though the set up may seem hackneyed now); sets, locations and atmosphere that are unique in the Shaw Bros. canon, and action and violence unusually cruel and explicit. Add to this, an ending that is very cynical.

Chen Kuan Tai is very effective in his portrayal of THE KILLER CONSTABLE, known for his policy of not taking prisoners. Such is his self righteous position as judge, jury and executioner, that some of his men take exception to his ruthlessness, and worse, his enemies use that predictability against him.

The story is set in motion when the Royal Treasury is robbed of 2,000,000 taels of gold. Chen's character LENG TIAN-YING is given the unenviable job of recovering the gold, and bringing the robbers to justice. In just 10 days. To save face for his superior, who stands otherwise to face the wrath of the Empress Dowager! LENG is able to build a small posse of five men, who are more devoted to him, than they are to the mission. Too late LENG discovers that loyalty has its costs, and too late he discovers exactly who his enemies are.

Once LENG and company leave the capital their journey is like a descent into hell. They enter into and travel through one wasteland after another; do battle in darkness, in rain, in swamps, in mud and everything in between. I have read comments that dismiss the film, because it is a sword fighting film. This is certainly true, but there is no end to the weapons on display and the variety of styles and subterfuge. Furthermore, the sheer savagery of the bloodletting and lifetaking is such you would imagine yourself to being viewing a horror film.

During this journey LENG and his men must battle the elements as well as an ever present enemy. LENG never seems to have any difficulty of finding the original culprits, something he does wonder at, nor is he curious why none of them have very much of the gold with them. He certainly lacks imagination but never resolve. LENG is actually very human and CHEN portrays his failings and even his humanity, as effectively as he does his unswerving dedication to the cause.

Even the music is distinctive; I didn't hear any of the recycled Ennio Morricone, Messrs. Jerry Fielding and Goldsmith - indeed the scene that introduces the character of KU FENG and his blind daughter is quite unlike anything I have heard in a SHAW BROS. film.

I came away mightily impressed by everything in this film and all the contributing elements -it's a film that does not seem to have become dated at all.

My one concern was that the NTSC DVD runs 92 minutes; the only other running time I have see for KILLER CONSTABLE is 99 minutes (however this seems to be true of almost all the region 3 SHAW BROS. DVDs).

PS: A tael is the equivalent of 1 1/3 oz; not much, but imagine moving 2,000,000 bars of gold this size!

The introduction scene of our main character made me think: does this have a moral to it? Can the justice be served without any questions asked? Are all criminals evil and deserving of dying? And is our main character human or rather able of showing some emotions to that point? And the movie kind of touches upon those things. It is not too complex, but you can see things displayed and you can apply your moral code to this. There are characters and decisions that apply to your choices .. and of course there are others too.

Shaw Brothers put movies out at a rapid speed and so many of them, that you may excused for not thinking highly of them ... that is before you actually see some. Of course even they have various degrees of quality, but this right here is more than good! Yes some things have not aged well (like the blood effects generally from back then and in this special case some of the weapons used that in some shots are clearly plastic) ... still this is as entertaining as it can be and yet still gives you some food for thought too

Solid martial arts film that's darker than most kung-fu films (both in story and tone, but also in it's actually lighting). The story follows a tough no nonsense constable who is hired to recover stolen royal property. He first assembles his team and they then set out to recover the stolen goods and seeking justice. It's a better story than most Shaw Brother's martial arts films, though that's not saying much, and there are enough good fight sequences (more swordplay than hand-to-hand) to make this worth watching, even if it's not a classic.