ÉVALUATION IMDb
5,1/10
2,1 k
MA NOTE
Ajouter une intrigue dans votre langueA young woman arrives at her grandmother's house, which used to be a funeral home, to help her turn the place into a bed-and-breakfast inn. After they open, however, guests begin disappearin... Tout lireA young woman arrives at her grandmother's house, which used to be a funeral home, to help her turn the place into a bed-and-breakfast inn. After they open, however, guests begin disappearing or turning up dead.A young woman arrives at her grandmother's house, which used to be a funeral home, to help her turn the place into a bed-and-breakfast inn. After they open, however, guests begin disappearing or turning up dead.
- Prix
- 3 nominations au total
Kay Hawtrey
- Maude Chalmers
- (as Kay Hawtry)
Stephen E. Miller
- Billy Hibbs
- (as Stephen Miller)
Alf Humphreys
- Joe Yates
- (as Alfred Humphreys)
Robert Warner
- Sheriff
- (as Bob Warner)
Brett Matthew Davidson
- Young Rick
- (as Brett Davidson)
Christopher Crabb
- Teddy
- (as Chris Crabb)
Avis en vedette
Every now and then, you want to watch a movie that's just cozy and won't make you think too hard, scare you too much, or leave you too disturbed. One days like that, Funeral Home would make a nice movie companion. It never goes anywhere too dark, there's not any blood or gore to speak off, and it moves along at a reasonable pace, leaving you mostly unmoved, but not feeling like you wasted your time either.
Heather moves in with her quirky grandmother to turn their old funeral parlor into a boarding house and, as soon as the guests arrive, they start disappearing or dying under mysterious circumstances.
Any horror or mystery fan won't find the central mystery of Funeral Home too tough to crack, but that's part of the charm. Sometimes, it's just nice to see a familiar story well told.
Heather moves in with her quirky grandmother to turn their old funeral parlor into a boarding house and, as soon as the guests arrive, they start disappearing or dying under mysterious circumstances.
Any horror or mystery fan won't find the central mystery of Funeral Home too tough to crack, but that's part of the charm. Sometimes, it's just nice to see a familiar story well told.
Also known as Cries In The Night, this little seen Canadian horror film directed by William Fruet arrived at the height of the slasher movie boom. It has a plot that may seem very familiar (especially if you've seen a certain Alfred Hitchcock film), but offers little to satisfy any perspective gorehounds sniffing around drawn in by the macabre set up. A teenage girl goes to stay with her grandmother at the small hotel she runs, which just so happened to once be a funeral parlour. When the guests start disappearing young Heather (Lesleh Donaldson) starts to investigate, and gets a nasty surprise when she looks in the basement. It's obscure but unspectacular stuff, and kind of disappeared from view after the initial home video boom of the early 80's before resurfacing on DVD years later much to the delight of completists.
I'm sure I'm in a distinct minority, but I actually like '80's slasher movies more for their atmosphere than for their special effects (which seem to look more cheesy and primitive with each passing year). Unfortunately, the eerie atmosphere of the early slasher movies eventually got overwhelmed, first by out-of-control special effects, then by talentless "scream queens" and softcore sex, and finally by cornball comedy and self-conscious parody. That's why I kind of like this film, even if it's nobody's idea of a great slasher flick or a good horror film. It has no gore and no nudity, but it has a good early 80's slasher movie atmosphere.
A teenage girl (Lesleh Donaldsen) comes to stay with her grandma who operates a hotel that was once a funeral home. Her violent grandfather has supposedly disappeared, but grandma keeps talking to someone in the cellar. Meanwhile, various obnoxious guests check into the hotel, but don't check out, and the girl and her new boyfriend start to investigate. This movie is original in that instead of ripping off "Halloween" like almost all the other slasher movies, it rips off an even older classic horror/thriller. But, as they say,if you're gonna steal, you should at least steal from the best. The ending probably won't surprise you too much, but it not entirely ineffective. The actress playing the grandma is very good and effectively scary. Donaldsen was one of a group of young Canadians that were regulars in these kind of films (Canadian tax shelter production masquerading as middle American films). She wasn't as pretty as Lisa Langlois or Tracy Bregman and didn't fall out of her clothes at the drop of a pay-cheque like Joy Boushel, but she was very good at playing "the girl next door", and this was one of her better roles.
Don't expect any T and A or gore here, but see this if you ever get a hankering for the old atmospheric early 80's slasher films.
A teenage girl (Lesleh Donaldsen) comes to stay with her grandma who operates a hotel that was once a funeral home. Her violent grandfather has supposedly disappeared, but grandma keeps talking to someone in the cellar. Meanwhile, various obnoxious guests check into the hotel, but don't check out, and the girl and her new boyfriend start to investigate. This movie is original in that instead of ripping off "Halloween" like almost all the other slasher movies, it rips off an even older classic horror/thriller. But, as they say,if you're gonna steal, you should at least steal from the best. The ending probably won't surprise you too much, but it not entirely ineffective. The actress playing the grandma is very good and effectively scary. Donaldsen was one of a group of young Canadians that were regulars in these kind of films (Canadian tax shelter production masquerading as middle American films). She wasn't as pretty as Lisa Langlois or Tracy Bregman and didn't fall out of her clothes at the drop of a pay-cheque like Joy Boushel, but she was very good at playing "the girl next door", and this was one of her better roles.
Don't expect any T and A or gore here, but see this if you ever get a hankering for the old atmospheric early 80's slasher films.
I just watched Funeral Home and keep wondering why I've never seen it before now. It's a 1980 horror flick that's a little above average for its budget. What I mean to say is that it fits right in there with the horror films during the time, the ones that had fairly decent acting and good enough scripts. Why didn't I ever see this on cable TV back in the day? I recognized actress Lesleh Donaldson playing Heather, remembered her from the films Happy Birthday to Me and Curtains. Now those two movies played on cable all the time back then. Also, recognized the one cop played by Alf Humphreys from My Bloody Valentine. Funeral Home is a decent horror movie, especially having been made in 1980. It does mirror Hitchcock's Psycho in certain plot aspects and in its build up, but it's still distinct enough, I think. There's not a lot of action, blood spraying everywhere, but it has a creepy atmosphere in which the setting is believable. Holds the attention. I really thought the ending was clever with the credits rolling and the movie still playing. Liked the dialogue at the end between the cop and the old woman. Funeral Home should be in every horror collector's arsenal.
Exceptional in all departments for a cheaply constructed horror film, FUNERAL HOME is the creepy little tale of a young girl relocating to a provincial town in order to assist her grandmother in converting the family funeral home business into a modest bed-and-breakfast retreat. When people begin to mysteriously disappear, a history of bizarre family secrets is gradually revealed in a suspenseful mystery which spires toward a bizarre and thoroughly satisfying conclusion.
A surprisingly adept parsimonious undertaking, FUNERAL HOME is an atmospheric chiller with primary characters which are believably written and energetically dramatized...a largely uncharted item demonstrative of what talented hands can craft with limited resources.
Worthwhile and recommended. 6.5/10
A surprisingly adept parsimonious undertaking, FUNERAL HOME is an atmospheric chiller with primary characters which are believably written and energetically dramatized...a largely uncharted item demonstrative of what talented hands can craft with limited resources.
Worthwhile and recommended. 6.5/10
Le saviez-vous
- AnecdotesFrontier Amusements released this in Canada in the fall of 1980 as CRIES IN THE NIGHT and then re-released the movie in September of 1982 as FUNERAL HOME.
- GaffesThe film is set in the U.S., but there is a Canadian flag displayed prominently in front of a public building.
- Citations
Maude Chalmers: You must never go down in the cellar!
- ConnexionsReferenced in Video Violence 2 (1988)
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is Funeral Home?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Cris dans la Nuit
- Lieux de tournage
- Elora Quarry Conservation Area, Elora, Ontario, Canada(quarry-swimming-site)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 400 000 $ (estimation)
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant