Cordes et discordes

Michael Caine is always worth watching, and Sally Field is at her most attractive here, but this romantic comedy is just very mild and weightless (and I mean it in a negative way). It's occasionally enjoyable, though.

Three very likable stars do a great job with an old movie premise...for about two-thirds of the film. Girl falls in love with wealthy man pretending to be poor, discovers his deception, feels betrayed....etc. etc. Sound familiar? It is, and Fields, Caine and Guttenburg do a great job...for a while...but even these three can only take a tired story line so far. The show fall apart after the slot machine scene, and try though they may, the cast is unable to eradicate it from the toilet bowl. There are some extremely funny scenes, especially Guttenburg's post-shower phone call with a client, and a lot of double entendre, but sadly, the whole thing comes apart at the seams.

Successful writer Sean Stein (Michael Caine) had been taken to the cleaners over and over again. First, he let his wife win due to his guilt about his mistress. Next, he's giving up another half to the mistress. He even gets robbed by a hooker. Now, he's gunshy with women. He's moving to Kuwait where women can't vote. Daisy Morgan (Sally Field) is a frustrated artist forced to mass produce hotel room paintings. She's stuck dating unscrupulous lawyer Marty (Steve Guttenberg) who refuses to commit. Both Sean and Daisy happen to be at a large fundraiser when robbers break in and strip everyone naked. Sean and Daisy are forced tied together.

I remember the elevator scene. I think I remember a few other scenes. It may be from the trailer. More likely, I saw the movie and forgot it. There's a reason to forget this. I don't like Sean and this movie is bothersome. I do like everybody initially. Sally Field is always adorable. Michael Caine can be very fun but when he starts pursuing Daisy, he becomes a stalker and a bit creepy. He needs to hit the cute button rather than the creepy button. The meet-cute is pretty cute but it goes downhill from there. The money issue keeps interfering with the rom-com. The basic premise is problematic for its romance and its comedy. It's in the movie's genes. I'm sure that Jerry Belson thinks that this is funny for all those divorced guys out there but I'm not sure that it's funny for anyone else.

I've scoured the internet trying to find this on DVD. The chemistry between Michael Caine and Sally Field is outstanding. I don't know if the following line would be called a spoiler....I don't think so I just think of it as one of many funny incidents that happen in this flick. It is the scene where they are tied up together (naked) so funny. Steve Guttenberg as a spoiled rich guy is funny as well. I can't believe this movie hasn't been done on DVD. I've seen so many movies that shouldn't be on DVD. This movie is so much better than those. I believe if given the chance this movie would do well on DVD. If I can't get it that way, I may get desperate enough to get the VHS version...hope it doesn't come down to that. Whoever you DVD gods are, I hope you do this one SOON!

Surrender (1987) isn't much mentioned or remembered nowadays. That being said, anyone who has seen it will probably never forget the scene where Sally Field and Michael Caine are tied-up together, naked.

• I have to breathe.

• That's not what you breathe thru.

The roped-together scene has, HAS, to be inspired, or nicked, from Woody Allen's Broadway Danny Rose (1984), although for my money Surrender's version is funnier, especially when Caine's character, who has already been fleeced by two grasping ex-wives in divorce settlements, tries desperately to persuade the robbers not to pair him with a woman. He knows he only has to get a whiff of perfume or a soft-eyed glance and he's toast, once again. This movie was only a year after Caine had triumphed at the Oscars, winning Best Supporting Actor for his role in Woody's unbeatable comedy, Hannah and Her Sisters (1986). Obviously Surrender isn't in the same class as Hannah, but it is the kind of movie you can stick on as comfort viewing.

Sally Field, the American equivalent of Felicity Kendal, is pretty and pretty adorable in the role of an artist who can't tell a lie without her fluttering eyelashes telling on her. Caine's novelist thinks he's at last found someone who isn't into him for his money and fame, but is he right, and what about her assets?

So wanna know why this movie has aged like wine? Well, I'll tell ya. Because we've all turned to vinegar. Surrender would have been dismissed as lightweight tosh back in the 1980s, one of those movies Caine did for the cash, no other motive. Thing is, lightweight tosh of the likeable, entertaining, genuinely FUN kind, is hard to come by in the po-faced 21st century, and thus Surrender is more appreciable now for being just that, light, frothy, fun, and with familiar, charismatic stars in it. And it's so sweet, so romantic, especially when a nervous Caine comes to Field's house without an invitation, persuades her to have dinner with him, and then comes back several hours too soon, because he just can't wait to start getting to know her. Today he'd be accused of inappropriate stalking, and Field would be all over TikTok venting about her ick.

So here it is, a romantic comedy about love and other banana skins. A good time movie. Wanna have a good time?