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7,5/10
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MA NOTE
Ajouter une intrigue dans votre langueAn elite covert operations unit carries out highly sensitive missions subject to official denial in the event of failure, death or capture.An elite covert operations unit carries out highly sensitive missions subject to official denial in the event of failure, death or capture.An elite covert operations unit carries out highly sensitive missions subject to official denial in the event of failure, death or capture.
- Nommé pour 2 prix Primetime Emmy
- 2 nominations au total
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Sommaire
Reviewers say 'Mission: Impossible' (1988 remake) garnered mixed reactions. Fans appreciated Peter Graves' return and exciting gadgets. Updated technology and high-tech openings were praised. However, recycled scripts due to the writers' strike and Australian production were criticized. New cast comparisons to the original were unfavorable, though some found them engaging. Despite issues, many found the show enjoyable, especially for original series fans.
Avis en vedette
In 1988, CBS decided to revive the old "Mission: Impossible" TV show. However, to cut costs they did something odd...they filmed the show in Australia! The first season was made in Queensland (north of Sydney) and the second season was made in Melbourne. Generally, this isn't all that obvious, though some of team members sure sound like Aussies...especially Anthony Hamilton. So is it any good? Generally, very good...with a few exceptions. First, because of the writers strike, several of the early episodes are just remakes of old episodes. A few of the episodes (such as "The Devils" and "Bayou") are just insanely bad--with plots such as convincing a mark that Mr. Phelps is Satan himself!!! But generally, the show avoided this sort of thing and brought us more of what everyone loved back in the 60s and 70s...lots of cool plots and gadgets. And, even though Peter Graves was a good bit younger, the shows worked well. It's just too bad the network lost faith in the show and moved it in their schedule...making folks miss out on it because of the change.
By the way, BOTH seasons of the reboot are available on DVD and are worth having.
By the way, BOTH seasons of the reboot are available on DVD and are worth having.
I was a huge fan of the original series and couldn't wait to see this new show when it debuted. I found the cast very attractive (and I was a big fan of Tony Hamilton's, may he rest in peace) but disappointed that they recycled scripts from the original series. Nevertheless, though it wasn't the original, I did enjoy it and would have loved it if they'd kept it going.
I especially liked that they brought Peter Graves back and had him use a lot of new-fangled devices. I don't know why they got rid of the first actress, but Jane Badler was wonderful - and I guess she's since made Australia her home.
I especially liked that they brought Peter Graves back and had him use a lot of new-fangled devices. I don't know why they got rid of the first actress, but Jane Badler was wonderful - and I guess she's since made Australia her home.
When this series originally aired, I remember watching it with my father. I remember being enthralled by the gadgets.
Now that the series is available on DVD, in two sets, it was a pleasure to watch through the whole thing.
As an adult, I'm much more able to see the weaknesses the show had, but I also can appreciate some of the more responsible approaches that the show had, especially in the sense of being a largely peaceful team.
The budget isn't great. Some sequences appear to have been shot on video. Several episodes use stock footage, especially later ones.
The cast is remarkably attractive.
The area where the show falters is later in the first season, and during much of the second. The writing got lazy. The plots got more linear, more predictable. And in some cases, the gimmick for the episode got in the way of making a decent plot.
Another thing that gradually got on my nerves was the laziness in writing the opening scenes, when Phelps retrieves the mission. In many of these, he winds up retrieving the disc, and watching it, in a place much more public than usual. In one of them, he watches it on an amusement park ride, and we see people walking around in the background. Hardly a secure location.
I've been watching episodes from the original series, and while the writing was more careful, and better plotted, the biggest improvement that the 88 Mission Impossible had was the pacing. The episodes felt like they moved along very quickly.
This series is entirely worth watching. But, especially with the reliance on stock footage, the show looks far more dated than it should.
Now that the series is available on DVD, in two sets, it was a pleasure to watch through the whole thing.
As an adult, I'm much more able to see the weaknesses the show had, but I also can appreciate some of the more responsible approaches that the show had, especially in the sense of being a largely peaceful team.
The budget isn't great. Some sequences appear to have been shot on video. Several episodes use stock footage, especially later ones.
The cast is remarkably attractive.
The area where the show falters is later in the first season, and during much of the second. The writing got lazy. The plots got more linear, more predictable. And in some cases, the gimmick for the episode got in the way of making a decent plot.
Another thing that gradually got on my nerves was the laziness in writing the opening scenes, when Phelps retrieves the mission. In many of these, he winds up retrieving the disc, and watching it, in a place much more public than usual. In one of them, he watches it on an amusement park ride, and we see people walking around in the background. Hardly a secure location.
I've been watching episodes from the original series, and while the writing was more careful, and better plotted, the biggest improvement that the 88 Mission Impossible had was the pacing. The episodes felt like they moved along very quickly.
This series is entirely worth watching. But, especially with the reliance on stock footage, the show looks far more dated than it should.
In a series rebooted 20 years after the original, obviously a few things were going to change. They went for more action, and this MI team got involved in frequent shootouts, something seldom seen in the original.
The original MI plots were tighter and with fewer plot holes than these stories, except for the few they reshot ... which happened because of a writer's strike in 1988.
Finally, you just don't replace Martin Landau and Barbara Bain, and they couldn't on the original series, either. Leonard Nimoy was close, but still not Landau.
However, we enjoyed rewatching this series last summer, and were sorry when we got to the last episode. The actors were engaging enough in their roles to involve us.
As good as the original? No. But decent in it's own right? Yes.
The original MI plots were tighter and with fewer plot holes than these stories, except for the few they reshot ... which happened because of a writer's strike in 1988.
Finally, you just don't replace Martin Landau and Barbara Bain, and they couldn't on the original series, either. Leonard Nimoy was close, but still not Landau.
However, we enjoyed rewatching this series last summer, and were sorry when we got to the last episode. The actors were engaging enough in their roles to involve us.
As good as the original? No. But decent in it's own right? Yes.
For this revival (which not only returned the classic series to television but also four of its original episodes - "The Killer" , "The Condemned," "The System" and "The Legacy") Peter Graves again assumed command of the IM Force with a new set of equivalents for the old unit, shot in Australia and with stronger effects... but lesser scripts.
Watching the originals again, they're miniature gems particularly in the first few years; the new version just isn't as compelling, although having Casey Randall be the first IM member to actually die in the course of duty was unusual. The episode "Submarine" pretty much encapsulates the remake's inferiority; written by the show's visual effects supervisor Dale Duguid, there's an unfortunate emphasis on how the illusion required to trap the villain is done, which suffuses any suspense.
The show does, however, have more fidelity to the concept than the misguided cinema version from Cruise and DePalma, which is why this is ultimately preferable. But the original show is the one to watch.
Watching the originals again, they're miniature gems particularly in the first few years; the new version just isn't as compelling, although having Casey Randall be the first IM member to actually die in the course of duty was unusual. The episode "Submarine" pretty much encapsulates the remake's inferiority; written by the show's visual effects supervisor Dale Duguid, there's an unfortunate emphasis on how the illusion required to trap the villain is done, which suffuses any suspense.
The show does, however, have more fidelity to the concept than the misguided cinema version from Cruise and DePalma, which is why this is ultimately preferable. But the original show is the one to watch.
Le saviez-vous
- AnecdotesThe series was originally planned to be a limited series. A new cast was hired to play the characters from the original Mission: Impossible (1966), and the episodes were all going to remake original series scripts. This changed when Peter Graves returned to the role of Jim Phelps; the other characters were then renamed, and the show became a continuation of the original. One of the new cast members was Greg Morris's son, Phil, cast as his dad's character Barney Collier. His character was renamed Grant Collier, and he became Barney's son.
- Citations
Voice on Disc: [Line repeated near the beginning of each episode in the series as Jim Phelps listens to the tape/disc containing his instructions and setting up the episode storyline] Your mission, Jim, should you decide to accept it...
- ConnexionsFollows Mission: Impossible (1966)
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What is the Canadian French language plot outline for Mission: Impossible (1988)?
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