Nico

Before he was "out for justice" on the mean Brooklyn streets and "under siege" by terrorists on a U.S. Navy battleship, he was above the law. Yes, I'm talking about that quick-fisted, pony-tailed martial arts hero Steven Seagal and his 1988 starring debut "Above the Law."

Though his career hasn't panned out the way this debut promised, it is nonetheless a dynamic introduction to the mysterious world of Seagal, who plays Nico Toscani, a Chicago cop who as a child took up the Japanese martial art of Aikido and was some time later recruited by the CIA for covert operations in Vietnam.

After witnessing the cruel torture and executions of some Vietnamese hostages by ruthless CIA chemical interrogator Zagon (Henry Silva) and his cohorts, who also seem in on a secret drug running operation, he walks away from his career and retires to life as a cop on the streets of Chicago with wife Sara (Sharon Stone) and partner Jacks (Pam Grier). Things get dicey when two suspects collared in a recent drug bust are allowed to go free. The department silences concerns by announcing that the two men are part of a huge undercover investigation. But Nico doesn't buy it.

He suspects that something bigger is underway, and he's right. It isn't long before he stumbles onto a covert drug running operation right under his nose that involves his old CIA buddies, a local drug kingpin, some corrupt FBI officials and old nemesis Zagon, who is also involved in a political assassination plot. So Toscani, Jacks, and his Aikido fists of fury go to work on some really bad guys.

Directed by Andrew Davis and co-produced by Seagal (who also shares a story credit), "Above the Law" promises a mean and gritty portrait of law enforcement with the magnetic screen presence of the charismatic (if not necessarily wooden) Seagal in the lead. The picture opens with some black & white home movie footage of Toscani and accompanying narration, showing us this mysterious man's history. Seagal, who became the first American to open an Aikido dojo in Japan and at the time held a sixth-degree black belt in the art, was a world-renowned security expert before he started appearing in the movies and snapping necks, bending limbs, and using his opponents' own momentum and strength against them.

"Above the Law" does has some script problems, but it's balanced out by some rough & tumble action shoot-outs and nasty fights where Seagal throws his opponents into things and breaks and twists limbs 180 degrees in the opposite direction. But that is what his chosen sport Aikido does, as it employs joint locks, pins, and other methods meant to redirect and utilize an attacker's own strength and power against him. And Seagal does it perfectly.

Is "Above the Law" a sensational debut for Steven Seagal? Certainly, at least for his loyalists. As a casual fan, he has certainly made better movies since then and improved his "acting" skills but what will always dazzle us are the nifty arm-twists and breaks that prove he is a master of his Aikido craft.

8/10

ABOVE THE LAW is still Steven Seagal's best. He's done many entertaining films since, but this ones remains his best. It's a great urban crime drama with Seagal in peak form as a cop with lightning-fast moves and a knack for delivering justice. Okay, the story of a cop being suspended and ignoring orders to finish the case on his own has been done a gazillion times, but I've never cared about repetition. I just care about the overall outcome of the film. The story isn't great, but keeps you interested and moves at a good pace, with Seagal dispensing bad guys left and right. I love the gritty urban feel of the movie. Director Andrew Davis makes good use of his hometown Chicago's locations. Pam Grier is good, and (avoiding convention) isn't killed off for being the star's partner, and Sharon Stone, as Seagal's wife, has learned to act in the three years since KING SOLOMON'S MINES. Henry Silva is creepy as the bad guy, surrounded by a group of weasel henchmen who eventually all get their ticket punched by Seagal. David Michael Frank also composes a great contemporary-styled soundtrack that deserves a full soundtrack release; it's great music, and a great theme. The action is fun, the pace is good, and Seagal does a good job as always with his slick moves. It may not be great, but it sure is fun.

"Above the Law" was Seagal's debut film. It wasn't the best, but we got to see martial arts on display that was for maiming and dismembering instead of marathon fighting like most. His disabling moves weren't for the faint of heart.

Seagal played Nico Toscani, a Chicago P.D. detective that caught on to a plot to kill a senator. He and his partner Delores Jackson (Pam Grier) shot and fought their way to discover the culprits (OK, so it was mostly Toscani).

Toscani, like just about every action hero, fearlessly went up against incredible odds, danger, and death knowing that even if he didn't have a gun he was always armed and dangerous. You can look at this as heroic or unfathomably stupid. I'm sure it comes down to whether or not you like Seagal.

In Japan, the Sicilian martial arts expert Nicolo "Nico" Toscani (Steven Seagal) is recruited by the CIA Special Agent Nelson Fox (Chelcie Ross) to join the Special Operations Forces in the border of the Vietnam and Cambodia. In 1973, Nico witnesses the torturer Kurt Zagon (Henry Silva) interrogating prisoners of war and he is disgusted and quits the CIA, returning.

Fifteen years later, Nico is married with a baby with his wife Sarah (Sharon Stone) and they live in the same house of his mother. Nico is a tough and incorruptible narcotics detective of the Chicago Police Department very close to his partner and friend Delores 'Jacks' Jackson (Pam Grier) and his friend Detective Lukich (Ron Dean). When Nico and Jacks investigate a drug traffic operation, they arrest the gang of the drug dealer Tony Salvano (Daniel Faraldo) but they find that they are smuggling the plastic explosive C4 instead. However there is an interference of the FBI and Salvano and his partner are released by FBI Agent Neeley (Nicholas Kusenko) and the detectives are forbidden of proceed with the investigation. But Nico does not stop and is suspended from the police force. But when there is an explosion in the church of his neighborhood and his friend and parish priest Joseph Gennaro (Joe V. Greco) is murdered, Nico chases Salvano and discovers a corruption ring that is planning to kill the American Senator Ernest Harrison (Joe D. Lauck) that is investigating the involvement of the CIA with drug traffic.

"Above the Law" is the excellent debut of Steven Seagal in the cinema industry. When I saw this movie for the first time twenty-five years ago, I immediately became fan of this actor that used the style of Charles Bronson and Clint Eastwood associated to great fight choreography and violence. Today I have seen it again on DVD and the story is still full of action and has not aged after all these years. My vote is seven.

Title (Brazil): "Nico Acima da Lei" ("Nico Above the Law")

Before the hair transplant, before he ate all the pies, before he went mad, and before everything was uttered in an inaudible whisper Seagal made his debut with this confusing, over-plotted thriller directed by Andrew Davis. Seagal plays Nicola Toscani, a ludicrously-named ex-CIA cop (as are virtually all Seagal characters) with family in the Mafia. Seagal conjured up the story (which was then expanded, of all people, by Steven Pressfield and Ronald Shusett) and it's probably his first effort at ego-massage. The opening narration is semi-biographical and the beginning of Seagal confusing fantasy and reality.

The plot, despite being from 1988, still comes across as contemporary and relevant. Nico quits the CIA in the 'Nam after witnessing a crooked superior taking advantage of the war to become a drug baron. Many years later he encounters that same villain who is abusing his status of being 'above the law' to seize more drug territory and pump more drug money into the CIA. War is always profitable.

It would be an intriguing plot for a 135-minute movie. But Above the Law tries to cram it all into 99 minutes and in the style of early 80s Charles Bronson. Don't get me wrong, Andrew Davis has always had muscular direction and takes the material seriously, but the heavy story and ambitious commentary are mostly squandered for the sake of making sure the credits roll after an hour and a half. The ending seems rushed, leaving just a little to much confusion and too many dots unconnected.

Still, it's interesting to see Seagal young, thin, and talking clearly.