Petit bonhomme

I watched this when I was the same age as the main character of this movie and I found it just...okay. I remembered the Zoltar machine, the big piano, and all the toys Josh plays with but not much more.

Rewatching it as an adult makes me appreciate it on a whole new level. I did not care for the emotional nuances of the movie and the dilemma that Josh was in because I myself was a kid the first time I watched it. I couldn't understand the depth of the movie's themes in the same way that Josh fails to have a truly deep, mature, emotional connection with another adult. Watching this movie as an adult also gives me this blissful sense of nostalgia for the little blip of time I spent as a child. Childhood is such a small part of your life compared to the time you spend as an adult, yet it makes a tremendous impact on you and what happens to you in those brief years leaves a lasting impression. Those are the thoughts and feelings this movie elicited in me and that's why it's highly recommended from me.

I saw this film again yesterday for what must now be the tenth or so time and it's a film that makes me stop whatever I'm doing and immerse myself in the unfolding story. Never mind the fact that I am by now familiar with the premise, which incidentally far exceeds similar ones of the genre released at this time - Vice Versa and 18 Again (the latter being truly dire).

I think this is one of Hanks' finest hours and see it as the pinnacle of his early pre-90's career. His later performance in Philadelphia would eclipse this role, although this was obviously more serious in its message.

It takes real talent to act the young boy in the body of a thirty something and Hanks' copes admirably, from the comical leaping around the bedroom when he is trying to put on the jeans of the child on discovering his transformation to the child-like reaction displayed on Perkins' advances toward him. He captures the essence of youthful innocence both in the company of his younger peers and older 'work' colleagues.

Elizabeth Perkins complements the performance of Hanks' and it seems a shame that on searching the database that her career perhaps hasn't mirrored the success of Hanks' since making 'Big'.

I don't know why, but I always shed a tear at the end of the film. Perhaps it is the longing in all of us to want to return to the days of our youth and that we cannot turn back the clock as one can in the imaginary world of film.

As I grow older, and watch my children grow-up it makes me realise that time is a precious commodity and that life is a gift that should be cherished and nurtured carefully. This film somehow reinforces these feelings.

Tom Hanks earned his first Oscar nomination in the late 1980s with the Penny Marshall comedy/fantasy "Big." I saw it for the first time when I was about 9, and have loved it ever since. I like how it is aimed at both the kid and adult in all of us!

Young Josh Baskin (David Moscow) goes with his family to a carnival one evening, and sees the girl of his dreams. When he finally works up the nerve to talk to her, her date appears with her. Then, he does not meet the height requirement for the roller coaster ride he wants to go on. So, off he goes to a deserted part of the carnival to the "Zoltar" machine, a devil's head encased in glass, to "make his wish." He wishes he "were big." Suffice it to say, Josh wakes up the next morning to discover he is an adult (Tom Hanks). Mom (Mercedes Ruehl) thinks he kidnapped her son, and calls the police. Josh eventually convinces best friend Billy (Jared Rushton) that he (Josh) is his true 13-year-old self trapped in a man's body. They take off to New York, where Josh manages to get a job as a product tester for a large toy company. He befriends the boss (Robert Loggia), who likes Josh's understanding of the toys kids really like. However, Josh finds himself at odds with Paul (John Heard), vice president of marketing, who perceives Josh's simplistic views as an invasion of Paul's more experienced, competitive ways. Never fear, as successful co-worker Susan Lawerence (Elizabeth Perkins) finds comfort in Josh's views and company, and falls in love with him. But the more Josh experiences the privileges and responsibilities of adulthood, the more he longs for his youth again. Should he stay with Susan or find the Zoltar machine and wish to be a kid again?

An impressive film about growing up and making wishes. When you're a kid, you can't wait to grow up. But when you're an adult, you have to make sacrifices and accept responsibility, ideal and not-so-ideal. Also, be careful what you wish for, as you might get it! A Broadway musical version of "Big" opened in the mid-1990s. The piano dancing sequence is its trademark. I had the privilege to play the role of Paul (the John Heard character) in a summer musical production, and loved it! I highly recommend both the film and the musical!

"Big" is a magnificent movie. Tom Hanks portrays a young boy trapped in the body of a grown man. Imagine one morning, to find yourself trapped in an unfamiliar body. Mr. Hanks creates a vivid character and plays a convincing role as a 13 year old boy who has to deal with the confusion of this sudden change. The child shines through the grown man throughout the movie, in classic scenes such as his first day on the job at the MacMillan Toy Company when he curls his legs underneath him to sit at his desk, and at the company cocktail party when the entire staff chuckles at his choice in tuxedo and his first reaction is to check the fly on his white-sequined pants. Also his nervousness and restlessness during a marketing meeting, and the way he holds up his hand and waits to be called on before making a comment, are all childlike actions. Such small details are what make the character so convincing and Tom Hanks pulls it off brilliantly.

What we're talking about is a wonderful fantasy comedy about the child, who sleeps in everyone's soul and waits to get free. Superbly written scenes follow each other, not to mention Tom Hanks' performance, which should have been awarded. He seems to me the only contemporary actor, who was able to play the role of a 13-year-old teenager, who becomes an adult from one day to another. Elizabeth Perkins and especially John Heard form a strong supporting cast and this time they really support Hanks' work. This film bothers to talk about more important things, like the loss of innocence, friendship and the first love, not just tells a story about a boy in the big city. This was Hanks' star-making role after a string of stupid comedies in the middle 80s and he deservedly became one of the biggest stars of the 90s. And don't forget, this was his first film in his "outsider" series: he made his biggest successes playing somehow outsider figures: Sleepless in Seattle, Philadelphia, Forrest Gump or the Cast Away. Go and see it, you won't be disappointed even if you think you've lost the child inside you...with the help of this film you will find it. Believe me.