John McClane, un policier de New York, tente de sauver sa femme Holly Gennaro et un groupe d'autres personnes prises en otage par le terroriste allemand Hans Gruber lors d'une fête de Noël a... Tout lireJohn McClane, un policier de New York, tente de sauver sa femme Holly Gennaro et un groupe d'autres personnes prises en otage par le terroriste allemand Hans Gruber lors d'une fête de Noël au Nakatomi Plaza de Los Angeles.John McClane, un policier de New York, tente de sauver sa femme Holly Gennaro et un groupe d'autres personnes prises en otage par le terroriste allemand Hans Gruber lors d'une fête de Noël au Nakatomi Plaza de Los Angeles.
- Réalisation
- Scénaristes
- Vedettes
- Nommé pour 4 oscars
- 8 victoires et 8 nominations au total
- Alexander
- (as Joey Plewa)
- Kristoff
- (as Gerard Bonn)
Sommaire
Avis en vedette
Actually a good Christmas movie.
I usually have an aversion to Christmas movies as they all tend to turn into cheesy rom-coms but this was pretty awesome. And I think the reason for that is because that even though it was Christmassy where it mattered, the plot didn't completely revolve around it.
I've got to admit, most of it was guns and explosions and there was very little plot to go off of besides a pretty traditional three-act structure, but it was still pretty damn entertaining. And you know it's a good movie when about 90% of it was guns and blood and explosions and the other 10% was Bruce Willis saying badass things and crawling through vents in an ever-disintegrating tank top, and you stilled enjoyed it.
There was never a still moment in this movie, but unlike most times, where I just end up getting bored of the CGI-fest explosions, I was actually pretty captivated through the entire runtime. I'm actually really pleasantly surprised. The ending is predictable, but it's nice. Not all movies have to be intellectual masterpieces. Sometimes you just need to switch your brain of a little and watch Bruce Willis kick ass.
So, Jake of B99 was right. I mean, it's badass, Bruce Willis has the best one-liners, you have cool explosions. There's not too much more I could say about this movie. Yippie kayak, other buckets.
-Sasha.
THE best action flick ever !
Well, what else can I say besides that this is "THE" (can't stress it more) action movie from the 80's with a young Bruce Willis. Personally, I don't even know how many times I've seen this movie. "Die Hard" remains an example for all action movies that followed. At that time you had the Sly and Arnie action movies. But these were more a performance of brutal violence, with big muscles and a sense of invincibility. Bruce showed a clever, shrewd, caustic action hero, who can take a beating, but on the other hand shows that he's not completely invincible.
Of course, the action in films nowadays is much bigger, more impressive and mind-blowing, but the strength of this film is the story, the accumulated tension, lightness and the dry humor of Bruce Willis. From the first minute he takes you in his grip, and he won't let loose. You see him slowly evolve from a wrinkle-free clean-shaved top cop into a reasonable damaged hero. This pattern keeps coming back in the next two parts, which are also top movies of the same caliber.
You'll notice this is already an old movie because for instance lighting a cigarette in a public place isn't prohibited. But how the action scenes are imaged, is still top-work and should be the aim for many action flicks.
I think the sudden confrontation between Gruber and McClane is one of the strongest scenes in this film, along with the well known "Yippie-kay-yee" cry. Trademark of Willis. The fact he likes the character of McClane a lot, you see clearly in "The Last boyscout". In that movie he plays an impoverished detective with the same coolness and cynical, dry humor as McClane. Too bad that in the last two Die Hard movies, McClane is only a shadow of himself like in the original movie.
"Die Hard" is one of those rarities in movie land, which you can watch without thinking "Pfft Again this movie". It remains, for me, an enjoyment to watch.
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The ultimate action film.
Die Hard is a classic film because it completely revolutionized action films. The 80s were a time of unrealistic action sequences, predictable characters, and rudimentary plots. Die Hard changed all that. Die Hard takes place in a real world setting, or at least about as real as you can get with an action movie, so the action sequences, while insane, are slightly believable. The plot of the movie is simple, yet it's so brilliant at the same time. And the characters in this movie are engaging and a lot of fun to watch. John McClane is a really likable everyman kind of guy, we can all relate to him. Hans Gruber is an awesome villain, both cold and ruthless, yet very human. The supporting characters on the outside of the building are all great as well. Another great thing about Die Hard is that even though it's a hardcore action movie, it manages to be extremely funny at some parts, almost to a point of being able to call it a comedy. This makes the movie really easy to watch over and over again. There's really nothing wrong with this movie whatsoever in any department.
The acting is great. Bruce Willis is hilarious and hardcore as John McClane, and he portrays the adrenaline and the frustration of the situation very well. Alan Rickman is awesome in one of his earlier roles as the main villain Hans Gruber. Reginald VelJohnson is enjoyable as McClane's outside contact Officer Al Powell, and Paul Gleason is funny as a hardheaded and incompetent deputy chief of police.
Overall, Die Hard is the ultimate action film because it's fast, funny, and hardcore. It also gave us one of the most famous action movie one liners of all time...You know the one.
8/10
It can't be bettered
When watching this film what becomes immediately apparent is how fresh it is. This hasn't been filmed with some cheap cameras for a quick buck, it looks professional and couldn't be less polished. The photography is clear and brings out the best of the surroundings, while the music has obviously been carefully chosen to convey the right mood. And, strangely enough for an action film, the acting is actually very good. Unheard of, as remember this was back in the days where Schwarzenegger and Stallone were the top stars of the action genre. Bruce Willis excels as the wisecracking, sardonic cop, and you can't fail to like him. He's consistently witty and provides a powerful presence when needed - it comes as no surprise as he lived off this image for the next six or seven years.
The supporting cast aren't half bad, either. The reliable Bonnie Bedelia takes a break from her usual highbrow, "moral dilemma", television movie fare as Willis' tough wife, while Reginald Veljohnson is also great as a sympathetic cop - you just want to hug him. But most memorable of all is Alan Rickman for his excellent turn as the cool, calculating terrorist with a carefully-crafted German accent and a fine line in natty suits. Rickman is THE bad guy of modern cinema, watch any subsequent action film with terrorists and you'll see people trying to be him. He's that good. The rest of the cast of terrorists have all been picked for their imposing looks, and they're not bad either. Keep your eyes peeled for fearsome Bond baddie Robert Davi in a minor role as an FBI man.
As well as the tense running around in corridors and stand-offs between Willis and the various creeps, this film really delivers in the action stakes. The guys here really do look like they are trying their hardest to kill each other, and we get people flying down stairs, getting chains wrapped around their necks, getting shot all over the place. Every kill that Willis makes is original and exciting. There are also plenty of ace stunts, like when Willis jumps off an exploding roof with only a fire hose tied around his waist. The gore level is high, graphic in fact, with people being shot apart wherever you look, and it's definitely a film for all cinema fans to enjoy. Consistently entertaining and strong enough to withstand repeated viewings, this is the first and final word on the "one guy versus lots of bad guys" sub-genre of the action flick.
Influential and revolutionary action movie that redefined its genre
My family and I catch this fi on cable almost every year during the Christmas season and this never gets old. Unlike other action films from the 80s that spit cheesy little one-liners and mindless gun shootouts, this film presents viewers with a very likable protagonist who is self aware with his flaws and has feels very human, a Villain who is near equally likable and incredibly smart, and the dialogue between these two characters (which are spoken via walkie-talkies for the majority of the time) is very witty and clever that keep viewers' attention. The main character John McClane spends most of the time fighting off the terrorists who are lead by Hans Gruber, and the scenes are exciting to watch. Glossing with intense gunfights, explosions, stellar camera-work and fight choreography, the scenes keep viewers strapped to their seats. In the scenes when the action lightens up, there are some interesting conversations between characters like McClane, who at one point, shares a tender moment with a cop by admitting his flaws as a husband and a man as a whole. These moments are make you feel for the character and are presented in a realistic way and not sappy way. Bruce Willis does an excellent job as the main character and his performances him as the action hero he is today, along with his famous line "Yippie Kay Yay, motherf***er". The same can be said about Alan Rickman is gives off a performances as the one of the most charismatic antagonists ever put on screen. What really impresses me about this film is the action set pieces. The Nakatomi Plaza that serves as the film's main setting (at least during the beginning) is shot nowhere other than Twentieth Century Fox headquarters. Quite interesting!
Die Hard is one of the most influential action films ever made and shines with nearly every aspect an action film needs. It is a good movie for viewers to pop a bag of popcorn, sit on the couch, and watch. Director John McTiernan did a fantastic job with this film as well as the cast. This film is a textbook example of what action films need to be and a movie that every action fan should not miss.
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Le saviez-vous
- AnecdotesThe fictional Nakatomi Plaza is the headquarters of 20th Century Studios, so the studio could use one of its own buildings and didn't have to hold back on stunts and action sequences. While Jeb Stuart was writing the screenplay, he did a tour of the building, and immediately incorporated some of the locations and objects he found there into his script as set pieces (such as the cart that McClane and Karl end up riding during their fight). The company charged itself rent for the use of the then-unfinished building. Some of the middle floors were occupied by legal and administrative departments, so only empty floors were used for filming. Still, the filming of scenes that involved gunfire had to be postponed until after hours because some of the employees from the active floors started to complain about the noise.
- GaffesSeveral times during transmissions with the two-way radios, characters interrupt each other, which would be impossible given the type of radios they were using.
- Citations
Dwayne T. Robinson: I've got a hundred people down here, and they're covered with glass.
John McClane: Glass? Who gives a shit about glass? Who the fuck is this?
Dwayne T. Robinson: This is Deputy Chief of Police, Dwayne T. Robinson, and I am in charge of this situation.
John McClane: Oh, you're in charge? Well, I got some bad news for you *Dwayne*, from up here it doesn't look like you're in charge of jack shit.
Dwayne T. Robinson: You listen to me, you little asshole, I'm...
John McClane: Asshole? I'm not the one who just got butt-fucked on national TV, *Dwayne*. Now, you listen to me, jerk-off, if you're not a part of the solution, you're a part of the problem. Quit being a part of the fucking problem and put the other guy back on!
- Générique farfeluIn the widescreen version, the 20th Century Fox logo is stretched.
- Autres versionsThe Ultimate edition DVD contains the following deleted/extended scenes:
- Extended power shutdown sequence.
- Extended opening flight scene.
- Brief dialogue in the first Hans/McClane confrontation.
- Extended scene where Robinson/Powell brief the FBI on the tower situation.
- Brief dialogue when Hans interrogates Takagi.
- Brief dialogue after Theo says "You didn't bring me along for my charming personality".
- Extended/alternate dialogue in McClane/Powell conversation after McClane uses the plastic explosives.
- Brief scene of FBI agents getting stuck in thorn bushes as they make their way towards the building.
- At the end, McClane says "You got a warranty for this (Holly's watch, a gift from Nakatomi Corporation)?" to which Holly laughs.
- Argyle's dialogue as Powell's police cruiser flies by in the background.
- Brief Ellis dialogue reacting to the terrorist intrusion.
- City engineer briefly coughs before pulling out the power cord.
- Brief dialogue in Hans/Karl argument about "neutralizing" McClane.
- Additional Holly dialogue after seeing Karl's reaction to McClane's escape.
- ConnexionsEdited into Marche ou crève: Vengeance définitive (1995)
- Bandes originalesSingin' in the Rain
Written by Arthur Freed and Nacio Herb Brown
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Die Hard
- Lieux de tournage
- Fox Plaza - 2121 Avenue of the Stars, Century City, Los Angeles, Californie, États-Unis(Nakatomi building, interiors filmed on the 29th and 35th floors)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 28 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 85 892 546 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 601 851 $ US
- 17 juill. 1988
- Brut – à l'échelle mondiale
- 143 651 650 $ US
- Durée
- 2h 12m(132 min)
- Couleur
- Rapport de forme
- 2.39 : 1






