ÉVALUATION IMDb
7,7/10
20 k
MA NOTE
Une ourse meurt écrasée par un rocher, laissant un orphelin dans l'immensité glacée des montagnes. La boule de poil devra apprendre la vie plus tôt que prévu, s'accrochant à un mâle adulte q... Tout lireUne ourse meurt écrasée par un rocher, laissant un orphelin dans l'immensité glacée des montagnes. La boule de poil devra apprendre la vie plus tôt que prévu, s'accrochant à un mâle adulte qui n'a pas vraiment souhaité ça.Une ourse meurt écrasée par un rocher, laissant un orphelin dans l'immensité glacée des montagnes. La boule de poil devra apprendre la vie plus tôt que prévu, s'accrochant à un mâle adulte qui n'a pas vraiment souhaité ça.
- Director
- Writers
- Stars
- Nommé pour 1 oscar
- 5 victoires et 11 nominations au total
Avis en vedette
The Bear was an art film veiled in the guise of a nature film. I never looked at the roving vistas and sharp cinematography, because when I first watched this, I was more concerned with the bear cub. This is certainly a minimalist film, but the execution was so well done, the power of the images speaks more than the occasional piece of dialogue that is spoken throughout the movie. While it can never be described as kids movie, I think kids might be interested in it due to the very National Geographic-like quality of the film (only without the voice overs). While it has been a long time since I last watched this film (about four years ago), the interesting imagery and the simple, yet meaningful story of survival will always stick with me.
I hate Grizzly Bears. I hate them because I'm terrified of them. Nothing in the woods is gonna set you free like confronting a bear (well, maybe the Zodiac killer). Whenever you're out there, away from it all, there is the looming threat of The Bear. He is nature raw; he's a wake-up call, saying, "it's time to prove who you are and where you belong, now!"
Imagine loving a film from the point of view of your worst enemy. Think about feeling empathy and compassion for your most horrible nightmare. That's this film for me.
Sure it helps that the narrator is an innocent child, abandoned in the woods. Sure, he has dreams just like you do. He even chews mushrooms and trips around like you did as a teenager. He learns, he grows up, he faces trials, he is loved and protected.
The Indians say that when you kill an animal, you must respect his living soul. His rights are the same as yours. Maybe you had the edge this time, maybe you live a little longer. But, in the end, you are one in the same. Only the arrogance of man makes you think you're more important. The hunter supplicates because he's out-brawned. It's only later that he realizes that he is The Bear. Maybe not now, or before, but sometime. What would happen if everyone thought of themselves as an integral part of it all? That the trees, the rocks, the animals, the clouds, hell, everything of the earth was impossible to separate from humanity's own lifeforce?
It is rare when a work or art can change a perspective that's been locked in for a lifetime or re-enforced by centuries of civilization. But, for one magical moment, I was The Bear.
Imagine loving a film from the point of view of your worst enemy. Think about feeling empathy and compassion for your most horrible nightmare. That's this film for me.
Sure it helps that the narrator is an innocent child, abandoned in the woods. Sure, he has dreams just like you do. He even chews mushrooms and trips around like you did as a teenager. He learns, he grows up, he faces trials, he is loved and protected.
The Indians say that when you kill an animal, you must respect his living soul. His rights are the same as yours. Maybe you had the edge this time, maybe you live a little longer. But, in the end, you are one in the same. Only the arrogance of man makes you think you're more important. The hunter supplicates because he's out-brawned. It's only later that he realizes that he is The Bear. Maybe not now, or before, but sometime. What would happen if everyone thought of themselves as an integral part of it all? That the trees, the rocks, the animals, the clouds, hell, everything of the earth was impossible to separate from humanity's own lifeforce?
It is rare when a work or art can change a perspective that's been locked in for a lifetime or re-enforced by centuries of civilization. But, for one magical moment, I was The Bear.
From the first moment when you see the little bear and his mom digging for honey I was entranced with this film. The whole aura of life in the wild- the mountain lions that prey on other animals and the bear is certainly an omnivore! I don't know how the filmmakers got all that great footage but I enjoyed seeing life through the eyes of the orphaned cub. The scenery is breathtaking. The hunters were almost an intrusion in the film, but in the end they helped to bring the story full circle. This film was recommened to me by a man who never reads, he waxed so about this film I had to see it and I agree it is both a nature film and an allegory on life.
A bear cub loses its mother while being fed. The orphan bear cub follows a huge male bear, being "adopted", protected and fed by the adult bear. Meanwhile, two hunters are following the big animal, which tries to evade in the mountainous forest. "The Bear" is a magnificent ecological fable, having the story developed through the eyes of the bears, which are indeed the "lead actors". I have read somewhere that it has been taken four years to Jean-Jacques Annaud prepare such a homage to the nature. Sometimes, the shooting recalls a National Geographic movie. Unfortunately the DVD released in Brazil does not have any information about the preparation of this movie. In the present days, it is hard to point out what computer makes, and what is real in a film, but it seems that the movie was shot using real trained animals. "The Bear" is another excellent work of the outstanding director Jean-Jacques Annaud and highly recommended as a perfect family entertainment and even to be presented for children in classrooms. My vote is nine.
Title (Brazil): "O Urso" ("The Bear")
Title (Brazil): "O Urso" ("The Bear")
"The Bear" is a rare film when it comes to the ordinary cinema that we usually view. The main characters are animals, and the connection we get from them is something no human actor could emulate. The movie is expertly crafted, especially the direction and the cinematography. The animal trainers are in a class all their own, making everyone else involved with the film seemingly a lot less talented. The film, as previously said, isn't for children, despite the PG rating. It has a fair amount of blood, peril, sadness, and some bear sex! The film is great though, and I'm so glad I found it at Walfart on DVD for $5.50! *** 1/2
Le saviez-vous
- AnecdotesBecause in the wild, male bears usually eat bear cubs if they can, the filmmakers prepared the adult Bart the Bear for the cub by having him play with a teddy bear the size and fur color of the cub. When the trainers felt he was ready, he was introduced to the cub and he greeted the cub affectionately.
- GaffesAfter the bear attacks the hunters' horses, and one of the hunters has tracked down his hurt horse and has it cornered in a small rock enclosure, rocks are visible being thrown from the left side of the shot to stir the horse up.
- ConnexionsFeatured in Motormouth: Episode #2.3 (1989)
- Bandes originalesEnd Title Theme
Music adapted from "June: Barcarolle"
by Pyotr Ilyich Tchaikovsky (uncredited), from "The Seasons"
Played by Orchestra
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Détails
Box-office
- Brut – États-Unis et Canada
- 31 753 898 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 676 530 $ US
- 29 oct. 1989
- Brut – à l'échelle mondiale
- 31 753 898 $ US
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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