ÉVALUATION IMDb
5,3/10
2,4 k
MA NOTE
Ajouter une intrigue dans votre langueA young officer, just out of West Point is sent to Vietnam, where the men don't respect him until he gets wounded and returns to be a wiser soldier and a better commanderA young officer, just out of West Point is sent to Vietnam, where the men don't respect him until he gets wounded and returns to be a wiser soldier and a better commanderA young officer, just out of West Point is sent to Vietnam, where the men don't respect him until he gets wounded and returns to be a wiser soldier and a better commander
Bill Olmsted
- Medic
- (as Bill Olmstead)
Avis en vedette
If you want to see the Vietnam War as it was experienced by a real Platoon Leader, this is it. Authentic, down to the mannerisms, slang, terror and disillusion of it all, this film has none of the wierd phantasms of Apocalypse Now or the left wing political hype of Oliver Stone's Platoon.
Richard C. Caporiccio, LTC, US Army, Retired, former Platoon Leader, 3rd Battalion, 503rd Infantry (Airborne), LZ Uplift, Republic of Vietnam from Jan 2 to December 24, 1969.
Richard C. Caporiccio, LTC, US Army, Retired, former Platoon Leader, 3rd Battalion, 503rd Infantry (Airborne), LZ Uplift, Republic of Vietnam from Jan 2 to December 24, 1969.
Unlike all of the Sundance film Festival critics on IMDb who give everything a one that isn't Star Wars or Rocky, I felt this was a very genuine and realistic look at a small platoon in Vietnam. Not only was the scope of the movie fairly accurate for what a platoon would have been tasked with doing in Vietnam but I believe everyone in the film played their role well. Obviously there were some tropes and stereotypes but that is an any movie to lend it dramatic affect. If you want to watch a fairly straightforward but nonetheless poignant film about being a soldier in Vietnam then I would recommend the movie. If you want to watch a cinematic masterpiece that only uses Vietnam as a backdrop then just go watch Apocalypse Now.
Originally entitled "Nam," this film was released as "Platoon Leader" to cash in on the success of "Platoon," which had been released the previous year. Unfortunately, this sank it, and most everyone dismissed this is an imitation of the latter film. However, I feel that this might be one of the finest films about the Vietnam War around, and that's due to the fact that it knows the genre of war films and it knows what to take seriously and what to regard as pure action.
In war films, particularly ones about the Vietnam War, there has always been a question about which angle to approach: a human, emotional story or a pure action-adventure. This film handles the question well, and it shows us both. The film covers a new U.S. captain joining a platoon that is set up on a hill with orders to protect a small village. The story of how he must earn the right to be called the captain of such a motely group, and how the men themselves must struggle about just what they are fighting for in this war, is extremely moving. The writers choose to represent many different attitudes, all of which were present in the war: fear, reluctance, discontent, indifference, and honor. Each character is painted vividly and with wonderful acting, and through their tragedy and suffering, the viewer gets a better understanding of what went on during America's darkest hour.
On the other hand, this film also contains some nicely-directed action sequences that know how to get the heart-beat going. They don't neccessarily glorify war, but they are very Rambo-esque, and made in an effort to satisfy action fans. It is the essence of these action scenes, combined with the human characters who have to pick up the pieces of each battle and move on with their daily, emotional struggles, that really makes this film tick.
This film was directed by Chuck's brother Aaron Norris, who lost a brother to the Vietnam War. Indeed, this must have been a difficult film to shoot because of that, but he certainly paid his brother a fitting tribute in this underrated war epic.
**** out of ****
In war films, particularly ones about the Vietnam War, there has always been a question about which angle to approach: a human, emotional story or a pure action-adventure. This film handles the question well, and it shows us both. The film covers a new U.S. captain joining a platoon that is set up on a hill with orders to protect a small village. The story of how he must earn the right to be called the captain of such a motely group, and how the men themselves must struggle about just what they are fighting for in this war, is extremely moving. The writers choose to represent many different attitudes, all of which were present in the war: fear, reluctance, discontent, indifference, and honor. Each character is painted vividly and with wonderful acting, and through their tragedy and suffering, the viewer gets a better understanding of what went on during America's darkest hour.
On the other hand, this film also contains some nicely-directed action sequences that know how to get the heart-beat going. They don't neccessarily glorify war, but they are very Rambo-esque, and made in an effort to satisfy action fans. It is the essence of these action scenes, combined with the human characters who have to pick up the pieces of each battle and move on with their daily, emotional struggles, that really makes this film tick.
This film was directed by Chuck's brother Aaron Norris, who lost a brother to the Vietnam War. Indeed, this must have been a difficult film to shoot because of that, but he certainly paid his brother a fitting tribute in this underrated war epic.
**** out of ****
Most of Cannon Pictures' product is pretty much junk (they make Chuck Norris and J-C Van Damme movies, so what do you expect?), but this one is different. It doesn't have the rock-bottom cheapie look of most Cannon pictures, and the script, for once, actually makes sense (amazing, considering that Harry Alan Towers was one of the writers). The story concerns a young army lieutenant on his first combat assignment in Vietnam, and how he comes to earn the respect of his men. Michael Dudikoff is surprisingly good as the young officer who arrives at his post not knowing quite what to expect but determined to do his duty, and Robert F. Lyons is outstanding as the platoon's veteran sergeant who doesn't want a new lieutenant to get any of his men killed. The action scenes are very well staged and give you a real sense of being there, as opposed to the cardboard pyrotechnics that Cannon usually grinds out. All in all, a refreshing change from the usual Cannon crap. Recommended.
This movie is underrated probably because of the prejudices held by critics against Michael Dudikoff. Though his acting is widely thought to be mediocre (it is), he shines in this movie. "Platoon Leader" is gripping fare and deserves more respect than it currently garners. It is not just another throwaway Vietnam movie. It is, in fact, entertaining and is required viewing for any fan of action movies. 5/10
Le saviez-vous
- AnecdotesOne of the few films made by Cannon Film Distributors that wasn't produced by either Menahem Golan or Yoram Globus.
- GaffesAt the 43 min mark the VC and NVA the GIs using mortars. The sound effect was a incorrect. Mortars do not produce a whistle.
- Citations
Raymond Bacera: Death is the ultimate alarm clock man, Wakes you up.
- ConnexionsReferenced in Remo, Rambo, Reagan and Reds: The Eighties Action Movie Explosion (2014)
- Bandes originalesOut on the Fenceline
Written and Performed by Fontaine Brown
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Détails
Box-office
- Brut – États-Unis et Canada
- 1 348 771 $ US
- Brut – à l'échelle mondiale
- 1 348 771 $ US
- Durée
- 1h 37m(97 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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