Une équipe de plongée civile est chargée de rechercher un sous-marin nucléaire perdu et de faire face au danger en rencontrant une espèce aquatique exotique.Une équipe de plongée civile est chargée de rechercher un sous-marin nucléaire perdu et de faire face au danger en rencontrant une espèce aquatique exotique.Une équipe de plongée civile est chargée de rechercher un sous-marin nucléaire perdu et de faire face au danger en rencontrant une espèce aquatique exotique.
- A remporté 1 oscar
- 9 victoires et 16 nominations au total
Captain Kidd Brewer Jr.
- Lew Finler
- (as Capt. Kidd Brewer Jr.)
Dick Warlock
- Dwight Perry
- (as Richard Warlock)
Avis en vedette
I first saw this in the early 90s on a vhs.
Revisited the 171 mins version recently n completed the movie in one sitting.
Inspite of the runtime, the film is engrossing n visually breathtaking.
The dark trench and Ed Harris' character going down way below is more scary than most horror movies.
James Cameron is a genius n there's no doubt bah it but i am surprised that most fellas havent given credit to H. G. Wells, as he was the first to introduce the notion of a sea alien in his 1897 short story "In the Abyss".
Ed Harris n Michael Biehn both gave memorable performances.
Biehn's character is downright creepy.
The CPR scene is a bit far fetched n melodramatic.
Revisited the 171 mins version recently n completed the movie in one sitting.
Inspite of the runtime, the film is engrossing n visually breathtaking.
The dark trench and Ed Harris' character going down way below is more scary than most horror movies.
James Cameron is a genius n there's no doubt bah it but i am surprised that most fellas havent given credit to H. G. Wells, as he was the first to introduce the notion of a sea alien in his 1897 short story "In the Abyss".
Ed Harris n Michael Biehn both gave memorable performances.
Biehn's character is downright creepy.
The CPR scene is a bit far fetched n melodramatic.
I've never really heard of The Abyss except in Fox DVD commercials. When it came out, I was only 8 and not into sci-fi movies that weren't titled Star Wars. However, now I decided to check it out and was quite pleased with this solid sci-fi movie.
At first, I wasn't quite sure why this was considered sci-fi. It seemed pretty normal with the sinking of a nuclear sub and the hiring of an oil crew to save it. It wasn't for a while till we really got to meet the "extraterrestrial" creatures. The special effects for representing these characters were quite good, and I especially liked the water creature that toured around the rescue vessel. It's also neat to see that effect inspire a similar one used in Terminator 2.
As I said, the story took a little while to gain steam, but it was pretty interesting from then on. The acting was good too, most notably by Ed Harris and Mary Elizabeth Mastrantonio. The other actors didn't do anything really extraordinary but serve as solid supporting characters.
Overall, I wouldn't say The Abyss is the best sci-fi movie out there or that it will dethrone Star Wars anytime soon, but rather it's a solid addition for any sci-fi fan's collection.
My IMDb Rating: 8/10. My Yahoo! Grade: B+ (Memorable)
At first, I wasn't quite sure why this was considered sci-fi. It seemed pretty normal with the sinking of a nuclear sub and the hiring of an oil crew to save it. It wasn't for a while till we really got to meet the "extraterrestrial" creatures. The special effects for representing these characters were quite good, and I especially liked the water creature that toured around the rescue vessel. It's also neat to see that effect inspire a similar one used in Terminator 2.
As I said, the story took a little while to gain steam, but it was pretty interesting from then on. The acting was good too, most notably by Ed Harris and Mary Elizabeth Mastrantonio. The other actors didn't do anything really extraordinary but serve as solid supporting characters.
Overall, I wouldn't say The Abyss is the best sci-fi movie out there or that it will dethrone Star Wars anytime soon, but rather it's a solid addition for any sci-fi fan's collection.
My IMDb Rating: 8/10. My Yahoo! Grade: B+ (Memorable)
The story of The Abyss starts with a mysterious crash of a US nuclear submarine that is armed with the appropriate nuclear weaponry for its time. With reports of it down, we want to get it before the Russians do.
When it rains it pours, literally in this case. A fast moving storm forces the Navy to use the crew and equipment from a nearby underwater deep sea drilling platform and the oil roughnecks are promised some big government checks for their help.
Crew chief Ed Harris gives his reluctant consent, made even more reluctant by the fact that his estranged wife Mary Elizabeth Mastrantonio has designed some new equipment for use in the really deep waters of The Abyss of the Atlantic Ocean.
The Navy people and the oil people are a bad fit to start with, but when the deep depths effect Navy SEAL Michael Biehn by bringing out the worst aspects of the military authoritarian personality things get real interesting down in the deep.
The spectacle does dwarf the story which is the only real criticism I can make of The Abyss. What the submarine made accidental contact with is some incredible alien life form which I can't go into further because that's the whole point of the film. Of course Biehn still believes it's all a Russian plot of some kind and therein lies the conflict exacerbated by the extreme paranoia he develops.
Unlike Cameron's Titanic, the spectacle at the end just overwhelms the human players in this film. But it was those special effects that go The Abyss its Academy Award recognition. The Abyss was also nominated for Sound and Art&Set Direction and Cinematography. It could have been a winner in any of those categories. In fact the biggest mistake you can make which is the one I did make, to see The Abyss on the small screen and formatted. This film is what IMAX was developed for.
Though the story does get lost somewhat in the special effects the point is still made about man being ready and open to all kinds of possibilities of life that can exist anywhere. See The Abyss, but wait for a revival showing at a theater.
When it rains it pours, literally in this case. A fast moving storm forces the Navy to use the crew and equipment from a nearby underwater deep sea drilling platform and the oil roughnecks are promised some big government checks for their help.
Crew chief Ed Harris gives his reluctant consent, made even more reluctant by the fact that his estranged wife Mary Elizabeth Mastrantonio has designed some new equipment for use in the really deep waters of The Abyss of the Atlantic Ocean.
The Navy people and the oil people are a bad fit to start with, but when the deep depths effect Navy SEAL Michael Biehn by bringing out the worst aspects of the military authoritarian personality things get real interesting down in the deep.
The spectacle does dwarf the story which is the only real criticism I can make of The Abyss. What the submarine made accidental contact with is some incredible alien life form which I can't go into further because that's the whole point of the film. Of course Biehn still believes it's all a Russian plot of some kind and therein lies the conflict exacerbated by the extreme paranoia he develops.
Unlike Cameron's Titanic, the spectacle at the end just overwhelms the human players in this film. But it was those special effects that go The Abyss its Academy Award recognition. The Abyss was also nominated for Sound and Art&Set Direction and Cinematography. It could have been a winner in any of those categories. In fact the biggest mistake you can make which is the one I did make, to see The Abyss on the small screen and formatted. This film is what IMAX was developed for.
Though the story does get lost somewhat in the special effects the point is still made about man being ready and open to all kinds of possibilities of life that can exist anywhere. See The Abyss, but wait for a revival showing at a theater.
This movie is extremely well made. Make sure you get the original director's cut, or Special Edition as they are calling it on the DVD. It includes the real ending, along with more than 20 minutes of additional footage. The morons from the studio in Hollywood decided that the public wouldn't want to see a nearly 3-hour underwater adventure, and forced James Cameron to cut it down and change the ending. The ending the studios insisted on is your typical boring old done-a-million-times happy ending, and does not work. It betrays the message of the film, and makes it nothing more than a good underwater shoot-em-up. This movie is much more than that. See the REAL ending to understand why it is so important to this film. As opposed to the canned studio ending, the REAL one makes you think. Well, what did you expect? Hollywood executives make movies for the common herd, they dumb them down to make sure every patron goes away feeling happy. God forbid that anyone actually may have to think a little. At the time, despite a few solid hits (such as the original Terminator), James Cameron wasn't enough of a power in La-La land to force the studios to release the movie as he wanted it to be. After Titanic, they will do whatever he says, so we can now expect some great Cameron films to look forward to, rather than having to wait for the REAL movie to come out years later on a Special Edition DVD.
The Abyss was a movie of destiny. First off, this movie either began or was the result of a lifetime obsession James Cameron has the ocean (see later Titanic and his IMAX deep sea movies). The Abyss is also full of echos of claustrophobic thriller/adventure movie Alien, in which Cameron directed the sequel. So combining one of Cameron's old movies with his new obsession, we get The Abyss, a solid sci-fi thriller starring Ed Harris and Mary Elizabeth Mastrantonio. Ed Harris plays Bud, the head of an undersea oil rig where very little actually happens and the people on the rig are only there in case something goes wrong. Well, wouldn't you know it, but an American nuclear submarine patrolling the US coast near the oil rig suddenly sinks, killing the sailors on board. The Americans suspect it's the Soviets, but we know better. Something pink and glowing does something to the submarine causing it to sink. A team of Navy seals, ferried down to the rig by Bud's ex-wife Lindsey (Mastrantonio), boards the oil rig and uses it as a command base for their mission to recover the submarine. And that is when the fun begins. Of course a hurricane has to enter into the plot, in movies like this, there is always a hurricane, but beyond, The Abyss is a solid sci-fi thriller, where the oil rig becomes a character in the movie. Much like the Nostromo in Alien or The Discovery in 2001, the tight spaces adds flavor to the movie, bringing the setting in as another character of the movie. The special effects were groundbreaking at the time and hold up well today. The scene of a column of water snaking its way through the oil rig still creeps me out to this day.
Le saviez-vous
- AnecdotesDuring the rigorous and problematic shoot, the cast and crew began calling the film by various derogatory names such as "Son Of Abyss," "The Abuse," and "Life's Abyss And Then You Dive." Director James Cameron said that he got so tired from working 6 days a week, 10 hours a day (sometimes more), that he would sometimes fall asleep during dinner in bed, waking up in the morning with a half-eaten plate on his chest and clenching a fork in his hand. Mary Elizabeth Mastrantonio reportedly suffered a physical and emotional breakdown because she was pushed so hard on the set, and Ed Harris had to pull over his car at one time while driving home, because he burst into spontaneous crying.
- GaffesAt the depth the crew is diving, they would be breathing a mixture of gases to include helium. Regular conversations while breathing this mix of gases results in the typical "helium speech," like if you breathed in a helium balloon. Normal conversations during the entire film at depth would have been with helium speech, and not regular voices.
- Citations
Virgil 'Bud' Brigman: When it comes to the safety of these people, there's me and then there's God, understand?
- Générique farfeluIn the cast list, Super Seal Rover is credited as Big Geek and Mini Rover Mk II is credited as Little Geek. These are the actual models used for the unmanned submarines.
- Autres versionsThe end credits were famously shortened to run under 5 minutes in 1989 in order to hit a target runtime and maximize daily showings; doing so also made the crawl almost illegibly tiny and fast. The credits on the extended edition were almost 10 minutes, with a bigger and slower crawl, and extended/alternate music. Several home video releases of the theatrical edition on laserdisc and DVD actually use the newer credits, so they are not entirely faithful! One VHS tape (Fox Video Selections 1561), at least, uses the original short credits; though the tape is formatted for 4:3, the credits merely gain picture information above and below the intended window (which, for some reason, is very high up in the frame after the first few names). However the new HD master, which has popped up on a few HDTV broadcasts (like Cinemax) go back to the original shortened credits, plus is in the original theatrical aspect ratio, making it the most faithful version available.
- Bandes originalesWilling
Written by Lowell George
Performed by Linda Ronstadt
Courtesy of CEMA Special Markets and Capitol Records, Inc.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Abyss
- Lieux de tournage
- Cherokee Nuclear Power Plant, Gaffney, South Carolina, ÉTATS-UNIS(two tanks - underwater scenes)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 70 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 54 981 151 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 9 319 797 $ US
- 13 août 1989
- Brut – à l'échelle mondiale
- 90 520 202 $ US
- Durée
- 2h 20m(140 min)
- Couleur
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