Le Chevalier noir de Gotham City commence sa lutte contre le crime avec le Joker meurtrier, son ennemi principal.Le Chevalier noir de Gotham City commence sa lutte contre le crime avec le Joker meurtrier, son ennemi principal.Le Chevalier noir de Gotham City commence sa lutte contre le crime avec le Joker meurtrier, son ennemi principal.
- Réalisation
- Scénaristes
- Vedettes
- A remporté 1 oscar
- 13 victoires et 30 nominations au total
Mac McDonald
- Goon
- (as Mac Macdonald)
7,5426.9K
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Avis en vedette
Burton`s masterpiece
This is truly a Fantasy/Comic movie-masterpiece. First of all- the excellent cast- Jack Nicholson shines in the role of the manic and crazy Jocker. Nicholsons character is truly amazing- like a mixture of his former roles/characters in "Chinatown" (Jake Gittes), "One Flew Over the Cuchoo`s Nest" (Randle McMurphy), "Prizzie` s honor" (C.Partanna), "the Witches of Eastwick" (Daryl Van Horn) and of course "The Shining" (Jack Torrance)- but (the character) still keeps his own style. Michael Keaton also proves to be the ideal type for Burtons`s Batman. He reminds on the dark Batman from the "Dark Knight" Batman comics, and is the exact opposite of Batman introduced by Adam West in the 70`s. Second, Tim Burton created a unique athmosphere, exactly matching to the characters. Some people say that this movie is to dark, but I wouldn`t agree. I must not forget to mention the exciting Batman Theme composed by Danny Elfmann. Burton`s Batman, differnt from all the other Comic-hero movies, like Spiderman, Superman, Flash or Hulk, provides a refreshing character dimension.
One of the best movies in the 80`s.
One of the best movies in the 80`s.
Best of Batman
Despite the sequels and the fanfare of the reboot, this remains my favorite Batman movie.
I admittedly had initial concerns over Michael Keaton in the role, but I quickly warmed up to the actor as Bruce Wayne, and once the suit went on, his performance was spot on. Nicholson as the Joker was solid casting, and he gave a brilliant performance.
This movie was just fun, and a completely different feel from "The Dark Knight". Whereas Dark Knight was endlessly gritty and tense, "Batman" was both dramatic and fun. There were plenty of light moments to break the tension of the Joker's murder and mayhem. In Dark Knight, there were no tension breakers at all. I'm a tremendous Batman fan (the comic character) and during Dark Knight I felt like I was sitting through an endurance contest rather than something I'd assumed would be entertainment. Don't get me wrong, I'm not knocking Dark Knight ... it was a tremendous achievement. But the mood was very different than the original "Batman", and I just find that I preferred the mood of the original.
I admittedly had initial concerns over Michael Keaton in the role, but I quickly warmed up to the actor as Bruce Wayne, and once the suit went on, his performance was spot on. Nicholson as the Joker was solid casting, and he gave a brilliant performance.
This movie was just fun, and a completely different feel from "The Dark Knight". Whereas Dark Knight was endlessly gritty and tense, "Batman" was both dramatic and fun. There were plenty of light moments to break the tension of the Joker's murder and mayhem. In Dark Knight, there were no tension breakers at all. I'm a tremendous Batman fan (the comic character) and during Dark Knight I felt like I was sitting through an endurance contest rather than something I'd assumed would be entertainment. Don't get me wrong, I'm not knocking Dark Knight ... it was a tremendous achievement. But the mood was very different than the original "Batman", and I just find that I preferred the mood of the original.
The "serious" comic book movie
No radioactive spider bites or guys turning green or supermodels painted blue here. Campy television series aside, Batman has always seemed the most serious, the most grounded, the most real of all the comic book sagas. Our hero has no magical, mystical superpowers...he's just a guy in a suit. But where does he get those wonderful toys? In this film Tim Burton does a very good job of bringing the Dark Knight to life while also seemingly giving the dark, foreboding city of Gotham a life of its own. Gotham is dark, gloomy, and dreary...almost oppressively so. The city is almost a character unto itself in the film...dark, mysterious and somehow quite real. The brilliantly conceived, stunning visuals are the perfect backdrop for the story which will unfold.
The story follows our Caped Crusader in his quest to clean up Gotham which is in the midst of a frightening crime wave. There was much unnecessary angst when comic actor Michael Keaton landed the title role with fans feeling that was a sure sign the film would lean towards the campy style evident in the famous television series. Nothing could have been further from the truth. Batman would be a serious film (well, as serious as a comic book movie can be) and Keaton was perfect in the Bruce Wayne/Batman role. Keaton's Wayne comes across as an ordinary guy doing extraordinary things. Keaton brings all the required seriousness to the role but also can add a little comic touch when necessary. Inspired casting pays off big time.
Good as he is Keaton is actually overshadowed in the film. Who else but Jack Nicholson could cause the actor playing Batman to get second billing in a movie titled Batman? Nicholson's performance as the Joker is simply terrific. Maybe a little over the top at times but, hey, it's the Joker...he's supposed to be over the top. Nicholson livens up every scene he's in, he simply owns the screen. With two terrific actors doing outstanding work bringing our hero and villain to life the film can hardly go wrong. It's certainly entertaining enough but the film as a whole doesn't quite match the brilliance of the two lead performances. The supporting cast, led by Kim Basinger as the requisite love interest, doesn't add much. Instead of leaving well enough alone with a fantastic Danny Elfman score the whole movie comes to a screeching halt a couple of times while we're forced to listen to some inane Prince songs. And the story just seems to lack a certain zest. We want to see the conflict between Batman and the Joker, these two great characters played by two great actors. And for too much of the film that conflict simply isn't there. But all in all, Batman is certainly a worthy effort. Some top-notch acting, stunning visuals and a story that does just enough to draw you in and hold your attention throughout. To call this film great might be a stretch but one could say it is very, very good. Certainly good enough to be worth your while.
The story follows our Caped Crusader in his quest to clean up Gotham which is in the midst of a frightening crime wave. There was much unnecessary angst when comic actor Michael Keaton landed the title role with fans feeling that was a sure sign the film would lean towards the campy style evident in the famous television series. Nothing could have been further from the truth. Batman would be a serious film (well, as serious as a comic book movie can be) and Keaton was perfect in the Bruce Wayne/Batman role. Keaton's Wayne comes across as an ordinary guy doing extraordinary things. Keaton brings all the required seriousness to the role but also can add a little comic touch when necessary. Inspired casting pays off big time.
Good as he is Keaton is actually overshadowed in the film. Who else but Jack Nicholson could cause the actor playing Batman to get second billing in a movie titled Batman? Nicholson's performance as the Joker is simply terrific. Maybe a little over the top at times but, hey, it's the Joker...he's supposed to be over the top. Nicholson livens up every scene he's in, he simply owns the screen. With two terrific actors doing outstanding work bringing our hero and villain to life the film can hardly go wrong. It's certainly entertaining enough but the film as a whole doesn't quite match the brilliance of the two lead performances. The supporting cast, led by Kim Basinger as the requisite love interest, doesn't add much. Instead of leaving well enough alone with a fantastic Danny Elfman score the whole movie comes to a screeching halt a couple of times while we're forced to listen to some inane Prince songs. And the story just seems to lack a certain zest. We want to see the conflict between Batman and the Joker, these two great characters played by two great actors. And for too much of the film that conflict simply isn't there. But all in all, Batman is certainly a worthy effort. Some top-notch acting, stunning visuals and a story that does just enough to draw you in and hold your attention throughout. To call this film great might be a stretch but one could say it is very, very good. Certainly good enough to be worth your while.
A stunning crime fantasy
(94%) My favourite Batman movie, and indeed my favourite superhero movie ever made. The studios took a big chance and allowed a young Tim Burton to take on their biggest asset and he made a movie like no other directer could. Along with Christopher Reeve as Superman, Michael Keaton will always be my top choice for the role as he plays the haunted and lost Bruce Wayne so fantastically well that I doubt it will ever be bettered. Jack Nicholson was born to play the joker, the score is epic, the set design is wonderful. And although not everything runs smoothly, as far as I'm concerned this will always be the superhero movie to beat.
Good attempt to translate the comics to the big screen
In a Gotham City overrun by crime a new menace exists. In the shadows and rooftops a giant bat is terrorising the criminals who live in the night. Elsewhere crime boss Grissom's right hand man Jack Napier is trapped in a chemical factory by police. With Batman's intervention Napier is accidentally dropped into a vat of chemical. Considered dead he later turns up, scarred and twisted with a new sense of humour. Calling himself the Joker he takes over the city's gangs and begins to terrorise the city. Millionaire Bruce Wayne begins relationship with reporter Vicky Vale and finds himself personally drawn into conflict with the Joker as both himself and his alter-ego.
This was very much a huge blockbuster and had a great deal riding on it in terms of merchandising and a possible franchise. As such Burton always seemed like a risk - although his dark toned work and complex characters probably made him a great choice. The film starts promisingly, many questions are asked - is Wayne totally balanced? What drives him to become the bat? etc - and the tone of the movie is darker than a friendly blockbuster. This is continued by the investigation by reporters Vale and Knox, but starts to wane (pardon the pun) with the development of Vale as a love interest and the hamming of The Joker. At some point the film loses the character complexities and decides to become a straight up good v's evil with plenty of effects and gadgets. That said it's still very dark and the set pieces are well handled. In fact it's the best of the Batman franchise so far.
The problem is that it lacks a bite for Batman fans. I've always felt that Batman was always a few steps away from the criminals he's chasing, surely he can't be totally balanced and right in the head? Here these questions are half touched but never developed.
Keaton is an unlikely Batman, but is the best so far. He deals well with Wayne's past when it is brought up, but is an unlikely action hero. Nicholson is pure ham, but is good for it. He hogs all the best lines and is clearly enjoying himself - the only downside being that he regularly eclipses Keaton's Batman. Basinger's Vale is built up far too much and should have been cut out of the story rather than become a key part of it. The rest of the cast are good and I always like to see Tracey Walters in a big screen film!
Overall this is a good stab at the Batman legend. It's dark tone gives it the feel of the comics without the characterisation, but at the end of the day it comes down to good guy v's bad guy.
This was very much a huge blockbuster and had a great deal riding on it in terms of merchandising and a possible franchise. As such Burton always seemed like a risk - although his dark toned work and complex characters probably made him a great choice. The film starts promisingly, many questions are asked - is Wayne totally balanced? What drives him to become the bat? etc - and the tone of the movie is darker than a friendly blockbuster. This is continued by the investigation by reporters Vale and Knox, but starts to wane (pardon the pun) with the development of Vale as a love interest and the hamming of The Joker. At some point the film loses the character complexities and decides to become a straight up good v's evil with plenty of effects and gadgets. That said it's still very dark and the set pieces are well handled. In fact it's the best of the Batman franchise so far.
The problem is that it lacks a bite for Batman fans. I've always felt that Batman was always a few steps away from the criminals he's chasing, surely he can't be totally balanced and right in the head? Here these questions are half touched but never developed.
Keaton is an unlikely Batman, but is the best so far. He deals well with Wayne's past when it is brought up, but is an unlikely action hero. Nicholson is pure ham, but is good for it. He hogs all the best lines and is clearly enjoying himself - the only downside being that he regularly eclipses Keaton's Batman. Basinger's Vale is built up far too much and should have been cut out of the story rather than become a key part of it. The rest of the cast are good and I always like to see Tracey Walters in a big screen film!
Overall this is a good stab at the Batman legend. It's dark tone gives it the feel of the comics without the characterisation, but at the end of the day it comes down to good guy v's bad guy.
Le saviez-vous
- AnecdotesRobin Williams was offered the role of Joker when Jack Nicholson hesitated. He had even accepted the role, when producers approached Nicholson again and told him Williams would take the part if he did not. Nicholson took the role, and Williams was released. Williams resented being used as bait, and not only refused to play Riddler in Batman à jamais (1995) but also refused to be involved in any Warner Bros. productions until the studio apologized. His next project with the studio would be La fête des pères (1997).
- GaffesNeither Vicki Vale and Alexander Knox recognize Bruce Wayne until he tells them his name. This is understandable for Vale as she has just arrived in Gotham, but Knox is an established Gotham journalist and should know what Gotham's most famous son looks like.
- Citations
The Joker: Tell me something, my friend. You ever dance with the devil in the pale moonlight?
Bruce Wayne: What?
The Joker: I always ask that of all my prey. I just... like the sound of it.
[shoots him]
- Générique farfeluThe opening credits appear as the camera goes through/around a giant Batman symbol.
- Autres versionsIn order to put the 126m. movie in 120m. video cassette, South Korean video distributor cut two scenes when the movie was first released on VHS. The first one is a whole sequence where The Joker kills Vinnie Ricorso with a quill pen in front of the city hall. The second is the arrival of Batman on the rooftop of the cathedral and a few fight scenes with the goons. After the police sweeps the cathedral with searchlights, the scene abruptly cut to the scene where a goon with rope (the third goon that attacks Batman) desperately seeks Batman. Also, the initial South Korean DVD release has only widescreen version of the movie, so it featured a strange cut where Vicki pretends to tempt The Joker. This scene has been fixed on the special edition DVD.
- ConnexionsEdited into 5 Second Movies: Batman (2008)
- Bandes originalesThe Future
Written, Produced and Performed by Prince
[Heard while the tourist family is trying to hail a taxi]
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Betmen
- Lieux de tournage
- Knebworth House, Knebworth, Hertfordshire, Angleterre, Royaume-Uni(Wayne Manor; exterior)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 251 409 241 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 40 489 746 $ US
- 25 juin 1989
- Brut – à l'échelle mondiale
- 411 569 241 $ US
- Durée
- 2h 6m(126 min)
- Rapport de forme
- 1.85 : 1
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