Crack House

I had never even heard about the 1989 crime drama "Crack House" when I stumbled upon it here in 2025. And with it being a movie that I hadn't already seen, of course I opted to check out what director had to offer.

The storyline in the movie was adequate, but nothing outstanding really. It was a somewhat forgettable and bland narrative, and I have to admit that I struggled to keep focus on the screen. So writers Blake Schaffer and Jack Silverman didn't exactly invent something grand here.

The acting performances in the movie were fair. There were two familiar faces on the cast list, and that was Richard Roundtree and Jim Brown.

While I did manage to sit through the entire movie, then I was only mildly entertained. It is not, however, a movie that I will ever watch a second time. Nor is it a movie that I would recommend you to track down if you haven't already seen it.

My rating of director Michael Fischa's 1989 movie "Crack House" lands on a four out of ten stars.

Crack House (1989) was one of the few film during the 80's that falls into this genre. What's supposed to be an anti-drug film turns out to be nothing more than some white-exploitation exercise in depravity. There's nothing wrong with that however. The video presentation even has an anti-drug message from one of the stars of the show Richard "turncoat" Roundtree,

The movie follows two young lovers in high school. One of them is a quasi tough guy and the other is his girl. One of them get's turned out by a mutual friend whilst the other is given a trip to the slam and is later on given a chance to get back at his ex-friends. Jim Brown appears as the movie's "Mister Big", he's one bad dude who still can punk-out anybody and is a very sadistic guy who likes to smack his hoes and beat the tar out of those who try to defy his word. Luke from General Hospital makes a guest star spot as well.

If you like hard edge sleaze then this movie's for you. Sadly, Hollywood doesn't make these any more and when they do, it's neither exploitative nor entertaining.

Recommended for sleaze fans.

This film may have been funny in parts but overall it was wrong!I had the misfortune of seeing around age 9.It was supposed to be about a girlfriend and boyfriend that tried to escape slum life but were confronted with the harsh realities of street life-particularly gangs and drugs. I had no idea what I was getting into; and was not looking forward to it. It scarred me for life! They would have been better of just making a straight "hood" or"porno" film anyway. This subject matter here was too serious to be trivialized for sexual kicks.Also, it was bad enough that the girls were drug addicts but they were also sex slaves.Yet another topic that is far from a joke.Other films at least show female drug addicts with some agency and choice about the levels they are willing to stoop to.This film did not even do that.I also did not like the fact that the main villains were mostly black. I am not saying you do not have black men that are this cold.But people seethe black villains all the time.Law Abiding, honest, compassionate black men DO exist. You did have a Latino and White villain; but for the most part,the black men are the villains once again. Anyway, I am not one to think that all films with serious themes should never be funny or entertaining;But this was nothing but a freaky porno film masquerading as an anti-drug message film. Like school on Sunday, just nothing classy about it ;but then again this film obviously made no pretense of going for that. Fine, but this film was a trip!I can't think of any films similar to this one off the top of my head. I have stumbled across films where they have used prison films as sex exploitation films but they did not always disgust me the way this film did. In summary, this film was a hot straight to DVD mess!It gets your attention, but then again car wrecks have the sinking ability to do that too.

I saw this movie for the first time when Quentin Tarantino showed it to a bunch of us at the Alamo Drafthouse in Austin. He prefaced it with how freaking awesome he thought he was and how funny it was and in the context of his explanation, it was HILARIOUS. I can see how it would be damaging to some audiences, and the subject is not funny at all, but there are at least three lines in the film that had me laughing so hard I thought I'd pee. They don't come until after the halfway point, but when they do, oh God...you will die. Oh and Jim Brown is brilliant. He's not in a lot of the movie, but when he's there, you know whose movie it is. Naturally, the best line in the movie (and the funniest) is his; you'll know it when you hear it.

I recently viewed The Crack House (1989) on Tubi. The plot revolves around two young lovers whose lives take a dark turn when the male protagonist incurs a debt to a dangerous drug lord, resulting in him offering up his girlfriend as collateral. As the drug lord exerts his control over the young woman, her ex-boyfriend, currently incarcerated, learns of her plight and vows to do whatever it takes to rescue her.

Directed by Michael Fischa (known for Rice Girl), the film features a cast including Jim Brown (from The Running Man), Anthony Geary (from VHF), Richard Roundtree (famous for Shaft), Cher Butler, Angel Tompkins (known for The Teacher), and Gregg Thomsen (from Soultaker).

Despite its limitations, I found myself unexpectedly drawn to this film. It exudes a gritty, low-budget charm reminiscent of a blend between Snowfall and the video game Double Dragon. The gripping opening bathtub scene sets the tone effectively, while the acting, though inconsistent at times, is anchored by a standout performance from Jim Brown as the menacing drug dealer. His interactions with the female characters, though uncomfortable, underscore the film's gritty realism. The meticulously chosen sets and lively fight sequences add to the film's appeal, culminating in a satisfying conclusion.

In summary, The Crack House offers a compelling mix of grindhouse and blaxploitation vibes, making it a worthwhile watch for fans of these genres. I would give it a rating of 6.5/10 and strongly recommend it to those seeking an edgy cinematic experience.