Drugstore Cowboy

This is easily Gus Van Sant's best movie and contains Matt Dillon's best performance. The other cast members are also terrific, but the part of "Bob" is greatly realized by Dillon and he shines. The movie is difficult to watch at times but you get something out of it to think about when its over. I also must mention a great scene between Lynch, Matt & Matt's mother, played by Grace Zabriskie. To top it all off, this is also Heather Graham's best movie and she delivers as well. A blues soundtrack and beautiful cinematography make this one to remember.

Matt Dillon igives his best performance in this movie, gives an minimalistic, sympathetic portrayal of a junk addict trying to go straight.

The subject matter may be a bit dark for those that like to see life from the "sunny side". It is set after all, in gray, gray, Portland Oregon in the 70's. It deals with a crew of four, two couples, that go around ripping off drugstores for opiates. It does not attempt to judge or condemn this behavior, it just tells the story of a group of junkies, and one of their attempts to go clean and find out what the straight life is like.

Those of you that have experience with any form of substance abuse may find that this movie rings true. I loved the quote by Bob something to the effect of: "In life, you never know one minute to the next how you're going to feel. But a dope fiend just has to look at the labels on the bottles." By no means does this movie glamorize drug use. In fact, it shows it for what it is, a temporary fix that leads nowhere but destruction.

This movie has much personal meaning to me. In 1990, I had the unfortunate pleasure to be incarcerated at the Northern Nevada Correctional Center in Stewart(Carson City, NV.) Yea, we had cable TV, and first run movies. This was one of them. After viewing the movie, I laughed w/ my co-horts about suing for copy right infringement. (joking, of coarse). My prison stint was drug related. but the interesting thing is: I and my girlfriend at the time made these sames moves:(Seizures and all)at a southwestern state small town where the Dilaudids were actually kept on the shelf.(1981-83)We hit this one pharmacy -3- times(largest haul:470 Dilaudids-1,2,3,and 4mg--Smallest: one bottle of 100 # 4's).I lived in Nevada all my life. I did several small stints in several prisons. In closing. I wanted to write this and note, it was a looong time ago. I have lived in Portland ,OR. now for 19 yrs. And I celebrated my -11- year clean anniversary date last Thurs. (8/28/09). After a medical detox, I hooked up w/ a local methadone prgm. and never looked back. It saved MY and my WIFE's life. Take from this what you will. But it's true and I still get a kick out of this movie and "my story" as it relates w/ it. I rarely tell it often. But I did want to post this message. Thank you for allowing me to express myself...Sincerely, doctom1973......

Matt Dillon delivers one of the best performances of his career in Drugstore Cowboy, a gritty film about the real life of junkies. There is heavy drug content in this film, but in no way is the drug life glorified. We see the more realistic life of drugs on the streets, which is probably what makes this such an aesthetically unpleasing film. No one in the movie looks good, it has just about as much ugliness as a spectacularly ugly movie like Buffalo '66, which enhances the realism of the film. Much of the film is shot in a documentary style, giving it a gritty, realistic feel, almost like a twisted home movie.

Dillon plays the part of Bob, a young junkie in the early 1970s who goes around with his group of friends breaking into pharmacies and drug stores and stealing random bottles of prescription bottles looking for their next high. The movie starts at the end of the story, with Bob riding in an ambulance and telling us the story of how he got there, but has the pleasing distinction of not leading you exactly to where you knew you were going to be. Even by showing the end of the story there is nothing given away. This is a powerful drug film that doesn't hold anything back. It is not pretty to look at, but also like Buffalo '66, it's hideously unattractive counterpart, the movie has something to say.

This is a period picture that takes place in 1971, but there are no references to Vietnam, the flower power movement, Kent State or any other issues or events of the day. This is because the characters have nothing to do with that world. Bob's thoughts revolve around drugstores like planets around the sun. His family of dope thieves lives in almost total isolation. Even junkies who come to do business are admitted to their home with reluctance and then rudely sent on their way. Their only contact with the "other" world is its drugstores and its cops. They live in a world not ruled by the authorities, but by "the dark forces that lie hidden beneath the surface, the ones that some people call superstitions: howling banshees, black cats, hats on beds, dogs, the evil eye..." In his world, Bob's lunatic logic makes perfect sense and serves him as a guide for living better than any "sane" worldview.

When the crew goes "crossroading" to the tune of "the Israelites" we realize that they, too, are like children of a different god; wanderers whose only contact with others is hostile confrontation. They are either "attacking" drug stores or being attacked by ball-breaking cops.

Kelly Lynch, who plays Diane, said in an interview that, "The first take was terrible and Matt (Dillon) said he wouldn't support the film." It is not surprising that a film this ambitious should run into some snags. A great film like "DC" is a tightrope act. The best scenes in the film are also the riskiest; they would have fallen apart in the hands of lesser actors.

If you like the film you might get a kick out of the autobiographical novel on which it is based, by James Fogle, the original drugstore cowboy. At the time of the film's release (1989) Fogle had spent "thirty-five of his fifty-three years in prison on drug-related charges." I wonder what ever became of him.