Ajouter une intrigue dans votre langueAn American soldier and a Viet Cong guerrilla find common ground and become allies during the Vietnam war.An American soldier and a Viet Cong guerrilla find common ground and become allies during the Vietnam war.An American soldier and a Viet Cong guerrilla find common ground and become allies during the Vietnam war.
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My review was written in January 1989 after watching the movie at a Times Square screening room.
"The Iron Triangle" does a switcheroo by presenting (sympathetically) the point-of-view of a 17-year-old Vietcong soldier during the war. Novelty grabs audience's attention, but weak scripting and execution mark this one for mild box office.
Eric Weston's film argues for an equal-time look at the conflict in 1969, with two good men on opposite sides singled out for attention and ultimate bonding in adversity. Beau Bridges narrates the tale as army captain who gets to know his enemy when young Ho (a persuasive performance by newcomer Liem Whatley) captures him and protects him against a fellow Vietcong meanie, Kohl (hissible James Ishida).
The reason for the kinship between Bridges and his black pajamas counterpart is rather flimsy, but the film develops some emotion in sentimental terms. At first disconcerting, the Vietcong speaking in unaccented English works to the film's advantage. Main trick here is that pic's political stance is mushy; there are bad apples on all sides with the two heroes individuals, and the Vietnamese nationalistic wish to boot out all outsiders (Chinese, French and American) endorsed.
Acting is fine, with Oscar-winner Haing S. Ngor as a communist captain playing it straight in a smaller role. Tech credits are good.
"The Iron Triangle" does a switcheroo by presenting (sympathetically) the point-of-view of a 17-year-old Vietcong soldier during the war. Novelty grabs audience's attention, but weak scripting and execution mark this one for mild box office.
Eric Weston's film argues for an equal-time look at the conflict in 1969, with two good men on opposite sides singled out for attention and ultimate bonding in adversity. Beau Bridges narrates the tale as army captain who gets to know his enemy when young Ho (a persuasive performance by newcomer Liem Whatley) captures him and protects him against a fellow Vietcong meanie, Kohl (hissible James Ishida).
The reason for the kinship between Bridges and his black pajamas counterpart is rather flimsy, but the film develops some emotion in sentimental terms. At first disconcerting, the Vietcong speaking in unaccented English works to the film's advantage. Main trick here is that pic's political stance is mushy; there are bad apples on all sides with the two heroes individuals, and the Vietnamese nationalistic wish to boot out all outsiders (Chinese, French and American) endorsed.
Acting is fine, with Oscar-winner Haing S. Ngor as a communist captain playing it straight in a smaller role. Tech credits are good.
In Vietnam, after a battle in the jungle, Captain Keene (Beau Bridges) is captured by Ho (Liem Whatley), an educated Vietnamese commanded by Colonel Tuong (Haing S. Ngor). Although recently losing his father, a teacher killed by the Americans, Ho does not have the feeling of vengeance in his heart and treats the prisoner with dignity, inclusive saving his life. In the end, there is a retribution from Keene to the attitude of Ho. I have never heard anything about this movie. Based on the diary of an unknown Vietnamese soldier (Ho), this excellent movie is indeed a gem, which shows both side of the war with dignity and in a pacifist view. Americans and Vietnamese are presented as human beings, through the character of Captain Keene and Ho. Most of the narrative of Beau Bridges is in `off', when he describes each situation, including his feelings. Ho is a seventeen years old teenager fighting to protect his country against the invader, and Captain Keene is in the war because he is a soldier who follows orders. The dialogs in this movie are intelligent, specially between these two characters. Further, it shows the Vietnamese as persons, defending their invaded country, and not as animals, acephalous beings or numbers, like in most of the films related to the Vietnam war. It is great the way the story is disclosed, showing both sides basically at the same time. The cast and the direction are very sharp and it is amazing the lack of publicity about such a good story. I bought this unknown VHS from a rental for about US$ 1,00 (it was used). However, the lesson of life in the end of the story is priceless. Captain Keene develops himself as a man and learns that in front of his weapon, there was a human being. Before I forget, in the beginning of the story, Captain Keene is presented as a man who speaks Vietnamese language. Therefore, indeed, when the locals speak in `English', actually they would be speaking in their language. Captain Keene is able to understand them and also to maintain a conversation with Ho. Therefore, there is no problem the fact that the movie is spoken in English. It is common sense that Americans usually do not like and are not used to read subtitles, and I believe that was the reason why the story is not spoken in another language. My vote is eight.
Title (Brazil): `Triângulo de Ferro' (`Iron Triangle')
Title (Brazil): `Triângulo de Ferro' (`Iron Triangle')
The film is developed during Vietnam war and being based on the diary of an unknown Viet Cong soldier . There in the ¨ Oh Chi Mi¨ rout called Iron Triangle, an U. S. officer (Beau Bridges) taken prisoner by the Vietcong forms a special relationship with one of his captors(Liem). The officer fights for his life behind enemy lines suffering several punishments as punches, lashes, kicks, among others.
The story filmed in Sri Lanka depicts the war chaos and primal bloodletting . This picture provides a thought-provoking look at a Viet Cong soldier who saved a captured American soldier whom he believed did not kill him when the American had the opportunity . The flick lends the spectator an opportunity to watch events from the other points of view . May not translate as well as to the small screen yet worth watching it for nothing more than spectacular final raid on the village where a commando along with helicopters attack people under a sensitive score (John DÁndrea : Baywatch) composed by synthesizer and spiritual chores . Its a blending of Chuck Norris' tortures from ¨Missing of action¨, the special relationship between opposite world's two men as ¨The Killing Fields¨ and breathtaking attacks over villages , including Napalm , from ¨Coppola's Apocalypse now¨ . Agreeable actors are mostly Oriental race . Special mention to Johnny Hallyday as a French mercenary, veteran of Indochina war , who combated in Dien Ben Phu (1954) where the French were defeated and nowadays working as s bodyguard of a propaganda-woman . And Haing Ngor (1940-96), a famous secondary since ¨Killing Fields¨. Ngor's own experiences echoed those of his character and usually played Vietnam roles ( Tortures of war , Heaven and Earth ,In love and war, Vietnam Texas , Eastern condor) until his violent death by an Asian band . Eric Weston's direction (To protect and serve ; Marvin and Tige ; Evilspeak) shows a generally surehand with a bit of melodrama at the end.
The story filmed in Sri Lanka depicts the war chaos and primal bloodletting . This picture provides a thought-provoking look at a Viet Cong soldier who saved a captured American soldier whom he believed did not kill him when the American had the opportunity . The flick lends the spectator an opportunity to watch events from the other points of view . May not translate as well as to the small screen yet worth watching it for nothing more than spectacular final raid on the village where a commando along with helicopters attack people under a sensitive score (John DÁndrea : Baywatch) composed by synthesizer and spiritual chores . Its a blending of Chuck Norris' tortures from ¨Missing of action¨, the special relationship between opposite world's two men as ¨The Killing Fields¨ and breathtaking attacks over villages , including Napalm , from ¨Coppola's Apocalypse now¨ . Agreeable actors are mostly Oriental race . Special mention to Johnny Hallyday as a French mercenary, veteran of Indochina war , who combated in Dien Ben Phu (1954) where the French were defeated and nowadays working as s bodyguard of a propaganda-woman . And Haing Ngor (1940-96), a famous secondary since ¨Killing Fields¨. Ngor's own experiences echoed those of his character and usually played Vietnam roles ( Tortures of war , Heaven and Earth ,In love and war, Vietnam Texas , Eastern condor) until his violent death by an Asian band . Eric Weston's direction (To protect and serve ; Marvin and Tige ; Evilspeak) shows a generally surehand with a bit of melodrama at the end.
This was really a good movie, should have got more traction or promotion. Only Vietnam War movie I've ever seen that gives both a Vietnamese and an American point of view. I would have never seen it had I not been visiting a friend who insisted I had to watch it. I wish more people had seen it because I've never met anyone else who has, and Its very hard to find now that video stores have gone the way of the dinosaurs. If you ever get the chance to see this movie I promise it wont be a waste of two hours of your time. The acting was spot on, the special effects were great, no CGI, they used real explosives in this. Good luck finding it if you can because it seems nobody has ever heard of it. If the Vietnam War is your genre you have to see it.
Beau Bridges, Haing S. Ngor and Liem Whatley perform admirably in this small Vietnam war film. Liem Whatley plays Ho a north Vietnamese soldier, a revolutionary seeking establish communist land reform. Beau Bridges is a straight arrow American officer who is captured by Ho. This is an interesting take on the Vietnamese war insofar as it spends some time with "Charles". Well done.
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- Autres versionsUK versions are cut by 14 seconds for an '18' rating.
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- Date de sortie
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- Aussi connu sous le nom de
- Iron Triangle - Das eiserne Dreieck
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