Leviathan

An interesting case for sci-fi fans and a missed opportunity for the director, having a generally decent cast, a sufficient budget and a story, let's say 'not overused enough for that time'. The totally obvious Alien rip-off is technically surprisingly well executed and pleases with almost top notch set designs and very good creature effects. Now that all this didn't make an absolutely satisfying, or actually even really good sci-fi movie can be blamed on the lack of tight pacing in the script, occasionally bad editing or I guess generally the rather inconsistent lead of George P. Cosmatos, resulting uncalled-for moments of amateur filmmaking entering into a movie otherwise to be taken serious. These then start accumulating and gradually getting out of control as the movie gains speed (among others resulting conversations on the subjects of popcorn and puzzles) and then ultimately explode into a 5 minute orgy of total C-Movie crap, actually even added after the anyways forgettable climax of the movie (how the hell did that happen by the way?). Otherwise, we can say, that the first 2/3rd of the movie is pretty okay, not counting a few minor downers and then gradually messes up in the finale. In the end you decide weather it was worth watching or not. Though for genre fans I guess this is absolutely obligatory.

Leviathan is directed by George P. Cosmatos and then screenplay is written by David Webb Peoples & Jeb Stuart from Peoples' own story. It stars Peter Weller, Richard Crenna, Amanda Pays, Daniel Stern, Ernie Hudson, Michael Carmine, Lisa Eilbacher, Hector Elizondo & Meg Foster.

Let me start off by saying that the rating I have given is purely for personal reasons, I love daft creature features and rate them accordingly. Artistically the film scores about the average mark of 5/10, the acting, story and effects really don't demand much better unless you have got a soft spot for the genre. Tagged as Alien underwater, the film was always going to struggle to live up to that particular tag for sure, but yes, in structure that is what we get. A group of deep-sea miners come across a wrecked soviet ship and after plundering what they can they end up with more than they bargained for. Enter the plot of deep-sea miners under attack from a very bad and creepy monster. Will they survive? How did it happen? And on it goes to a joyously (unintentionally) funny finale. The film crams as many creature feature clichés in as it can get away with, and sure enough the boo jump scare moments are not in short supply.

The cast are all in on the joke (I'm pretty sure they are), so all in all you get a flipping great genre entry that isn't demanding much of the viewer, that is if you are so inclined to check the brain at the door first. So enjoy a B lister that has no pretensions other than to homage and entertain those of a certain persuasion. Quite a cast of pro actors assembled as well. 7/10

In the Atlantic Ocean, 16,000 feet deep, the Tri Oceanic Mining Corporation keeps a eight-men crew with the mission of extracting silver and other precious metals. The geologist and leader Steven Beck (Peter Weller) works with Dr. Glen 'Doc' Thompson (Richard Crenna) managing the miners astronaut wannabe Elizabeth 'Willie' Williams (Amanda Pays), the prankster Buzz 'Sixpack' Parrish (Daniel Stern), Justin Jones (Ernie Hudson), Tony 'DeJesus' Rodero (Michael Carmine), Bridget Bowman (Lisa Eilbacher) and G. P. Cobb (Hector Elizondo). He is also the liaison with the Tri Oceanic executive Ms. Martin (Meg Foster).

In their next to last day, Willie and Sixpack are assigned to work outside the base and Sixpack falls in a hole. Willie seeks him out and finds a Russian vessel named Leviathan. Sixpack finds a safe inside the vessel and brings it to their base. They find money, vodka, a videotape and documents and Beck keeps the content of the safe. However Sixpack steals a bottle of vodka and drinks with Bowman. Meanwhile Beck and Doc watch the videotape and the Russian Captain explains a problem that killed his crew. On the next morning, Sixpack does not feel well and stays in the sickbay. Soon Doc learns that his patient has a genetic mutation. When Bowman shows the same symptoms, Beck asks Ms. Martin to rescue them. But there is a hurricane on the surface and the rescuing mission is not possible.

"Leviathan" is an Alien rip-off underwater, but it is nostalgic to see this movie in the present days to admire the excellent cast in the late 80's. The lovely Amanda Pays shines with her beauty and is always good to see the eyes of Meg Foster. Peter "Robocop" Weller, Richard Creena and Hector Elizondo, all of them in good shape, is another attraction. Another good point is the special effect with the monsters, usual in the 80's and 90's and different from the exaggeration of the CGI in the present days. My vote is seven.

Title (Brazil): "Leviathan"

Note: On 11 July 2023, I saw this film again.

How can you go wrong with a Robocop, a Ghostbuster, a burglar from Home Alone, Pretty Woman and Axel Foley's personal assistants, and Richard Crenna????

Does it rip off Aliens? YES. Does it rip off The Thing? YES...but who really gives a rip?!?! It's just fun. Give me Stan Winston's practical effects any day too!

I remember going to the theatres when it came out, but I think I enjoyed it even more watching it 35 years later in retrospect. The stars and dialogue from the 80's was delightfully nostalgic. Grab the popcorn and go to town.

The kids might not get it, but if you were a product of the times, give it a rewatch!

Ah, yes, underwater sci-fi (and horror). From 'The abyss,' to 'SeaQuest,' to 2020's 'Underwater,' and everything in between, the niche genre has been a darling of enterprising filmmakers and studio executives. Reliably solid production design and art direction, robust effects and enticing designs for any associated creatures or entities, large casts, swell scores from well-known composers - 1989's 'Leviathan' fits the bill neatly. It really does look and sound great, and one notes what seems to me to be a fairly large budget to capitalize on what was at the time quite a trend in film. I'm not saying it's the most wholly engaging and essential of pictures, but this is a pretty good time all the same.

To repeat myself a bit, the contributions of all those behind the scenes are terrific. Costume design, hair and makeup work, effects practical and digital, props and weapons, set design and decoration, lighting, and all other such elements are superb; the facilities of the mining operation are a feast for the eyes. Direction, cinematography, editing, and the fundamentals of film-making are tight, with fine production values. There are recognizable names and faces among the ensemble, and I think everyone on hand gives swell performances.

More substantively, I think the screenplay is pretty capable in general. Characters and dialogue sometimes leave a bit to be desired, but the narrative is pretty strong, even if it's familiar in broad strokes. The scene writing is the best part of David Peoples and Jeb Stuart's contribution, with light humor in the suitable exposition that quickly gives way to growing mystery and mounting horror. And that's really the key: one could assess every little aspect day in and day out, but at the end of the day the real question is how effectively the sci-fi horror is realized - and in my opinion it's splendidly strong in 'Leviathan.' Yes, one can immediately discern clear inspiration from very famous previous titles, in multiple instances to the point of pure mimicry. That's a sure mark against this, but taken in and of itself the marine monster movie is stimulating and satisfying. The picture is filled with tinges of body horror, flashes of action-horror, and an abundance of creature feature fun. All the blood and gore, prosthetics, and fabricated creature effects are outstanding; for the strength of these alone I'd say 'Leviathan' is worth watching.

What it all comes down to for me is that by and large I think this is perfectly entertaining, with fantastic exploration of what sci-fi horror could be in the underwater setting. While it's imperfect in the first place, the biggest limiting factor is simply how how the picture undeniably borrows. If you've seen John Carpenter's 'The thing,' and if you've seen Ridley Scott's 'Alien,' then there's no small amount of George P. Cosmatos' 'Leviathan' that's going to feel recycled. It looks, sounds, and feels good, but the comparisons are so significant that they distinctly distract and detract from the viewing experience. I suppose on that note that the good news is, if you're approaching this with virginal eyes, it's going to be better still. For whatever issues it may bear, though, this is still a flick that's a sturdy recommendation for fans of the cast, and for the genre overall. So long as you don't mind abject parroting, 'Leviathan' is satisfyingly enjoyable, and not a bad way to spend 100 minutes.