Les renégats

The only reason I give Renegades as high a rating as I do is because I'm a great big fan of the leads Lou Diamond Phillips and Kiefer Sutherland. Rarely have I seen a major theatrical motion picture resting on a supposition as outrageous as this one.

Kiefer Sutherland is a Philadelphia detective gone undercover on his own to find a corrupt cop. He's infiltrated a mob headed by a very cold blooded hood played by Robert Knepper who's planning a jewel heist.

The heist goes off, but with some unforeseen complications. Such as the fact that Knepper while fleeing from the cops in hot pursuit, goes through the Philadelphia American Indian Museum and on impulse steals a sacred lance of the Lakota Sioux tribe. He also shoots Gary Farmer who tries to stop him and cold conks Sutherland who tries the same.

Phillips is Farmer's brother and he and Sutherland form an alliance of convenience to accomplish their separate goals. But I have to say that the whole idea here is just plain preposterous.

Phillips is a stoic Indian figure, he's carrying over his performance from Young Guns where he and Sutherland met and became lifetime friends. Sutherland's performance is a combination of Clint Eastwood as Dirty Harry and Steve McQueen from Bullitt.

For action fans there are enough gun battles and one great car chase as in Bullitt through the streets of Philadelphia/Toronto as some of Renegades was filmed there. As Sutherland and Phillips are good friends in real life as well the spirit of camaraderie does come through. Jami Gertz as Knepper's girl friend has a very nice role as basically an old time gangster moll.

Yet the whole idea behind Renegades is just plain preposterous and unless you're a fan of either one or both the leads you're going to laugh yourself silly.

RENEGADES is a great formula film from Jack Sholder. The films format is action adventure with a heavy native american theme. The film tells the tale of police corruption, mafia dirty dealings and the theft of a sacred lance from a native american tribe. The film has predictable elements yet is worthwhile. Of note is the directing style of sholder which is kinetic enough to keep the audience interested. RENEGADES is formula but succeds at being good formula; good formula never fails. I recommend this film as a popcorn and coke film.

Keifer Sutherland is an undercover cop who has gotten himself in too deep, and Lou Phillips is a long-haired Indian on the trail of a stolen lance sacred to his tribe. The two team up against the bad guys, and all hell breaks loose. Plenty of car chases, shootouts and general mayhem ensue, in the best style of all those late 1980s low-budget crime thrillers. Sutherland and Phillips are always fun to watch, although Phillips is maybe a bit too stoic from time to time. The finale is high on the body count, which is all we can ask from many of these '80s action setpieces. If it all looks a bit dated now, especially Sutherland's funky-chicken hairdo, so be it. They can't all be DIE HARD or LETHAL WEAPON. Having said that, RENEGADES beats TANGO AND CASH any day.

RENEGADES is your standard buddy-buddy action cop thriller from the late '80s, with the twist here that one of the central twosome is a Native American and the other's, well, Kiefer Sutherland. Otherwise it's business as usual as the pair are forced into an unlikely partnership when they have to track down a gang of diamond thieves.

The film benefits immensely from the presence of skilled director Jack Sholder, straight from the excellent B-flick gem THE HIDDEN and bringing plenty of style in his wake. The early heist-turned-chase sequence is the definite highlight of the whole movie and although it never regains this level of expertise, it proves to be perfectly adequate.

The script is fairly routine but the addition of some Indian philosophy (and more than a little mumbo-jumbo) makes for a welcome change. Sutherland is a solid leading man even this early in his career, but Lou Diamond Phillips is the real star, bringing a zen-like calm to his character. RENEGADES isn't brilliant and certainly doesn't have the intensity of the likes of the first two LETHAL WEAPONs but it does pass the time well enough.

Kiefer Sutherland is an undercover cop trying to take down a dirty cop, which somehow involves him in a museum robbery; jewelry and the Lakota's Sacred Lance are taken, and Lou Diamond Phillips' brother is killing trying to defend it. Sutherland is wounded, so Phillips gets him healed and then proceeds to help him track down the dirty cop, despite Sutherland being one of those mavericks who only work alone, etc. You know the trope; it's usually accompanied by "this time it's personal" because otherwise he'd be in a diabetic coma from all the glazed doughnuts.

Phillips spends a lot of his time in Wooden Indian mode, but is a good enough actor to let us see he's putting it on for Sutherland, whom he constantly shows up, like Tonto telling the Lone Ranger not to step in the kemosabe. Otherwise it's a straight 1980s wrangling buddies movie, in which Philadelphia may be the City of Brotherly Love, but it's portrayed by Toronto, so the frequent gun battle interrupt the bromance.