Rencontre fatale

I've watched it many times and never get tired of it. "Sea of Love" is one of few films where Al Pacino is very sexy, and it is adds to the film's many pleasures. The rest of them are - well constructed story of a New York Homicide cop (Pacino) attracted to a mysterious blond woman with a charming crooked grin (Ellen Barkin - talented, sexy and underrated actress) who may or may not be a serial killer. The chemistry between Pacino and Barkin is powerful and undeniable and the love scenes between them are among the best and most memorable ever filmed. John Goodman is very good as Pacino's partner and friend and yes I love the soundtrack and the title song.

I remember seeing Sea of Love at the theater in 1989 and left saying to myself I had just seen one of the best thrillers made. Sea of Love is just one of those movies that kept me in great suspense and excitement I really felt surprised in the end when the killer was revealed. Since then I have caught Sea of Love about a dozen times on cable and still to this day enjoy the thrilling drama. The story is just great with the legend Al Pacino as Detective Frank Keller who tries to catch and bait a lonely hearts killer. Pacino is helped in his search by Detective Sherman played great by the very funny John Goodman this was one of the better performances from Goodman. Then the search takes a good but yet a bad turn when Pacino (Detective Frank Keller) finds an interesting friend a very sexy and erotic type looking female played marvelously by the attractive Ellen Barkin. I must say that with the stunning performance Ellen gave with this role she should have gotten any work she wanted to in films. I will not say nothing to any of you who haven't seen the film I will let you enjoy the surprise like I did the first time I saw Sea of Love. Sea of Love doesn't get the respect it deserves still it airs on cable but watch this on a dark and rainy night alone or day for that matter and feel the thrills and suspense of this steaming thriller you would see it's one of the best films around I don't see who would or could dislike this so take a swim in the sea of love!

Al Pacino and Ellen Barkin sizzle in this murder-mystery/love-story. For all those guys out there that are forced to watch 'chick flicks' and for the ladies that sit through over violent action thrillers, here is a movie both will enjoy. Pacino has made a career at attracting both men and women in his movies and you will be hard pressed to find a more beautiful woman than Barkin in this movie. John Goodman is a Detective and Pacino's partner reminiscent of another very good Ellen Barkin Love-Thriller 'The Big Easy' with Dennis Quaid. In 'Sea Of Love' the passionate love making combined with several possible endings in classic 'who-done-it?' style, will keep your attention and mood in check. Light candles and break out the wine you won't be sorry.

My review was written in August 1989 after watching the film at Universal screening room in Manhattan.

Hot summer box office should continue into autumn with Universal's "Sea of Love", a suspenseful film noir boasting a superlative performance by Al Pacino as a burned-out Gotham cop.

Handsomely mounted Martin Bregman production benefits from a witty screenplay by Richard Price ("The Color of Money" scripter), limning the bittersweet tale of a 20-year veteran NYC cop (Pacino) assigned to a case tracking down the serial killer of men who've made dates through the personal columns.

He teams up with fellow cop John Goodman to set a trap for the murderer by matching fingerprints with those found at the crime scenes. Clue point to a woman being the killer, placing rhyming romantically inclined ads in the personals and leaving a 45 rpm disk of '50s hit "Sea of Love" on the record player. Using a romantic poem of his mother's, Pacino places an ad and with Goodman they take turns interviewing femme suspects at dinner trysts to get their fingerprints on the wine glass for matching.

Early on, Ellen Barkin appears as one of the suspects, but after an initial rebuff Pacino is smitten with her and crucially decides not to get her fingerprints for analysis. Pic builds some hair-raising twists and turns as the evidence mounts pointing to her guilt, climaxing in a very surprising revelation.

Thankfully closer in character to "Serpico", his previous Bregman-produced hit policier by Sidney Lumet, than his morbid Jerry Weintraub flop, William Friedkin's "Cruising", Pacino here brings great depth to the central role. A loner with retirement after 20 years facing him, this cop is a sympathetic, self-divided individual and Pacino makes his clutching at a second chance with femme fatale Barkin believable. It's a significant screen comebak after four years' absence following Pacino's disastrous msicasting (in period dress) in the Irwin Winkler pic, Hugh Hudson's "Revolution".

Chemistry between the two stars is palpable in the modern "Body Heat" vein and Barkin's unconventional (in a movie star sense) good looks add to the credibility of her key role. Goodman provides solid comedy relief, while Patricia Barry stands out in a well-chosen supporting cast as an older woman who heartbreakingly picks up the wrong vibes at dinner after answering Pacino's phony personals ad.

Director Harold Becker, known for his series of thrillers starring James Woods, puts his own stamp on the picture with tight control of several explosive scenes. Price's script is both edgy and funny, balancing solid entertainment values with the dark, obsessive strains of the genre.

Tech contributions are excellent, especially British lenser Ronnie Taylor's atmospheric photography of familiar Manhattan locales (interiors were shot in Toronto). Besides a punchy score by Trevor Jones, title song by George Khoury and Phillip Baptiste is repeated endlessly on the soundtrack inits 1959 hit version of Phil Phillips & the Twilights with a hypnotic effect; Tom Waits warbles a new version over the end credits.

Al Pacino is excellent as the lonely and alcoholic Frank Keller, a veteran New York City cop, hot on the trail of a serial killer. In addition to Keller, and his tough-minded romantic interest, Helen, played well by Ellen Barkin, a third major character is the city wherein the story takes place. Ronnie Taylor's noirish cinematography and Trevor Jones' appropriately downbeat score paint rather a lonely picture of nighttime Manhattan, with all that colorful and flashy neon and the dreary rain. The overall effect is a sense of psychological isolation, alienation, and ... danger.

It's a perfect setting for a story about a series of murders, seemingly tied together by oldies-but-goodies songs. Keller searches for a killer who seems normal, but on the inside is a smoldering volcano. As a murder mystery, "Sea Of Love" works, because of its focus, and because of its restrictive narration. The viewer knows what Frank Keller knows, but nothing more. Clues are very subtle, and lie more in what is not said, than what is said. The ending was a surprise to me. I did not see it coming.

I have a couple of problems with the film, neither of which is serious. First, there are several plot segments that seem unnecessary, and could have been edited out. Second, certain scenes involving the victims are confusing.

"Sea Of Love" is a mystery/thriller that I recommend highly. It is psychologically intense, and it has an atmosphere that is suitably sinister. The acting, the music, the cinematography, the script, and the production design are all credible. And I could listen all day to that oldies-but-goodies song by Phil Phillips, from 1959.