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IMDbPro

Sidewalk Stories

  • 1989
  • R
  • 1h 37m
ÉVALUATION IMDb
7,2/10
658
MA NOTE
Sidewalk Stories (1989)
Nearly silent comedy filmed in black and white follows a street artist (Charles Lane), who rescues a baby after her father was murdered. The artist then sets off to find the mother, but has to first learn how to care for the child. Ultimately he ends up in a horse drawn chase of the murderers.
Liretrailer1 min 30 s
1 vidéo
14 photos
Comedy

Ajouter une intrigue dans votre langueNearly silent comedy filmed in black and white follows a street artist (Charles Lane), who rescues a baby after her father was murdered. The artist then sets off to find the mother, but has ... Tout lireNearly silent comedy filmed in black and white follows a street artist (Charles Lane), who rescues a baby after her father was murdered. The artist then sets off to find the mother, but has to first learn how to care for the child. Ultimately he ends up in a horse drawn chase of ... Tout lireNearly silent comedy filmed in black and white follows a street artist (Charles Lane), who rescues a baby after her father was murdered. The artist then sets off to find the mother, but has to first learn how to care for the child. Ultimately he ends up in a horse drawn chase of the murderers.

  • Director
    • Charles Lane
  • Writer
    • Charles Lane
  • Stars
    • Charles Lane
    • Nicole Alysia
    • Tom Alpern
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,2/10
    658
    MA NOTE
    • Director
      • Charles Lane
    • Writer
      • Charles Lane
    • Stars
      • Charles Lane
      • Nicole Alysia
      • Tom Alpern
    • 11Commentaires d'utilisateurs
    • 17Commentaires de critiques
    • 66Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 victoire et 4 nominations au total

    Vidéos1

    Official Trailer
    Trailer 1:30
    Official Trailer

    Photos13

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    Rôles principaux66

    Modifier
    Charles Lane
    Charles Lane
    • Artist
    Nicole Alysia
    • Child
    Tom Alpern
    • Bookseller
    Edwin Anthony
    • Penny Pincher #1
    Michael Baskin
    Michael Baskin
    • Doorman…
    Jeff Bates
    • Police Officer #2
    Angel Cappellino
    • Bully's Mother
    Jeffrey Carpentier
    • Homeless Native American
    Vince Castelano
    • Child Customer #3
    Jimmy Clohessy
    • Precinct Cop #2
    Robert Clohessy
    Robert Clohessy
    • Alley Tough #1
    Tanya Cunningham
    • Girlfriend
    Deena Engle
    • Park Mother #1
    Ellia English
    Ellia English
    • Bag Lady
    Edie Falco
    Edie Falco
    • Woman in Carriage
    Dara Fishman
    • Homeless Child #2
    Luis Garcia
    • Homeless Spanish Speaker
    Franklin Gordon
    • Alley Tough #2
    • Director
      • Charles Lane
    • Writer
      • Charles Lane
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs11

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    Avis en vedette

    8sloppyjo3

    Pleasantly surprised

    Never heard of it until I saw it on a classic movie channel in September 2020. I was drawn in and followed it to the end. Even if you're not a fan of silents this was a good one.
    8tmpj

    Actually...not a bad movie....

    I saw this film a number of years back---circa 1990---on PBS. It got ONE airing...and I never saw it again. I had even forgotten the title...until I ran across it by accident.

    Charles Lane pays homage---in a manner of speaking---to Chaplin...by way of default. This was a period when Blacks were still struggling to get any film made...and struggling to have films released. Lane ran out of dollars, evidenced by some few moments of sound.

    But he manages to salvage the film in the style of pantomime...like the "ol' time flickers". This film is more a commentary on the times, than an homage to any particular screen idol of the past. Homelessness and poverty are its main themes, and the struggle to survive is intensified when the hero takes on the added responsibility of caring for a child whose parent has gone down in an "unfortunate happenstance".

    The acting is natural, not campy, and there are a few "hot scenes". But, all in all the film is a good watch, rather touching at points, filled with 'Chaplin-esque' pathos (a la "The Kid"...but it doesn't get quite that intensely mushy). However, the closing scene is pretty intense, and reveals a bit of the pain, misery and suffering all too pervasive during that time---all in the name of greed--and much of which remains with us to this day.

    Charles Lane needs to make other films, and he needs to put this one back into circulation--it merits an across the board viewing. This one is a stand alone of the genre of Black films and, though it had nothing even close to the budget of Mel Brook's "Silent Movie", its point are well taken. It is a movie that you will enjoy...and I would caution having the kids watch due to some sexual situations and a little violence. But enjoy. I don't know if this film is back in circulation---I understand it has been out of circulation for some time...but I would not mind coming into possession of a copy.
    9gbill-74877

    Brilliant

    Going silent (or almost entirely silent) was an outstanding choice by Charles Lane, and his film feels like an homage to Chaplin in its humor and humanism. In updating the tramp character to a homeless person of color, he seems to ask mainstream audiences to remember a time when so many more were destitute, and to suspend our tendency to judge in favor of empathizing. He also inverts the 'get rich quick by meeting a rich man' theme from Depression era films by having a female shop owner be the wealthy one and love interest. Most of all, he makes a film that's touching and funny.

    Not hearing these characters (or even seeing intertitles) in no way took away from the ability to tell the story, and ironically it made me connect to them more deeply. I should say, not hearing them until the very end, when hearing a few plaintive requests for help hits like an emotional ton of bricks. Nicole Alysia is adorable as the little kid, Charles Lane is heartfelt as the struggling street artist, and Sandye Wilson is compelling as the business woman whose heart is as big as her right cross. How did Charles Lane not get more opportunities after creating this film, even if 'True Identity' was a bust? How did Sandye Wilson never appear in a feature film again?
    10Dawalk-1

    A Brief, Rare Revival Of The Silent Film Genre In A More Modern Era.

    I have known about and been wanting to see this gem ever since I looked at various movie sites that mentioned it over a decade ago. I read about it and the details concerning this made me interested in it and wanted so badly to see it. Another reviewer of this on here typed that he caught it on PBS and aired on that channel, let alone any other, only once and for some dumb, jacked-up reason, I know that it was released on VHS in Germany, but never in the U.S. and to date, it still hasn't been brought to DVD either. And since learning about the Youtube site that was founded and established a few years back, I kept checking back the search engine on the site to see if anyone posted it on there. Every time I did, there was no copy uploaded unfortunately. That is until a few months ago. I found it after searching once again on there a couple months after it was posted (which took long enough) and it's about time. Finally, at last. I thought I was never going to get to see it, since it's been so difficult to find a copy of the full movie online (although prior to that, I came across a clip of the feature on the same video site). Following watching it for the first time, I got to say I loved and enjoyed it a lot, just as I thought and knew I would.

    Although Mr. Lane had already made a short film prior to this one over a decade earlier called A Place in Time as a film school project and assignment, this obscure, full-length, follow-up may be the better known for the two and for which he's best renowned. This must be the only, old-timey, black and white, (mostly) silent film shot in the second half of the 20th century (or at least, the only one that I know of anyway), because I haven't discovered any others. And if there really aren't, that's disappointing, because I'd love to see more filmmakers do something like this and again. Anyway, this movie is a throwback to the pre-colorized, pre-talkie kind of flicks. Lane's character, The Artist, is truly Chaplin's The Tramp-inspired and he captures that inspiration well. The Artist's life change when he happens to come across witnessing a robbery one night and a man is murdered, leaving his baby daughter (who happens to be Lane's real life daughter) an orphan. The Artist takes it upon himself to be her temporary guardian. We follow the adventures and misadventures they have as they journey around Greenwich Village, New York until he finds the mother and reunites the baby with her. The soundtrack in this is just as great. Early on, this takes a look at the wide array of denizens who live on the streets, but that situation isn't quite the made focus. If none of y'all who may be reading my review have ever seen a b&w, silent flick, then I advise y'all to do so. I know it captivated me the first time I saw it instantly. I hope someone else will do something like this in the future and I'd look forward to it.
    7harpo-25

    An homage to Chaplin with a message.

    Lane's Sidewalk Stories is a unique homage to Chaplin, with a social message dealing with the stereotype of the homeless. Lane uses the character of the Tramp for comedy but also as a literal representation of a homeless man without being overly sentimental or heavy handed.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Disney offered Charles Lane the chance to do a remake with sound and color. They wanted Tom Hanks to star. Hanks loved Sidewalk Stories (1989) but turned down the remake. Lane did not want to make the remake at all.
    • Gaffes
      When the Artist is forced to leave the library, there is a paperback book on the table in one shot that disappears in the next shot of continuous action. The Artist could not have picked it up because he had his sketch pad in one hand and the little girl's hand in the other.
    • Générique farfelu
      At the end: "Dedicated to the memory of my father with love."
    • Connexions
      Featured in Siskel & Ebert & the Movies: Back to the Future Part II/All Dogs Go to Heaven/Henry V/Prancer/Sidewalk Stories (1989)

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    Détails

    Modifier
    • Date de sortie
      • janvier 1990 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Historias de la acera
    • Lieux de tournage
      • Ville de New York, New York, États-Unis
    • société de production
      • Palm Pictures
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – États-Unis et Canada
      • 131 433 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 37 minutes
    • Couleur
      • Black and White
    • Mixage
      • Dolby
    • Rapport de forme
      • 1.85 : 1

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