Mon fantôme d'amour

I must say this film surprised me. Coming in, I knew nothing about it but the famous clay-forming scene... I didn't know I was in for such a strong experience. This film had me from the first few moments of it. I never lost interest. The plot is so interesting and intriguing, you can't help but watch, often at the very edge of your seat. I will say that I found one twist somewhat predictable, but maybe I've just seen too many later movies before watching this. There is a lot of suspense in this film. When I found that it was directed by a Zucker(yup... Airplane and so forth), I was somewhat doubtful as to any other quality in the film than the humor of it... if you're reading this and you're thinking the same, trust me; he pulls it off. Excellently. There are few, if any, flaws in directing. The writing is solid. At times, there seemed to be a little too much humor and some scenes were maybe a tad long, but apart from that, there was not really anything with this film that was flawed. The score is great. The pacing is incredibly good. The acting is really good all-round. Goldberg provides a lot of comic relief, without being obnoxious. Moore and Swayze have magnificent chemistry, you truly believe them as a couple. The special effects are grand, yet they don't take over the movie. This is driven by the emotions, by how the plot affects these characters. I was completely into this movie all the way. The humor is very good and surprisingly tasteful for the theme. Much of it is derived from the situation of Swayze's character and his interaction with environment and other characters. All in all, just a very impressive film. I recommend this to any fan of drama, romance, comedy, thriller or fantasy, as well as anyone interested in seeing a non-parody Zucker film and fans of the actors. 7/10

The imaginative but well-conceived idea of dishing up a romance upon lovers communicating spiritually owing to one of them is dead, was first filmed by Steven Spielberg 8 months before the Ghost's silver screen release. Spielberg's movie Always(1989) had classy use of visuals fulfilling the needs of viewers with mystery-based expectations. Yet, Always lacked the sense of essential romance concept, despite having the same plot and even the same storyline in Ghost. Originally the idea has been created by Chandler Sprague and David Boehm.

However, Ghost accomplished of what "Always" tried and failed to accomplish. Thanks to the great acting trio of Patrick Swayze + Demi Moore + Whoopi Goldberg, for together they registered indelible moments into Ghost. It is scraped in our memory how in time Molly and Sam happen to keep their thoughts off each others' feelings, and that taught us: "Love begins with emotions, ends with thoughts". On this account they never called off their faith on believing that they will keep an enduring love affair. These indelible scenes in Ghost are conceptually cut where the editing was so impressive that instead of trying to make the story more plausible, it empowered the devotion of lovers onto their relation. The scene which Sam's ghost drew upon Oda Mae's body to break the longing with Molly by kissing her is an imperishable cinematic instant.

I was in love with someone, and it was February,2005; we were both watching the Ghost on TV, both talking on the phone. Then that scene came upon(Sam's ghost kissing Molly in Oda Mae's body), I felt lost deep in my heart seeking the girl I'm talking on the phone. I heard she was crying and sobbing, and keep saying to me: "I will never forget the first time you kissed me and I don't need to be alive to recall this" Ghost is one timeless romantic masterpiece that had its moments. For me the kissing scene was the best kiss in movies of all time. MTV had honoured this kiss as well, several years after the release of the movie, as the best kiss in '90s. Superimposing that, the scenes where Oda Mae Brown convinces Molly that Sam's ghost is around her and then Molly reasons with police that Oda Mae knows what nobody is able to know but Sam and herself only, are the scenes that deliver the magic beyond eyes and beyond ears.

To watch Ghost is in the to do list of what to do when you're on a date.

Murdered businessman in New York City sets out in ghostly form to bring his killers to justice--and to watch out over his live-in girlfriend, who may now be in similar danger. Whoopi Goldberg won the Best Supporting Actress Oscar as a not-so-fake medium who becomes Patrick Swayze's conduit to reaching lady-love Demi Moore. Whoopi is, indeed, a treasure, though Swayze is just serviceable here and Moore has to contend with a non-believing character who takes too long to come around. It might be easy for some to write this fantasy-love story off as a bloated, faded hit with a heart of F/X, but there's surprising grace and finesse in Jerry Zucker's direction. Bruce Joel Rubin also won an Oscar for his original screenplay, which has some nice twists and turns. In these hands, "Ghost" is nearly an unqualified success, neatly avoiding treacle and sap simply by combining a sly sense of humor with its romantic spirit--underscored by Maurice Jarre's music and the oldie "Unchained Melody" by The Righteous Brothers.

"Ghost" isn't very subtle, and similar themes have been done elsewhere with more depth, but I say just relax and enjoy. The best reason is of course, Whoopi Goldberg, who is hilarious and as always, very good. As for the story and the characters' reactions not being plausible, you really need to have a little imagination when you watch movies! I give any movie credit for not being bad, since there are so many dreary movies out there, and Ghost is not bad.

Ghost is the latest of a dozen or so films that I have come to appreciate much more over time. I had seen it a few times in the '90s and liked it, but not on the level of yesterday's viewing. Every film is a world unto itself, and generally speaking, the more interesting the world, the better the film. I like the world of Ghost. I like the treatment of the supernatural. The denial thereof and other character annoyances can be rationalized away quite satisfactorily. I would, however, prefer a more restrained Whoopi Goldberg, who is a little out of control for the sake of humor. It is something of a comedy after all.

The special effects hold up very well. Maurice Jarre's score hits the mark (no surprise there). Jerry Zucker directs very competently. Bruce Joel Rubin won the Oscar for his marvelous original screenplay. Demi Moore is a must for Molly. Likewise for Patrick Swayze as Sam. His regrettable and untimely death adds to the mystique.

Only a 6.9 on this site, but nothing talks like money with over a half-billion dollars worldwide. If you last saw Ghost many years ago and thought it good, not great, I suggest you rewatch it. It quite touched me, and may do you as well.