L'histoire d'Henry Hill et de sa vie dans la mafia, couvrant ses relations avec son épouse Karen Hill et ses partenaires de la mafia Jimmy Conway et Tommy DeVito dans le syndicat du crime it... Tout lireL'histoire d'Henry Hill et de sa vie dans la mafia, couvrant ses relations avec son épouse Karen Hill et ses partenaires de la mafia Jimmy Conway et Tommy DeVito dans le syndicat du crime italo-américain.L'histoire d'Henry Hill et de sa vie dans la mafia, couvrant ses relations avec son épouse Karen Hill et ses partenaires de la mafia Jimmy Conway et Tommy DeVito dans le syndicat du crime italo-américain.
- Réalisation
- Scénaristes
- Vedettes
- A remporté 1 oscar
- 44 victoires et 38 nominations au total
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Reviewers say 'Goodfellas' is a cinematic masterpiece, lauded for its raw depiction of mob life and Martin Scorsese's exceptional direction. Ray Liotta, Robert De Niro, and Joe Pesci deliver remarkable performances, with Pesci's character noted for its intensity and humor. The film's technical elements, such as cinematography, editing, and soundtrack, significantly enhance the story. Although some critics point out issues with character depth and pacing, 'Goodfellas' is widely considered one of Scorsese's finest works and a quintessential gangster film.
Avis en vedette
A true classic
This is the gangster film at its finest. Scorsese is on top form as are Pesci and De Niro. Liotta has never bettered the performance he gives here. The film starts as it means to go on - violent, full of profanity, fast paced and very stylish. The story follows Liotta's character from boy to man as he climbs his way up through the ranks of organised crime. We see all the highs and lows of his life and meet a host of very believable and very undesirable characters along the way. It's a film full of memorable scenes whilst remaining much more than the sum of its individual parts at the same time. This is what all movies should be like. It draws you in and won't let you out of its grasp at any point. When it finishes you feel exhausted and exhilarated at the same time. If ever the word 'masterpiece' was meant to be used, it was for this film.
Iconic
One of the most iconic movies of the 90s. So many unforgettable moments in cinema history. Quotable lines throughout also. A fun film on a bit of a negative subject.
One word: priceless
If there was one word that I could use to describe Martin Scorsese's "Goodfellas": it'd be priceless.
A surreal and deeply fascinating take on life of Henry Hill who was involved in the Mob for three decades and his rise throughout the time span (and Nicholas Pileggi's book "Wiseguy").
There isn't a single moment in the movie where it doesn't miss a beat, you could only tell by the atmosphere of the time period and it seems so real.
The performances in this film simply make it even more memorable and how the characters are portrayed here especially by Ray Liotta, Robert De Niro, Joe Pesci (who won an Oscar for Best Supporting Actor), and Paul Sorvino are believable and easy to understand that they were a family, very close and tightly knit to the core. Also, how director Martin Scorsese lets the movie pace itself and keeps the viewer off guard in what happens deserves a lot of credit.
A surreal and deeply fascinating take on life of Henry Hill who was involved in the Mob for three decades and his rise throughout the time span (and Nicholas Pileggi's book "Wiseguy").
There isn't a single moment in the movie where it doesn't miss a beat, you could only tell by the atmosphere of the time period and it seems so real.
The performances in this film simply make it even more memorable and how the characters are portrayed here especially by Ray Liotta, Robert De Niro, Joe Pesci (who won an Oscar for Best Supporting Actor), and Paul Sorvino are believable and easy to understand that they were a family, very close and tightly knit to the core. Also, how director Martin Scorsese lets the movie pace itself and keeps the viewer off guard in what happens deserves a lot of credit.
A great director at the peak of his talents
It is hard to describe the brilliance that is Goodfellas. As good as Raging Bull and Taxi Driver are, I think Goodfellas is Martin Scorsese's best film and is a textbook example of a great director at the peak of his talents. The film crackles with raw energy and enthusiasm, the film is superbly directed and the final sequence is nothing short of stunning. The script is also excellent with memorable quotes, the story is never less than compelling and the pop and rock soundtrack is winning. The cinematography and detail is immaculate, and the ensemble cast is one of film's finest. Joe Pesci won an Oscar for his performance, and as good as he was, he is perfectly matched by Robert DeNiro and Ray Liotta. All in all, it is a brilliant film and an instant classic no matter what time, day, week or year. 10/10 Bethany Cox
The Criminal Mindset
The gangster film has been redefined so many times in cinema history it will be interesting to see how it is redefined once again. Goodfellas is a milestone film in that regard because just as Public Enemy and Little Caesar defined it in the Thirties, The Godfather trilogy in the seventies and eighties, Goodfellas set the standard that all other films including Martin Scorsese similar Casino try to meet. The interesting thing is that Martin Scorsese is young enough to redefine it again with another work.
With Ray Liotta narrating his own life in crime in a flashback as real life criminal Henry Hill, Martin Scorsese offers us one fascinating glimpse of the criminal life in the Eisenhower to Reagan era. Henry Hill even as a child got sucked into the criminal life as a kid, as he said all he ever wanted to be was a gangster. Tutored by both Robert DeNiro and Paul Sorvino, Liotta takes part in one of the biggest heists of all time of Lufthansa Airlines at JFK Airport during the seventies. Goodfellas is the story of the events from Henry Hill's perspective leading up to the heist and the aftermath.
For myself I've never seen the gangster mentality better expressed on screen except maybe by Sean Connery in Family Business. Liotta and Connery operate from the same mindset. If you work hard and hope it pays off in success, you're a dope. If you want something, just take it. When you come right down to it, that's how criminals think, it's the rest of us who are fools.
Goodfellas was nominated for several Oscars, but came away with only one winner, Joe Pesci in the role of crazy Tommy DeVito. He's another criminal type, one who's driven by a terrible inferiority complex due to his short stature and does terrible things even to his own peers. And those peers don't forget as you see what happens to Pesci in Goodfellas. This turned out to be a career role for Pesci. He's a multi-talented man who's got an incredible range and can play everything from the Home Alone comedies to stone killers like here in Goodfellas or in Casino.
There's usually a contest in which Scorsese fans argue whether Casino or Goodfellas is better. I happen to like Casino, but without the success of Goodfellas, Casino would not have been made.
For a fascinating look at the criminal mindset, Goodfellas is an absolute must.
With Ray Liotta narrating his own life in crime in a flashback as real life criminal Henry Hill, Martin Scorsese offers us one fascinating glimpse of the criminal life in the Eisenhower to Reagan era. Henry Hill even as a child got sucked into the criminal life as a kid, as he said all he ever wanted to be was a gangster. Tutored by both Robert DeNiro and Paul Sorvino, Liotta takes part in one of the biggest heists of all time of Lufthansa Airlines at JFK Airport during the seventies. Goodfellas is the story of the events from Henry Hill's perspective leading up to the heist and the aftermath.
For myself I've never seen the gangster mentality better expressed on screen except maybe by Sean Connery in Family Business. Liotta and Connery operate from the same mindset. If you work hard and hope it pays off in success, you're a dope. If you want something, just take it. When you come right down to it, that's how criminals think, it's the rest of us who are fools.
Goodfellas was nominated for several Oscars, but came away with only one winner, Joe Pesci in the role of crazy Tommy DeVito. He's another criminal type, one who's driven by a terrible inferiority complex due to his short stature and does terrible things even to his own peers. And those peers don't forget as you see what happens to Pesci in Goodfellas. This turned out to be a career role for Pesci. He's a multi-talented man who's got an incredible range and can play everything from the Home Alone comedies to stone killers like here in Goodfellas or in Casino.
There's usually a contest in which Scorsese fans argue whether Casino or Goodfellas is better. I happen to like Casino, but without the success of Goodfellas, Casino would not have been made.
For a fascinating look at the criminal mindset, Goodfellas is an absolute must.
Iconic On-Screen Romances
Iconic On-Screen Romances
Take a look at some of the most swoon-worthy pairings in movies and on TV.
Le saviez-vous
- AnecdotesAccording to Henry Hill, whose life was the basis for the book and film, Joe Pesci's portrayal of Tommy DeSimone was 90-99% accurate, with one notable exception; the real Tommy DeSimone was massively built.
- GaffesYoung Henry is right-handed, older Henry is left-handed.
- Citations
Henry Hill: [Narrating] As far back as I can remember, I always wanted to be a gangster.
- Autres versionsA television version of the film was prepared by director Martin Scorsese, which retained a good portion of the film's graphic violence. It also retained much of the profanity, minus the F- and S-words, which were dubbed over. Scorsese did a televised introduction upon the film's network premiere.
- ConnexionsEdited into Video Macumba (1991)
- Bandes originalesRags to Riches
Written by Jerry Ross and Richard Adler
Performed by Tony Bennett
Courtesy of CBS Records, Music Licensing Department
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- GoodFellas
- Lieux de tournage
- The Oriental Manor, 1818 86th St, Brooklyn, Ville de New York, New York, États-Unis(Henry and Karen's wedding reception)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 46 909 721 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 368 901 $ US
- 23 sept. 1990
- Brut – à l'échelle mondiale
- 47 076 189 $ US
- Durée
- 2h 25m(145 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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