Europa Europa

"Europa Europa" is the sort of film that is filled with so many ridiculous coincidences that it can only be true...which it is! Time and time again, a young Jewish man's life is miraculously saved during the Holocaust and this film is his story.

This film begins in Germany just before WWII breaks out. Salomon Perel and his family are Jews and they leave Germany for safety in Poland. Unfortunately, soon the German army invades and takes Poland...and Salomon and his brother run off to avoid the pograms. Here is where the story starts to get interesting. The brothers get separated and Salomon escapes to the Soviet portion of Poland where he is taken into a communist re-education school. He learns to be the ideal communist. But, the Germans are once again on the move and invade--taking the school and its students. Thinking twice, Salomon concocts a crazy story when he's caught--telling them he's a German orphan and he was forced to go to the school. And, because he doesn't appear Jewish and can understand Russian, the Germans keep him as a sort of mascot in their army. Soon, the soldiers adore him! Later, when he tries to defect back to the Russian lines, through a funny coincidence, it appears he's captured a group of Russian soldiers--and he's an even BIGGER hero to Germany! This is only through about half of the film--the coincidences and difficult to believe situations increase tremendously! Overall, this is an excellent production and a truly unique film. There have been so many Holocaust films that it's nice to see one that is so different. It's interesting from start to finish and I strongly recommend it.

By the way, it's a minor problem but the plane Salomon sees up in the sky late in the film is a VERY modern one--made decades after WWII.

The print that I saw of this film was stunning. Come to think of it, every aspect of this film was well though out, excellently executed, and just as stunning. And just like any other film that deals with the plight of the Jewish people during WWII, this is not a feel good film that will have you wanting to watch it again and again. Very well made and well acted film.

I reckon 'Europa Europa' to be the best Holocaust feature film ever produced. I have been using this film for many years to teach the Holocaust to British 14-year-olds. They identify with the central character of Saloman Perel, a German-Jewish boy who survives the Holocaust by hiding his identity in ever more difficult circumstances. The film moves at a cracking pace and the music adds to the dramatic tension. A lot of difficult history is made accessible in a very entertaining and often comical way - Nazi and Communist indoctrination of the young, Jews and homosexuals as outsiders in the new Reich, the Nazi-Soviet Pact and the events of the Second World War. We have a great sense of the individual being swept along by the most destructive tide that history has yet unleashed.

The comic relief is a stark contrast to 'Schindler's List', a copy of which was donated by Spielberg to every British high school.The film is too long, slow and dark to appeal to the age group in question and I have not used it since coming across 'Europa Europa'.

Julie Delpy plays the female romantic lead as the delectable Leni, attractive but flawed, a perfect tribute to Nazi teaching methods. On the other hand there is a sympathetic portrayal of Germans who were not Nazis and who were just as much victims as the Jews. The film explores the human complexities which result when an ideology is allowed to mediate personal and social interaction. There is a lot going on in this film at many levels, but none of it detracts from the entertainment value.

Marco Hofschneider portrays Perel as a vulnerable but resourceful human being, a boy who desperately wishes to be normal in abnormal times. The adolescent quest for self-identity and self-assertion is not an easy option for a Jew on the run. This 'enforced self-denial' theme is successfully maintained throughout the film by its autobiographical format. The schizophrenic implications of being both German and Jewish during the Nazi period are well illustrated.

This film has held the attention of hundreds of 14 year-olds, without exception. Although not aimed specifically at this age-group, it strikes a particular chord with adolescents who can identify with the main character. It is a major contribution to making the Holocaust both accessible and entertaining. There should be no conflict of interest here. Just as the recent film 'Downfall' successfully 'humanises' Hitler by displaying the personal charm which he exercised over so many people, so 'Europa Europa' humanises the Holocaust by its concentration on the survival of one human being. This is its chief strength. I have never tired of watching this film.

'The Pianist' is also concerned with the survival of the individual but is a more 'static' and slightly less entertaining film. Its pace is much slower. 'Escape from Sobibor' is an excellent portrayal of how several hundred slave labourers escaped from this death camp and gives a vivid and unrelenting account of the camp system. It provides balance to the notion of Jews as passive victims. Not to be missed. The American TV series 'Holocaust' is good but long. It successfully turned the Holocaust into a soap opera lasting many hours. To my knowledge it and the 2002 film 'Amen.'contain the only re-enactments of how Zyklon-B crystals were tipped into the 'shower-room'. 'Holocaust' also shows gas chamber procedures.

Europa, Europa by Agnieszka Holland is a very interesting film. It addresses how far people would go to stay alive. Caught in the hostile warfare, a Jewish boy Solomon Perel realizes that the only way he can survive is by pretending to be one of the Nazis. I was very surprised when I found out that this was a true story. For someone to go through such an horrible experience for so many years and stay normal, its just something I found very fascinating. This movie made me realize that one can never say "I would never do this or that". When you are put in a situation where the only two options you have are survival or death, there is no doubt that most of us would do anything to survive. Even that what Solomon did himself. As I watched this film I thought about the war I have experienced. There were so many people that would have done anything to survive. Actually, there were many instances where people surrendered and joined the other side, just to stay alive or save their family. I know of a girl that got married with a guy (her enemy basically) just to stay alive. What sets this movie apart is that this a true story and the person that is depicted in this film is still alive.

Great movie. Must See.

OK, I saw "Europa, Europa" in the theater for the first time about 7 or 8 years ago. I always thought it was an amazing story about a young Jewish boy-man who survives WW2 masquerading as a Hitler-Jugend. I was moved to tears at the end of the story (but I won't give away how it ends). Anyway comparisons to Schindler's List and other movies are inevitable.

But I was so intrigued by Solomon Perel's story that I checked the book "Europa, Europa" out of the library and read it for myself. Now having read the book, I watched the movie again and I can tell you that many facts and details of Solly's life were changed to make the movie more dramatic and concise. "Europa, Europa" the movie was not in anyway described as a documentary, so you can take the dramatic moments with a grain of salt. They rewrote most of it in the process of making the movie. I don't know if these alterations were done with Perel's knowledge or permission. But he is shown at the end of the film, so he must have known that the movie was being made. All I can say is, the real truth is even more amazing than the fiction. Read the book for yourself and see what I mean!