Ying hung boon sik

This movie kick-started many things. The very fruitful partnership between John Woo and Chow Yun Fat, the successful career for of them, the heroic bloodshed movie (don't try this at home or let kids watch them) and a lot of imitators! So one should be really thankful to Tsui Hark, because it's a really good thing he couldn't direct. Otherwise we most likely wouldn't have any of the above!

But being as it is, you can watch this movie and see how it is done correctly. Replacement Killers eat your heart out! This movie still is superior to imitators such as the named one or a few others. Yes I know that some have argued that it is dated and other movies (such as Matrix) have not only copied some of it's styles, but improved them. Not for me, they haven't! Because it's not only about copying a slow motion effect here, it's about the story too. And the characters and their believes. And of course the acting!

This film just works!! Besides Woo's top notch action sequences, I was amazed by the great story. Chow Yun Fat is great as Mark and Leslie Cheung is very good as Kit. However, I think the main spotlight is on Ti Lung who is amazing as Ho. The story of loyalty & friendship is the main emphasis here and is essential. Plus, the chemistry between the actors is so apparent, you can see that they must've had so much fun making this movie.

I can see myself watching this again and again...

In the 1980s, Chinese and Taiwanese films stormed into European and American art-house theatres, while for less fastidious audiences, Hong Kong provided cult action films, first Kung Fu pictures then gangster flicks. John Woo became the Crown Colony's hottest director through his kinetic crime flicks that filtered the lyrical violence of Sergio Leone, Sam Peckinpah, and Walter Hill through an Asian sensibility and re-exported it to the States where Quentin Tarantino became a major admirer. Woo's trademarks are the stand-off, where two or more gunmen hold each other at bay, and the ferocious gunfight in which dozens of people are killed and restaurants blown apart as the hero pirouettes and somersaults while blasting away with two automatic pistols to throbbing, synthesized Western music. "A Better Tomorrow" is a characteristic fable of male friendship, stoicism, courage, and men living by a personal code, in which women are marginalized. It made an overnight star of Chow Yun Fat, who appeared in most of Woo's pictures. The handsome, reserved, athletic Chow is the epitome of Hong Kong movie cool, a moral man in an amoral world, his character is much the same whatever side of the law he is on. The movie also introduced Leslie Cheung, who was to become an iconic figure in mainland Chinese cinema.

When this film was made in the 1980's Hong Kong cinema was dominated by wushu films and bizarre swordplay movies involving people flying around and other acid flashback inducing scenarios. John Woo was a young director who had done a string of martial arts films, comedies, and musicals. In 1981 he split from Golden harvest and joined Cinema city, after a couple of comedies, He directed the modern day action film "Sunset Warrior" and it was held on the shelf and not released. After the failure of "Sunset Warrior" he was sent to Taiwan and directed another two comedies. Returning to Hong Kong, Woo had always wanted to make a modern day gangster film. Teaming up with friend and producer Tsui Hark, they made a film that would inspire countless films for years to come. Casting Chow Yun Fat who was mainly a television actor as one lead, an old school Kung Fu actor in another and a singer in the third lead role, it was a risky venture which paid off. The script is great featuring lines such as "Do you believe in God?" "sure i'm one, you are, a god is someone who controls their own destiny". There is strong characterisation of the characters, aided on by perfect performances from the actors, The action choreography was excellent and inspired virtually every film made involving guns ever since. It makes you realise that the only thing "the matrix" didn't take from this film and it's sequels is the plot. This is one of my favourite films of all time, and if everyone in the world saw this, I guarantee that the sales of matchsticks and toothpicks would soar.

In Hong Kong, the gangsters Sung Tse-Ho (Ti Lung) and Mark (Chow Yun Fat) are best friends. Ho's younger brother Sung Tse-Kit (Leslie Cheung) wants to be a police officer and does not know that his brother is a criminal. When Ho travels with another criminal to Taiwan for a negotiation, he is betrayed and arrested by the police. Meanwhile Mark kills the gang that betrayed his friend. After three years, Ho is finally released from the prison and returns to Hong Kong. He finds that Kit hates him and is investigating the Mafia and Mark is limped and in complete misery. But Ho promises that he would not return to life of outlaw and prefers to work as taxi driver. However he is haunted by his past and the need of protecting his estranged brother. .

"Ying hung boon sik", a.k.a. "A Better Tomorrow", is a great crime film directed by John Woo. The good storyline about brotherhood, friendship and loyalty is full of action. The screenplay is tight and Sung Tse-Ho is a nice character incapable to regenerate due to the corrupt system. In the 80's, this movie had a greater impact but it is still a great action movie. My vote is seven.

Title (Brazil): "Alvo Duplo" ("Double Target")