ÉVALUATION IMDb
6,3/10
20 k
MA NOTE
La vie de J. C., femme d'affaires carriériste, est bouleversée lorsqu'elle hérite d'un bébé d'un parent éloigné.La vie de J. C., femme d'affaires carriériste, est bouleversée lorsqu'elle hérite d'un bébé d'un parent éloigné.La vie de J. C., femme d'affaires carriériste, est bouleversée lorsqu'elle hérite d'un bébé d'un parent éloigné.
- Prix
- 5 nominations au total
Avis en vedette
It's easy to be cynical about Baby Boom for all it's cuteness, cliches and high concept comedy about a 'yuppie' businesswoman juggling her career with looking after a baby after unexpectedly inheriting one from a distant relative. The soundtrack, power dressing, high energy and 'greed is good' attitude is all very 1980's and it's the perfect star vehicle for Diane Keaton.
She has of course demonstrated her sense of comic timing, on-screen presence and dramatic ability many times before whilst working with Woody Allen but it's nice to see Keaton come into her own here and carry the movie. With a good supporting cast and husband & wife team of Charles Shyer and Nancy Myers at the helm, who scored many hits with similar romantic comedies since, this is a sweet, lighthearted diversion in a similar vein to Three Men and a Baby released the same year.
The film is almost in two halves, the first half is set in the high rolling corporate world of New York, where Keaton's character is at the top of her game and making waves as a woman set to become a partner of a large corporation, whose lifestyle and career aspirations are thrown into turmoil when the baby comes into her life. The second half is where she retreats to the country after effectively being fired from her job in the City and sets up a cottage industry selling baby food that is so successful it brings her back to the corporate world on her own terms.
It is of course an unlikely scenario and more of an urban fairy tale but it is so likeable and good natured that you can overlook the cliches and spoonfuls of schmaltz it delivers and enjoy being swept along by Keaton's funny and charming performance.
She has of course demonstrated her sense of comic timing, on-screen presence and dramatic ability many times before whilst working with Woody Allen but it's nice to see Keaton come into her own here and carry the movie. With a good supporting cast and husband & wife team of Charles Shyer and Nancy Myers at the helm, who scored many hits with similar romantic comedies since, this is a sweet, lighthearted diversion in a similar vein to Three Men and a Baby released the same year.
The film is almost in two halves, the first half is set in the high rolling corporate world of New York, where Keaton's character is at the top of her game and making waves as a woman set to become a partner of a large corporation, whose lifestyle and career aspirations are thrown into turmoil when the baby comes into her life. The second half is where she retreats to the country after effectively being fired from her job in the City and sets up a cottage industry selling baby food that is so successful it brings her back to the corporate world on her own terms.
It is of course an unlikely scenario and more of an urban fairy tale but it is so likeable and good natured that you can overlook the cliches and spoonfuls of schmaltz it delivers and enjoy being swept along by Keaton's funny and charming performance.
One of my favorite movies of all time. Cute, cozy movie. Even the husband enjoys watching it. Just the right mixture of cuteness & comedy. I personally think it was one of Diane Keaton's best roles. I wonder what happened to the twins who played Elizabeth though. I'm sure they're all grown up now. Interesting to see what they've turned out to be. However, there are no other credits listed for them. Although I've seen the movie plenty of times, I never knew there was a television show spun off of it. And Joy Behar played Helga??? I'll have to see if there are any copies of the show floating around out there. Great movie, definitely one to add to your collection.
Some movies are just fun to watch -- and this is one of those for me. Diane Keaton is one of the most engaging, likable actresses, in any role, and this one is perfect for her. The story doesn't hold a lot of suspense -- you know where it is going early-on, but that doesn't lessen the enjoyment. All of the supporting characters/actors, in both the sophisticated/big-city/New York setting, and in rural Vermont, are well-cast and likable as well. Keaton and co-star Sam Shepard are also engaging as a couple, with humorous contentions at first, and the romance soon following.
The rapidity and degree of her success in her Vermont business venture are somewhat unbelievable (even despite her prestigious business background), but so what?
Simply a thoroughly enjoyable, funny, pleasant and uplifting viewing.
The rapidity and degree of her success in her Vermont business venture are somewhat unbelievable (even despite her prestigious business background), but so what?
Simply a thoroughly enjoyable, funny, pleasant and uplifting viewing.
Sweeter than sugar Keaton is delightfully charming in this pleasant comedy about a high powered business executive who lives in her work, until she inherits a baby girl from distant relatives who have been killed. Lovely all the way through with a witty script from Nancy Meyers and Charles Shyer and good support from the always wonderful Shepard and from Sam Wannamaker.
In New York, the executive J.C. Wiatt (Diane Keaton) is a successful business woman that prioritizes her work in a publicity agency over her personal life. Her boss Fritz Curtis (Sam Wanamaker) calls her tiger lady and invites J.C. to be partner of the agency provided she brings the account of the company owned by Hughes Larrabee (Pat Hingle) to the agency. One night, J.C. is sleeping with her boyfriend Steven Buchner (Harold Ramis) and receives a phone call from England telling that she has an inheritance something from her cousin that died in an accident with his wife. J.C. believes it is money but receives their daughter, the baby girl Elizabeth, instead. Soon she feels connected to the baby, turning her life upside-down: Steven breaks with her; her assistant Ken Arrenberg (James Spader) steals Larrabee´s account in the agency; and J.C. loses her job. She decides to buy a huge real estate in Vermont to raise Elizabeth and finds many unexpected problems in the old house. But soon she sees an opportunity to develop new business while she meets the veterinarian Dr. Jeff Cooper (Sam Shepard) giving another sense to her life.
"Baby Boom" is a funny comedy about a tough executive that changes her life after inheriting a baby girl. The plot has silly and exaggerated moments, but is hilarious most of the time. Diane Keaton has good performance and the baby Elizabeth is cute. My vote is seven.
Title (Brazil):"Presente de Grego" ("A Curse in Disguise")
"Baby Boom" is a funny comedy about a tough executive that changes her life after inheriting a baby girl. The plot has silly and exaggerated moments, but is hilarious most of the time. Diane Keaton has good performance and the baby Elizabeth is cute. My vote is seven.
Title (Brazil):"Presente de Grego" ("A Curse in Disguise")
Le saviez-vous
- AnecdotesWhen Kristina and Michelle Kennedy were in college, they found out that Diane Keaton was doing a book signing in Southampton, New York. They showed up and when Keaton was doing signings, they placed the photo for Keaton to sign. Keaton remarked on the photo that she'd been thinking about the twins the other day. When she went to sign, she looked at the sisters, back to the photo and realized it was them. Keaton subsequently got up and hugged them both. The sisters later went onto become teachers.
- GaffesIn the beginning of the film, the narrator states that J.C. has a corner office. When the office appears a few minutes later, it's in the middle, with a window.
- Citations
J.C. Wiatt: I can't have a baby because I have a 12:30 lunch meeting
- Autres versionsThe joint MGM/UA Communications Co. and United Artists logo are both plastered with the 1990s United Artists logo in the 1996 VHS, and MGM logo in the Blu-ray version. The latter also featured the closing MGM logo.
- Bandes originalesEverchanging Times
Written by Burt Bacharach, Carole Bayer Sager and Bill Conti
Performed by Siedah Garrett
Courtesy of Qwest Records
Produced by Burt Bacharach, Carole Bayer Sager and David Foster
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Détails
Box-office
- Brut – États-Unis et Canada
- 26 712 476 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 357 413 $ US
- 12 oct. 1987
- Brut – à l'échelle mondiale
- 26 712 476 $ US
- Durée
- 1h 50m(110 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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