Emmanuelle 5

Well, as a small budget film, this one is SATISFACTORY.

In Deutschland, this would be referred to as "Einschlawtizen", meaning "Understandably bad due to budget restrictions".

Although not a full hearted effort, this film may please the 'duller" viewer.

Again, compared to Terminator 2, this doesn't stand 2 feet tall.

MaRX.

Penthouse queen Monique Gabrielle stars in this low budget Andy Sidaris style 'thriller' as an actress lured to some fictional middle eastern kingdom to be a sex toy for its cruel ruler. With that plot line it had exotic (or at least lurid) potential, but the final product lacks the conviction of its cheesy exploitativeness. Even the nude scenes are boring and tame, and the whole thing looks about as authentically middle eastern as a set from Harum Scarum. What make the other Emmanuelle movies appealing is the way they drip with local color and jungly Asian atmosphere, not to mention steamy hothouse sex, and the previous installment (Emmanuelle IV) was still churning this out.

This is yet another series that went on too long. Avoid.

For Monique Gabrielle, "Emmanuelle 5" did not become a long lasting breakthrough, but kept her in business. The story is pretty straight: Emmanuelle is kidnapped by Rajid who locks her up in his harem. Rajid behaves like a dictator and snores: "Women are weak", so he obviously didn't get to know Emmanuelle well enough yet. Friends of Emmanuelle want to rescue her, but wait until plenty of women inside the harem have been filmed long enough ;-).

Director Borowczyk was celebrating the character of Emmanuelle: "She is free, without prejudice, and she has confidence in herself" (quoted from "Cinema" 4/87). And she even gets a machine gun this time which makes confidence easier, I bet... Even though is has very little to do with the original Emmanuelle, Vol.5 is at least fun, moving faster than any other contribution to the series. The scene which sticks to everybody's mind is right at the beginning, when an enthusiastic crowd tears Emmanuelle's clothes off at a film festival, so her only escape is a jump on a yacht whose owner is understandably bewildered. I voted 7/8/6/4/6/7 for the six cinema films of the series.

(Edit 2017) Nine years after my review above, I got a copy of the German version to watch. We are talking about an entirely different movie here compared to the US version. In the German version, which also includes censored remains of a French video version, there is hardly a linear story and the editing is experimental, to put it mildly. I am not surprised that the American distributors decided to shoot additional scenes and re-edit the whole mess to make it more commercial - less art maybe, but a lot more enjoyable.

Poor Walerian Borowczyk. Such a promising career early on as an important player in avant-garde European cinema, his talents wasted by the time this movie was made. I can understand sometimes you have to pay the bills (ask Jean Rollin) by making porn, but this could have been made better. What, you ask? Porn? Indeed. This movie seems to have several edits for the domestic and international markets. American releases have had a 77 minute "R" rated cut I believe as well as the 85 minute "unrated" edition. The French version is roughly 85 minutes but will be virtually unrecognizable to most audiences. The first 20 minutes are an extension of Emmanuelle's "Love Train" movie which we see being screened by Cannes audiences. This 20 minute sequence contains 3 pornographic sequences, which look like they were intended for another film but found their way into Emmanuelle V. (The sex toys on display are those of Borowczyk, I guess to make these scenes "arty"). After these sequences, the film continues in the same way as the American versions except for a porno sequence in the ballet school and a porno lesbian encounter at the sheik's harem (with more of Borowczyk's "personal collection"). Monique Gabrielle does not appear in any of the porno sequences, just the softcore ones. The French version has little dialogue, but really, do you care what they're saying?

Emmanuelle 5 (1987)

* 1/2 (out of 4)

Emmanuelle (Monique Gabrielle) is at Cannes showing off her latest film, which is bought by an Arab prince. Emmanuelle goes to his small country for the premiere but soon she is held captive by the evil ruler who won't even allow women to show their legs or touch themselves but that's not going to sit well with our star. Apparently there are three versions of this film; the original European version, an American edit and an alternate hardcore version. I watched the American edit, which features some newly shot scenes as well as outtakes from the Euro version. I've never been a huge fan of the director but I might go as far to say this is the most entertaining film I've seen from him. If you've seen any of the Emmenuelle movies, whether the original series or the Black Emanuelle movies, then you know what to expect. Gabrille isn't much of an actress but she does have a great body and shows it off enough to keep the film moving. The supporting cast includes Crofton Hardester and Dana Bruns Westburg but they don't add a whole lot to the film. The biggest problem is the studio subplot dealing with the evil ruler who won't let women be free but of course we all know this movie was made to show women naked so the political message just comes off silly and rather stupid. Apparently fans have called Borowczyk a sell out for doing this film but there's still plenty of "art" here to where he can call it his own. I doubt his die-hard fans are going to give this film too much credit so I'd say those seeking cheap nudity will be the ones to enjoy this the most.