ÉVALUATION IMDb
2,7/10
9,2 k
MA NOTE
Dodger doit affronter les luttes de la vie alors qu'il est visité par les Garbage Pail Kids et intimidé par certains intimidateurs plus âgés.Dodger doit affronter les luttes de la vie alors qu'il est visité par les Garbage Pail Kids et intimidé par certains intimidateurs plus âgés.Dodger doit affronter les luttes de la vie alors qu'il est visité par les Garbage Pail Kids et intimidé par certains intimidateurs plus âgés.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 4 nominations au total
Bobby Bell
- Foul Phil
- (as Robert Bell)
Leo Gordon
- Guard #1
- (as Leo V. Gordon)
2,79.1K
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Avis en vedette
Offensively Awful - How Did This Get Made?
Without question the worst movie I've ever seen, and not even in a "so bad it's good" sense. It's ninety minutes of sheer torture, starring a hideous cast of makeup nightmares; indisputable evidence of the lengths a commercial property can stretch for the almighty dollar. Like most children of the eighties, I had a healthy collection of GPK stickers in my closet growing up. The gross-out humor and macabre illustrations were a big selling point, but beneath all that was a creative core and a wild amount of versatility. Every card was completely different. The one-note comedy of their film translation, though, is like opening a pack filled with duplicates. I counted six jokes with a visual punchline of "and then he peed his pants." That's not an exaggeration, and it's not the only example of the flick's careless comedic redundancy. Combine that with an appalling song and dance number (seriously), a horribly out-of-place romantic subplot (starring a pre-pubescent boy and a girl well into her twenties, no less) and a gang of foils cut clumsily from recycled cardboard. It's genuinely amazing this ever saw the light of day.
Holy Heck
Dodger must confront the struggles of life as he is visited by the Garbage Pail Kids and intimidated by some older bullies.
Although apparently later owned by Orion and then MGM, this film was originally produced and distributed by Atlantic Entertainment Group. At this point, they had some minor hits with "Valley Girl", "Teen Wolf" and "Night of the Comet", but were never a major player. Not surprisingly, within two years of this film coming out, they were defunct.
Rod Amateau directed, produced, and co-wrote the film. He had not made any other films of note, but had a distinguished career going back decades in television. Interestingly, this was his final film -- despite living almost another 20 years. Was it a career killer? Amateau had as his right-hand man John Carl Buechler, which was the right choice, although given the film's focus on puppets, Buechler's involvement (not to mention Phil Fondacaro) give it the feeling of a Charles Band film. And that is never a good thing.
In fact, Buechler was involved before even Amateau, and in some ways had more to do with the final product. Apparently the Chiodo Brothers ("Killer Klowns") were contacted and passed, and next in line was John Carl Buechler, who was fresh off of "Troll". He was briefly considered as not just the effects guy but also the director, but his vision was too dark. He thought of the Kids as monsters, not something lovable, and the studio disagreed. He reflects, "The best stuff in the movie is them farting and blowing snot on each other... but it had to walk this line of being a gentle fairy tale." He thinks the blend was a bad idea, and he is probably right.
Buechler was the one who brought in Phil Fondacaro, and Phil brought in the "little people" he knew. So indirectly, Buechler not only created the Kids, but provided the actors who would play them. Buechler also brought in John Criswell, who had done effects for "Re-Animator" and "From Beyond", and has since gone on to bigger things like "The hangover". And William Butler, who is a terrible human being, but an important part of horror history, with all that he has designed, written, directed and acted in since the mid-80s.
The film was universally panned, receiving overwhelmingly negative reviews, and is widely considered to be one of the worst films ever made. Caryn James of The New York Times called the film "too repulsive for children or adults of any age", and it sits very, very low on both Rotten Tomatoes and IMDb. This abysmal (and fair) criticism aside, 2015-2016 welcomed a small resurgence of Garbage Pail Kids, with new cards coming out, and a very positive retrospective written in HorrorHound magazine. Indeed, the film can now be looked back upon as a strange moment in 1980s history, or what star Mackenzi Astin calls "what-the-f***ery".
Scream Factory found this to be the right time to release the film on blu-ray, and if there ever was a right time this may have been it. The film, as truly awful as it is, does seem better now (2016) than when it first came out. Even as a child I thought it was terrible, but now it has just a twinkle of nostalgia to make it palatable. The Scream disc comes with a few interviews of varying length and quality. The brief interview with Buechler is good, as he is not afraid of being honest. The real gem of this release, however is the interview with Mackenzie Astin. He talks freely for approximately 30 minutes and has countless stories to share about his father, his co-stars and more. If the movie might not be enough to make you buy the disc, his interview should be.
Although apparently later owned by Orion and then MGM, this film was originally produced and distributed by Atlantic Entertainment Group. At this point, they had some minor hits with "Valley Girl", "Teen Wolf" and "Night of the Comet", but were never a major player. Not surprisingly, within two years of this film coming out, they were defunct.
Rod Amateau directed, produced, and co-wrote the film. He had not made any other films of note, but had a distinguished career going back decades in television. Interestingly, this was his final film -- despite living almost another 20 years. Was it a career killer? Amateau had as his right-hand man John Carl Buechler, which was the right choice, although given the film's focus on puppets, Buechler's involvement (not to mention Phil Fondacaro) give it the feeling of a Charles Band film. And that is never a good thing.
In fact, Buechler was involved before even Amateau, and in some ways had more to do with the final product. Apparently the Chiodo Brothers ("Killer Klowns") were contacted and passed, and next in line was John Carl Buechler, who was fresh off of "Troll". He was briefly considered as not just the effects guy but also the director, but his vision was too dark. He thought of the Kids as monsters, not something lovable, and the studio disagreed. He reflects, "The best stuff in the movie is them farting and blowing snot on each other... but it had to walk this line of being a gentle fairy tale." He thinks the blend was a bad idea, and he is probably right.
Buechler was the one who brought in Phil Fondacaro, and Phil brought in the "little people" he knew. So indirectly, Buechler not only created the Kids, but provided the actors who would play them. Buechler also brought in John Criswell, who had done effects for "Re-Animator" and "From Beyond", and has since gone on to bigger things like "The hangover". And William Butler, who is a terrible human being, but an important part of horror history, with all that he has designed, written, directed and acted in since the mid-80s.
The film was universally panned, receiving overwhelmingly negative reviews, and is widely considered to be one of the worst films ever made. Caryn James of The New York Times called the film "too repulsive for children or adults of any age", and it sits very, very low on both Rotten Tomatoes and IMDb. This abysmal (and fair) criticism aside, 2015-2016 welcomed a small resurgence of Garbage Pail Kids, with new cards coming out, and a very positive retrospective written in HorrorHound magazine. Indeed, the film can now be looked back upon as a strange moment in 1980s history, or what star Mackenzi Astin calls "what-the-f***ery".
Scream Factory found this to be the right time to release the film on blu-ray, and if there ever was a right time this may have been it. The film, as truly awful as it is, does seem better now (2016) than when it first came out. Even as a child I thought it was terrible, but now it has just a twinkle of nostalgia to make it palatable. The Scream disc comes with a few interviews of varying length and quality. The brief interview with Buechler is good, as he is not afraid of being honest. The real gem of this release, however is the interview with Mackenzie Astin. He talks freely for approximately 30 minutes and has countless stories to share about his father, his co-stars and more. If the movie might not be enough to make you buy the disc, his interview should be.
Well, It's no 'Ishtar' but...
You people are insane and m' toissing the point.
When I was a teenager I used to take my friends out to the worst movie I could find on my birthday. I subjected them to everything from 'Plan 9 from Outer Space' to 'Sgt. Pepper's Lonely Hearts Club Band'
My piece dah rezistence was 'The Garbage Pail Kids Movie'.
This movie is so bad, it is almost impossible to find.
It makes 'Teenage Mutant Ninja Turtles 2 look like Citizen Kane'.
Please release this on DVD. In a universe where it's easier for me to buy 'Erin Brokovich' than 'The Garbage Pail Kids Movie' there is no god.
When I was a teenager I used to take my friends out to the worst movie I could find on my birthday. I subjected them to everything from 'Plan 9 from Outer Space' to 'Sgt. Pepper's Lonely Hearts Club Band'
My piece dah rezistence was 'The Garbage Pail Kids Movie'.
This movie is so bad, it is almost impossible to find.
It makes 'Teenage Mutant Ninja Turtles 2 look like Citizen Kane'.
Please release this on DVD. In a universe where it's easier for me to buy 'Erin Brokovich' than 'The Garbage Pail Kids Movie' there is no god.
It Hurts
Everyone involved in the making of this movie, from the coke-vacuuming, muckraking scum who financed it to the gaffer's newest apprentice, is going directly to hell.
This isn't just a bad movie. It's a psychotic, surreal journey into the realm of the profoundly grotesque. The Garbage Pail Kids themselves are terrible in their deformity, with exaggerated facial features and apparent elephantitis of the cranium making them hurtful to witness. Poorly-done animatronics make them all appear as if their facial muscles have been injected with lidocaine. They have a collective IQ of approximately 58.
It's not pleasant to watch. It's not funny, it's not kitschy, it's not camp. The dialogue is pat and smarmy, the characters stupid and forgettable, and the whole slimy mess reeks of greedy bastards trying to make a fistful of money on the flavor of the week. TGPKM is another example of how depressingly low the common denominator really is...and this was BEFORE the reality TV craze.
It hurts.
This isn't just a bad movie. It's a psychotic, surreal journey into the realm of the profoundly grotesque. The Garbage Pail Kids themselves are terrible in their deformity, with exaggerated facial features and apparent elephantitis of the cranium making them hurtful to witness. Poorly-done animatronics make them all appear as if their facial muscles have been injected with lidocaine. They have a collective IQ of approximately 58.
It's not pleasant to watch. It's not funny, it's not kitschy, it's not camp. The dialogue is pat and smarmy, the characters stupid and forgettable, and the whole slimy mess reeks of greedy bastards trying to make a fistful of money on the flavor of the week. TGPKM is another example of how depressingly low the common denominator really is...and this was BEFORE the reality TV craze.
It hurts.
If you hate yourself or somebody else, there's no better punishment than watching this
If you were a boy growing up in the 1980s, you likely collected the Garbage Pail Kids trading cards. I was obsessed with them, and I even got to see this movie when it was released. I didn't remember a thing about it, but I was aware that it now has a reputation as one of the worst movies ever made. And, boy howdy, does it deserve it! This thing is simply dreadful. It brings to life seven of the trading card characters in all their disgusting glory, making them impossibly hideous dwarfs with hydrocephalic domes. Ushering them into the world is Sean Astin's younger brother Mackenzie, who uses their skills at clothing design (?!) to impress an older girl (Katie Barberi, quite attractive). She uses his affection to pass the clothes off as her designs. The film's attempts at humor are predictably juvenile, but I doubt I found them even close to funny, even as an 8 year-old. The movie isn't boring, but it's mind-numbingly awful. A must-see for anyone who likes bad movies, though, be warned, this is far from being so bad it's good. It's so bad it's soul-crushing!
Le saviez-vous
- AnecdotesJohn Carl Buechler was considered to direct the film. His version of the story was going to be a straight up horror film. The Garbage Pail Kids would have spawned from radioactive sludge that had found its way to a garbage can filled with broken dolls, turning them into serial killers.
- GaffesIn the cinema, Messy Tessie has a bag of popcorn full to the top. She then sneezes and half of the popcorn flies over the cinema, yet in the next shot her bag of popcorn is still full to the top.
- Citations
Foul Phil - Suit: My tummy hurts!
Greaser Greg - Suit: What did you eat?
Foul Phil - Suit: Everything!
Greaser Greg - Suit: That makes sense!
- Autres versionsThe UK video version was cut by 26 secs for a PG certificate with edits to imitable techniques and to remove all shots of Greg's flick knife. The DVD features the same cut print. Only in 2024 was this censorship waived and the BBFC rating is now 12.
- ConnexionsFeatured in Le Voleur de Têtes (1991)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Garbage Pail Kids Movie
- Lieux de tournage
- Sherman Oaks Van Nuys War Memorial Park - 14118 Huston Street, Los Angeles, Californie, États-Unis(park where Juice and his gang bully Dodger)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 1 576 615 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 661 512 $ US
- 23 août 1987
- Brut – à l'échelle mondiale
- 1 576 615 $ US
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