Le cri des larmes

This is a great movie. While "the scene" achieved great notoriety and some think that's all the movie is about, it's really about so much more. The desperation of the Irish to achieve freedom from England is very much on display here. Like other ancient feuds around the globe, the passion on both sides is evident in their willingness to do just about anything to advance their cause(s). It's also a powerful, if strange, story of human love. Complicated, deeply felt, real love. The kind that would make you sacrifice virtually everything to prevent the one you love from suffering pain. Excellent acting makes this a worthwhile investment of time. A film to remember and cherish.

This wonderful movie is even better on the repeat viewing after the secret was out because you'd pay more attention to the smallest details and enjoy the brilliant storytelling and acting by everyone. Besides Rea, Whitaker, and Miranda Richardson, I'd like to mention Jim Broadbent as a sympathetic bartender Col. For me, though, the absolutely stunning, one of the very best debuts in the movie history was Jaye Davidson who had no movie experience. You know, there are not many characters that I keep thinking about after the movie is over - where did they come from, how their life would turn after the final credits, how would this cruel world treat them, would they be happy? And I want them to be happy. Dil (Davidson) is one of them - what a marvelous creature, how vulnerable yet dignified she is, what a combination of dry remote coolness and quiet tenderness. No wonder, Fergus (Rea) (as Whitaker's Jody before him) fell under her spell even after he found out that nothing is what it seems. Great movie - makes you think, makes you feel, makes you talk about it, makes you want to see it again.

9.5/10

This movie is not the average, run of the mill suspense film. It is well acted, with a solid script and very human side to the plot. Jaye Davidson launched a nice career with this surprise. In the end, Crying Game does not take the easy way out and cheat the audience. Neil Jordan made some excellent artistic choices. I am genuinely sorry I missed this film in the theatres and I am pleased I rectified this oversight.

A great movie even if there wasn't that surprise twist. That may even have ruined the movie for some. For those sensitive viewers, just ask a friend to fast forward certain graphic scenes for you, and then you can still enjoy the movie. It's a most touching story of love, loyalty and respect transcending all barriers of race, religion and sexual orientation.

The remarkable message here is that all human beings, whoever they are, wherever they come from or whatever their lifestyles, are all equally human. They love, hate, laugh, cry, feel and hurt just like everybody else. So folks, people of the world, love thy neighbors, man! Their hair may be green, their skins may be purple, but their hearts are no different from everybody else's.

One of the best movies in a long time. A must see for all except the weak-stomached. All things considered, an absolute 10/10.

Truly fantastic movie. Neil Jordan's apparent tale of an IRA terrorist who becomes involved in the life of one of his captives explores so much beyond the plot – issues of identity, belief, and yes, even love. The performances are brilliant from every cast member, especially so for Miranda Richardson, Stephen Rea, and the incomparable Jaye Davidson. Even if you know the secret, you'll still probably be captivated by this film. A triumph for Jordan one of the best movies of the 1990s.