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Le cobaye

Titre original : The Lawnmower Man
  • 1992
  • 14A
  • 1h 48m
ÉVALUATION IMDb
5,4/10
41 k
MA NOTE
Jeff Fahey in Le cobaye (1992)
Home Video Trailer from New Line Home Entertainment
Liretrailer2:03
4 vidéos
99+ photos
HorreurScience-fictionCyberpunkTragédie

Un homme simple est transformé en génie grâce à l'application de l'informatique.Un homme simple est transformé en génie grâce à l'application de l'informatique.Un homme simple est transformé en génie grâce à l'application de l'informatique.

  • Director
    • Brett Leonard
  • Writers
    • Stephen King
    • Brett Leonard
    • Gimel Everett
  • Stars
    • Jeff Fahey
    • Pierce Brosnan
    • Jenny Wright
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    5,4/10
    41 k
    MA NOTE
    • Director
      • Brett Leonard
    • Writers
      • Stephen King
      • Brett Leonard
      • Gimel Everett
    • Stars
      • Jeff Fahey
      • Pierce Brosnan
      • Jenny Wright
    • 166Commentaires d'utilisateurs
    • 62Commentaires de critiques
    • 42Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 3 nominations au total

    Vidéos4

    Lawnmower Man
    Trailer 2:03
    Lawnmower Man
    The Lawnmower man
    Trailer 0:31
    The Lawnmower man
    The Lawnmower man
    Trailer 0:31
    The Lawnmower man
    The Lawnmower Man: Jobe Attacks
    Clip 1:50
    The Lawnmower Man: Jobe Attacks
    The Lawnmower Man: Cast & Crew On The Virtual Reality World
    Featurette 2:09
    The Lawnmower Man: Cast & Crew On The Virtual Reality World

    Photos123

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    + 116
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    Rôles principaux30

    Modifier
    Jeff Fahey
    Jeff Fahey
    • Jobe Smith
    Pierce Brosnan
    Pierce Brosnan
    • Lawrence Angelo
    Jenny Wright
    Jenny Wright
    • Marnie Burke
    Mark Bringelson
    Mark Bringelson
    • Sebastian Timms
    Geoffrey Lewis
    Geoffrey Lewis
    • Terry McKeen
    Jeremy Slate
    Jeremy Slate
    • Father McKeen
    Dean Norris
    Dean Norris
    • Director
    Colleen Coffey
    Colleen Coffey
    • Caroline Angelo
    Troy Evans
    Troy Evans
    • Lt. Goodwin
    Rosalee Mayeux
    Rosalee Mayeux
    • Carla Parkette
    Austin O'Brien
    Austin O'Brien
    • Peter Parkette
    Michael Gregory
    Michael Gregory
    • Security Chief
    Joe Hart
    Joe Hart
    • Patrolman Cooley
    John Laughlin
    John Laughlin
    • Jake Simpson
    Ray Lykins
    Ray Lykins
    • Harold Parkette
    Jim Landis
    • Ed Walts
    Michael Valverde
    • Day Gate Guard
    • (as Mike Valverde)
    Dale Raoul
    Dale Raoul
    • Dolly
    • Director
      • Brett Leonard
    • Writers
      • Stephen King
      • Brett Leonard
      • Gimel Everett
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs166

    5,441.1K
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    Avis en vedette

    8xdsdncs

    Don't bother with the theatrical version

    For the longest time, I only ever saw the director's cut of this movie. It's no masterpiece or anything, but it's a good, well-told modern-day Frankenstein story. It has a slow build-up, with solid character building that creates an emotional core we can connect with.

    I was APPALLED when I finally saw the theatrical version. It's a total trash fire. Everything that made the director's cut good, all the thoughtfulness and care, all the dramatic and sci-fi elements I like about this movie, are sucked out, leaving a lobotomized, hollow, nonsensical shadow of a story upon which to hang some early '90s special effects. Characters' motivations disappear and we're left with nothing of any substance. I hate the fact that it exists.

    Get the director's cut (or "Collector's Edition"), which is about 140 minutes long. Accept no substitutes!
    8lee_eisenberg

    an early look at the coming power of computers

    Stories about a simple person getting turned into something more seem pretty common in movies, but none are like "The Lawnmower Man". Portraying scientist Pierce Brosnan turning retarded Jeff Fahey into a super-genius (with unintended consequences), this is one movie destined to blow your mind. The visual effects were beyond impressive even for 1992, but they never dominate the movie. We might say that the movie deals with the dangers of people relying too much on technology, and also the dangers of militarism, but even aside from that, this is a movie worth seeing. Check it out.

    Oh, and I think that we can all agree that the sequel needs to be avoided at all costs.
    7Fusion-8

    Was a good movie at the time and it still is

    I went to see this movie in the theater when it was released. At the time the graphics were not dated in any way shape or form. Where is VR today? I recently bought the DVD and after watching it and remembering that it was an eight (8) year old movie, I still enjoyed it. I have seen a few VR games in arcades and to be honest the graphics today aren't much better than they were in this movie. I have seen a lot of comments about the effects being dated and I think that should be common sense when watching an older movie. When I watch Tron I don't think that the graphics are dated, I just remember that the movie was made in 1982 and effects and computer animation weren't the same back then as they are today. Most older movies have that look when compared to today's special effects. I always take that into account when watching older movies. I enjoyed Lawnmower Man then, now and I will the next time I watch it. I will keep it in my DVD collection.
    6mark-908-122018

    Reality vs Nostalgia

    I saw this shortly after its theatrical release and for years that was the only version of this story that I knew. It was campy, felt King-ish (despite King removing his name from the production) and had some interesting story elements. Then and now I can't escape the fact that the plot seems lifted directly from Flowers for Algernon set in what was at the time cutting edge CGI. The only thing missing from the "stolen" plot is the human science experiment (Jobe) losing his recently gained super-intelligence. In this flick, he becomes evil and unpredictable - but predictably so.

    After a nostalgia viewing of the Director's Cut I can say that the restored footage makes a big difference in fleshing out the story. The original theatrical cut was a complete shitshow compared to the extended version. Angelo's girlfriend in particular became a whole character and some formerly missing scenes really helped the movie's overall cohesion. However, none of the restored scenes take away from some truly trite plot elements and wooden acting, particularly in nearly every role associated with "The Shop." Brosnan is decent, perhaps a bit overdoing the petulant scientist genius but Fahey's portrayal of Jobe is still very good. The transformation of his character from dolt to cyber god always struck me as well done and it holds up. Still unexplained in any adequate detail is the relationship with Dr. Angelo's neighbors.

    The CGI, as mentioned in other reviews, is laughable in the modern day. Setting that aside, the themes explored in the movie still seem relevant and frankly I'd love an updated telling that incorporates contemporary sensibilities and more cohesive storytelling. Worth a watch - if you temper your expectations. After all, this was a 90s take on technology's implications, an idea that could have been great but suffered too much from corporate editing and profit goals in its native time.
    8vesil_vesalier

    Back when movies were crazy, fun rides instead of dark, grisly adventures.

    The movies of yesterday get quite a beating by the moviegoers of today.

    "Cheesy" is the word used most often, for movies like MANNEQUIN or WEIRD SCIENCE, that have silly or unbelievable plots surrounded by fun and humor. Movies like WARGAMES and TRON get bashed, because of their dated looks and technology-related plots that are clearly not possible today, only because the technology of today renders them ridiculous.

    ROLLERBALL also suffers this fate, ironically, because its supposed to be a brutal future-sport based on Roller Derby, which by now has all but disappeared from the sporting world.

    Taking all of this into account, I still love THE LAWNMOWER MAN. Jeff Fahey plays Job, a slow, mentally and physically abused man who is laughed at and mocked by his entire community, save Jeffrey Lewis playing Terry, his partner and friend throughout the film.

    Pierce Brosnan plays the scientist Lawrence Angelo, a man who is obsessed with exploring the higher dimensions of the functioning brain by using chimpanzees as guinea pigs. All is going very well for him, until "the Shop" (admittedly a bad pun on Stephen King's work, most notably FIRESTARTER) demands that his research be used to modify the chimps into killing machines. When one of his chimps suddenly escapes, and cannot tell reality from the simulated virtual reality he was being trained in, all hell breaks loose.

    As a result, the project is halted, and the doctor is out. Way out. He sinks into depression, questioning his life and his purpose. He decides one day, when he sees Job come to mow his lawn, a potential new guinea pig for his experiments.

    Looking back at this picture, I can see that the doctor's intentions went way beyond his actions. He used Job as an experiment, and the experiment went awry. Mix in the fact that the Shop interferes, much in the same way that it did for the mass-murdering chimp, and even more hell breaks loose than before.

    Now, is there a level of "cheesy", here? Absolutely. Some of the moments in the film where Job is having side-effects of his treatments come across as overdone, and the fears of the effects of Virtual Reality of yesterday are nothing but jokes today, because the tech still isn't really going anywhere. The ideas are strong, without the tech to back it up.

    But you could make similar arguments about TRON. You could probably make similar arguments about ANY sci-fi pictures that came out before the nineties. Hell, you could probably make similar arguments about any sci-fi picture at all, once you debunk the science behind it.

    What we've forgotten is how to have FUN at movies. The reason why silly movies like this one were so good is because we DIDN'T know how the world worked. We DIDN'T care about the tech behind it, because we knew it was FICTION. There are too many movies coming out today that are based on reality. Too much of what we see on the screen, both big and little, are rooted in the grim, grisly world of today.

    If you want to enjoy this movie, like I still do, sit back, put your feet up, and pretend that what you see before you is actually possible. Let the actors do their jobs (which they did very well) and enjoy the ride. Enjoy the score, the theme, the plot, and even the silly CGI that doesn't hold up to today's standards, but looked pretty good for the crazy movie they were making back in the day. Stop taking everything so seriously.

    Because I think THAT is the reason why "Hollywood can't come up with anything original anymore". Original, back in the day, was synonymous with "silly" and "chancy".

    You wouldn't want any of that today, would you?

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      New Line Cinema had obtained the rights to the Stephen King short story "The Lawnmower Man", and the producers also had an unrelated script called "Cyber God". For economical reasons, they simply placed King's title on the production of "Cyber God", and early promotional material with that claim even went public. King was furious at this abuse of his name, and he sued the studio to have his name and title removed from the film and promotion. The studio refused, but was eventually ordered to pay ten thousand dollars and full profits to King.
    • Gaffes
      Twice in the movie, the scenes at the cafe are identical. Both show the same girl sitting at the counter and the waitress has just finished serving the same couple. That scene is first used earlier in the movie before Jobe and Terry enter the cafe. Later the same scene is used again just before Jobe goes into the cafe with Peter.
    • Citations

      Dr. Lawrence Angelo: This is all so new.

      Jobe Smith: It's not new. I realized that nothing we've been doing is new. We haven't been tapping into new areas of the brain - we've just been awakening the most ancient. This technology is simply a route to powers that conjurers and alchemists used centuries ago. The human race lost that knowledge and now I'm reclaiming it through virtual reality.

      Dr. Lawrence Angelo: You're moving too fast. Even with all these new abilities, there are dangers. Man may be able to evolve a thousand-fold through this technology, but the rush must be tempered with wisdom.

    • Générique farfelu
      At the start of the movie, just after the New Line Cinema logo, the following Virtual Reality 'statement' is given (the director stated that this was rewritten many times): By the turn of the millenium a technology known as VIRTUAL REALITY will be in widespread use. It will allow you to enter computer generated artificial worlds as unlimited as the imagination itself. Its creators foresee millions of positive uses - while others fear it as a new from of mind control...
    • Autres versions
      A director's cut was released with 39 minutes of additional footage which included the following material:
      • When Rosco 1138 was shot in the theatrical version he died, but in the directors cut he survived
      • A scene when Jobe Smith is attacked by Rosco 1138, but Rosco looks at his pupils and sees he is not a threat
      • Dr. Angelo gives some soldiers a briefing on capturing Rosco
      • Jobe speaks to Rosco thinking he is a comic book super hero called Cyboman
      • Father McKeen finds Rosco with Jobe and calls V.S.I., Dr. Angelo's place of work
      • The soldiers go to Jobe's house and Dr. Angelo wants to get Rosco alive, but the soldiers kill Rosco and Jobe starts to cry
      • Father McKeen talks to Jobe and tells him how he endangered the church by letting Rosco in his house
      • Jobe and Terry McKeen are at the gas station and Jobe tells Terry and Jake about Cyboman and Jake makes fun of him
      • Dr. Angelo talks into his audio journal and wonders why Rosco bonded with the retarded man Jobe
      • In the theatrical version Dr. Angelo's wife leaves him, but in the director's cut she goes out with her friends. Dr. Angelo follows her to her car and she leaves; then he talks to Peter's mom [Carla Parkett] and they talk about how Peter reminds him of himself at that age
      • Terry McKeen and Jobe are in a diner and Jake starts harassing him about Cyboman
      • Father McKeen sees Jobe reading and yells at him and Terry defends him and tells Father McKeen to let Jobe be a man. Then Father McKeen leaves and tells Jobe he'll teach him to drive, but he learnt how already with the V.R. treatments he has been getting from Dr. Angelo
      • Jobe is with Dr. Angelo on the way to V.S.I. and asks if he is going to do to him what he did with Rosco
      • Jobe is scared because he can read minds; he asks Mrs. Angelo where Dr. Angelo is and he reads her mind
      • Dr. Angelo asks his wife where Jobe is and she does not respond because she is under Jobe's control
      • Dr. Angelo is tied up and his wife asks if he and Jobe need anything, still being under his control
      • The agents are going to pick up Jobe and Dr. Angelo when Jobe tells Dr. Angelo "Now you will witness the impossible" and makes Dr. Angelo watch his wife kill an agent and then is killed by the other two while he watches through V.R.
    • Connexions
      Edited into Beyond the Mind's Eye (1992)
    • Bandes originales
      Jobe's Fury
      Written and Performed by Sterling

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    FAQ22

    • How long is The Lawnmower Man?Propulsé par Alexa
    • What's the story behind the lawsuit of King vs. New Line Cinema?
    • What are the differences between the Theatrical Version and the Director's Cut?
    • Is the film based on a book?

    Détails

    Modifier
    • Date de sortie
      • 6 mars 1992 (Canada)
    • Pays d’origine
      • United Kingdom
      • Japan
    • Langue
      • English
    • Aussi connu sous le nom de
      • The Lawnmower Man
    • Lieux de tournage
      • Brandeis-Bardin Institute - 1101 Pepper Tree Lane, Simi Valley, Californie, États-Unis
    • sociétés de production
      • Alliance Films
      • Allied Vision
      • Fuji Eight Company Ltd.
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 10 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 32 100 816 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 7 751 971 $ US
      • 8 mars 1992
    • Brut – à l'échelle mondiale
      • 32 100 816 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 48m(108 min)
    • Couleur
      • Color
    • Mixage
      • Dolby SR
    • Rapport de forme
      • 1.85 : 1

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