El mariachi

I know the budget for this film was somewhere between 5000 and 7000 dollars, but I would like to comment more on the pacing and frenetic film style Rodriguez bestows upon us. Low budget or not,this film has energy. It never lets down for more than a few minutes and the editing is amazing. Robert Rodriguez has such a knowledge of film-making that he makes this movie look like a million bucks easy. The film isn't perfect, but on sheer energy alone it will entertain you more than most over-blown Hollywood action films.

Having experienced director Robert Rodriguez's most recent film, the zombie horror pastiche Planet Terror (2007) - which was sold as a double bill with Quentin Tarantino's femme-exploitation revisionist film Death Proof (2007) as a modern-day homage to low-budget 70's drive-in cinema - I couldn't help but feel somewhat disappointed by its obvious disregard of the low-budget format in favour of CGI, explosions and A-list cameos. Now, although Planet Terror was hardly a big budget affair, it was clearly the work of an experienced filmmaker with his own studio and facilities and a collection of superstar friends willing to turn up and do a couple of days work at a reduced fee. However, with this, his first film, Rodriguez creates a perfect example of the grindhouse ethos in a more contemporary sense; i.e. a violent, low-budget exploitation picture with a minuscule cast of mostly no professional actors and with almost every single technical role carried out by the director himself.

Unlike Planet Terror - which is a good film and one that I did enjoy - the final result here is lively and inventive, with none of the generic clichés and nodding irony of that more recent project. It not only shows the efforts of low-budget film-making at its best, but uses the same shortcomings of low-budget film-making to its advantage. In this respect, it reminds me of something that Roger Corman might have produced in the 1970's, with the exploitative reliance on violence and the corruption of innocence as its central theme, and the excitement and imagination that permeates the direction of Rodriguez from the first frame to the last. The film can obviously be approached as a minor-key riff on the very noir-like notions of mistaken identity, small-town corruption and the vision of the mysterious gunslinger, with Rodriguez creating his own blend of "Mexploitation" cinema that would continue with the bigger-budgeted sequel/re-make Desperado (1995) and the third instalment, Once Upon a Time in Mexico (2003), which just might be the director's best film (or at least, the most entertaining). You can also see certain parallels with a film like From Dusk till Dawn (1996) and the proposed Machete (2008), though really; these films come nowhere near the verve, grit and vitality of the film in question.

If you can get past the technical limitations, the use of the Spanish language and the reliance on non-professional actors, then El Mariachi (1992) is a great film. Not a masterpiece, but simply a great film; one that offers entertainment value and some genuine no-budget ingenuity and - if watched with the added bonus of the director's commentary function - an effective, makeshift film school. I suppose you could always disagree that the film is more successful as a result of the low-budget, as I guess there are some elements here that audiences might see as shoddy or indeed comical due to the lack of funds and experience. Nonetheless, the film really does use these limitations to further the story and the occasional moments of light comedy, not to mention the creation of those enigmatic dream-sequences, which Rodriguez claims were shot simply to use up the last few feet of film on each reel. It all works though, creating a film that is wild, violent, funny, charming and above all else, unpredictable.

This film is quite well known for being made on a $7000 budget, and while that can be quite impressive... Parts of this film are far from it. But that doesn't meant this is a bad film. Not at all.

First I want to cover the more amateur feeling parts of this film that bring it down. The acting can be pretty iffy at times, sometimes coming across as quite terrible. The camera work can be a bit shoddy at times as well, with certain shots containing random camera shaking that just seems to be an error rather then stylistic choice. Audio can be strange and distracting too, generally due to the fact that the film was shot silent and then the audio was recorded on set with a cheap recording device and synced later. Also, the story is pretty cheesy and is full of little plot holes that if you're paying attention will make you go "wait...what?".

These cons do not completely take away from the pros however. I think there's a lot to be respected about this film, due to how cheap it was made. There are occasionally shots that are quote impressive and well thought out. While the story is kinda cheesy, it does get you interested when things start to heat up. There's almost a kind of fun aspect to the film where you see certain things and wonder to yourself how they were done on such a cheap budget.

It's a great first film and is an interesting film for people who want to create their own, due to the fact that it was created so cheap and creatively. It's an example of how you can start off small, but become big.

El mariachi... the 1992 one. It's a lesson on how to make a film, by yourself, on a small part of a shoe-string budget. Carlos gallardo is a mariachi player. But not gang banger. So when he gets mistaken for an assassin, he goes on the run to save his life. I encourage you to read the trivia section to see just how the film was made. Innerastin stuff! Which explains the high number of mistakes in the goofs section! It's totally amateur hour, but it's still fun to watch. A fight and gun-shoot-out, where no-one grunts or yells. Totally silent. Couldn't afford the foley guy. Some great scenes of familiar mexico. It's silly but fun. Most of the shots are done with the close-up lens, which is weird. Directed by robert rodriguez. Filmed in ciudad acuña, mexico, which is about three hours west of san antonio. Currently showing on the pluto channel. It looks like they tried to make a television series from this film... which didn't last long.

What could easily be viewed as just a simple B-movie turns into an impressive, gritty and action-packed independent feature from director Robert Rodriguez. It's the volatile, gripping story of a wandering guitarist who arrives in a small Mexican town looking for a big break, but unfortunately a case of mistaken identity makes him the target of the town's cold-blooded boss and his vile henchmen who are bent on killing him. Shot for a remarkable $7,000, and featuring a cast of newcomers and generally unknowns, this formidable little feature still packs a punch with violent, pumped-up action scenes and credible performances. Nothing ever truly breathtaking, but a respectable showing nonetheless. ***